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The guide to getting that first media job Media Career Guide provides students with all the information they need to prepare for and conduct a successful communication-related job search. The manual includes an overview of the employment prospects for today’s student and provides a comprehensive directory of media jobs including positions in print, radio, broadcast, online, new media, and advertising. In addition, guidelines walk students through the entire process — from how to research an industry or company and writing resumes to preparing for interviews and appropriate on-the-job behavior — making this an ideal resource for students.

• Sales Rank: #9402505 in Books
• Published on: 2000-03
• Original language: English
• Dimensions: 9.25" h x 6.25" w x .25" l,
• Binding: Paperback
• 87 pages

About the Author
James Seguin is a professor of communication at Robert Morris University in Pittsburgh. He is also President of Creative Video, Inc. and has received awards for his television and video productions.

Sherri Hope Culver is an assistant professor of Broadcasting, Telecommunications and Mass Media at Temple University and serves as Director for the university’s Media Education Lab. She also has extensive experience as a television producer and consultant to public broadcasting.

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@ PDF Ebook Monkey Business: The Lives and Legends of The Marx Brothers, by Simon Louvish

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Strange but true: this is the first authentic account of the Marx Brothers, their origins and of the roots of their comedy.

First and foremost, this is the saga of a family whose theatrical roots stretch back to mid-19th century Germany. From Groucho Marx's first warblings with the singing Leroy Trio, this book brings to life the vanished world of America's wild and boisterous variety circuits, leading to the Marx Brothers' Broadway successes, and their alliance with New York's theatrical lions, George S. Kaufman and the 'Algonquin Round Table'.

Never-before-published scripts, well-minted Marxian dialogue, and much madness and mayham feature in this tale of the Brothers' battles with Hollywood, their films, their loves and marriages, and the story of the forgotten brother Gummo.

• Sales Rank: #484090 in Books
• Published on: 2000-06-08
• Original language: English
• Number of items: 1
• Dimensions: 8.56" h x 1.44" w x 6.42" l,
• Binding: Hardcover
• 464 pages

Amazon.com Review
A serious book hiding behind a goofy title, Monkey Business captures a tremendous amount of detail in its pages, enough to satisfy the most hard-core Marx Brothers aficionado. Author Simon Louvish has a talent for showcasing contrasts, and it's these contrasts--along with a few surprises--that make the brothers such fascinating characters. Among all the scripts, photos, and quotes are some unexpected discoveries, especially the real story of Margaret Dumont. While lamenting the tall tales that have circulated around this actress's life so far, Louvish applauds her image as the ultimate "straight" lady when she was really pulling a lifelong practical joke. And while the one-liners are as entertaining as always, it's refreshing to see glimpses of Groucho's serious side. One chapter begins with an earnest letter to his daughter's boyfriend about the young man's struggles with anti-Semitism, advising him to "comport yourself in such a manner that you will ultimately gain their respect." Of course, he immediately follows up with "Tomorrow we're having tea at the White House. I hope they have pumpernickel": this is Groucho we're talking about, after all. Louvish takes the same one-two narrative punch with the other brothers, interspersing real-life slapstick with tales of gambling debts, relationship difficulties, and professional disappointments and triumphs. Complete with a chronological list of life events and films, a complete reference list, and a thorough index, Monkey Business is the biography serious Marx Brothers fans have been waiting for. --Jill Lightner

From Publishers Weekly
Told with tremendous style and sparkle, Louvish's composite portrait of the Marx Brothers offers an indispensable overview of the actors' saga. Decked out with photographs and sprinkled with excerpts from reviews, interviews, memoirs, film dialogue and hitherto unpublished skits and scripts, this biography captures the sheer exuberance of the foursome as they conquered vaudeville, Broadway and Hollywood. Louvish gives equal billing to all the brothersAJulius (Groucho), Leonard (Chico), Arthur (Harpo), Herbert (Zeppo), plus Milton (Gummo), who left the act to become a Hollywood agentAand vibrantly re-creates a supporting cast of characters that includes George Kaufman, Irving Berlin, Irving Thalberg, S.J. Perelman and Margaret Dumont. Yet the biographer of W.C. Fields (The Man on the Flying Trapeze) maintains critical detachment in assessing the brothers' onstage/onscreen antics and their often messy private lives. Groucho, for one, comes off as a lot more likable than in Stefan Kanfer's Groucho (Forecasts, Mar. 20). While Louvish fully acknowledges the abusive behavior that drove Groucho's first wife to alcoholism, Julius Marx seems more forgivably human here, and Louvish depicts Groucho's relationship with daughter Miriam as loving and solicitous. His fresh research clears up all manner of myths, embellishments and omissions in previous biographies and in the brothers' autobiographies. In this invigorating reappraisal, the Marx Brothers, more than "Minnie and Sam's boys who never grew up," are timeless satirists of pretension, folly, privilege and snobbery, in the tradition of Cervantes, Rabelais and Mark Twain. The "Four Horsemen of the Apoplexy," they embody an authentic acceptance of life's absurdity as well as a desperate need to leave one's mark. (June)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Groucho Marx mastered the worlds of vaudeville, theater, movies, radio, and television, yet he remained a moody, morose, unfulfilled man. Plagued by nagging financial insecurities, partly realized literary ambitions, and difficult, unsatisfying relations with his wives, lovers, and daughters, Groucho was a "depressive clown," notes Kanfer (The Eighth Sin). This is the show business saga of "Minnie's boys," Groucho, Harpo, Chico, and, sometimes, Gummo and Zeppo. Groucho never really had a childhood, as mother Minnie drove the boys relentlessly as they perfected their trademark antic, ad-lib style. Many books on the Marx Brothers pay homage to their innovative wisecracks, word play, and nonstop non sequiturs, but Kanfer shows the show biz realities behind the madness. The book also details Groucho's ambivalent relations with his son, Arthur; his brothers; New Deal liberals; intellectuals and collaborators like S.J. Perelman; and his custodian, Erin Fleming. Although Chico and Harpo remain shadowy figures in this portrayal, this is the first comprehensive portrait of Groucho in years. Recommended for large public and academic libraries. [Previewed in Prepub Alert, LJ 2/1/00.] Pubbing in the same month as Kanfer's book, this work may signal the beginning of a Marx Brothers revival. The brothers' nonstop barrage of verbal and visual gags delighted average moviegoers and intellectuals alike. Kanfer focuses on Groucho, where Louvish, the author of The Man on the Flying Trapeze, a biography of W.C. Fields, expands the canvas to appraise the contributions of the other brothers, plus Margaret Dumont, a regular target of the brothers' mayhem. Chico was a compulsive gambler and risktaker. Harpo, whose comedy career was limited by his silent act, found fulfillment in family life. Dumont, Louvish shows, was more than a dimwitted comic stooge. (In fact, the Marx Brothers often failed to attract a female audience, an interesting topic covered more fully by Kanfer.) The Marx Brothers' story is now encrusted with numerous myths and dubious anecdotes, and Louvish does a solid job of separating fact from fiction and includes a family tree and a discussion of the FBI's file on the group. Like Kanfer's book, Monkey Business includes generous excerpts of classic Marx Brothers film dialog. Recommended for public library film collections.
-Stephen Rees, Levittown Regional Lib., PA
Copyright 2000 Reed Business Information, Inc.

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13 of 14 people found the following review helpful.
Well, "Monkey Business" IS my all time fave Marx movie......
By devotedmarxist
And I must say that this book of the same title is right up there too. I thought Simon Louvish did an excellent job of digging up the truth on the Marxian tales that have swirled around for many, many years. His research of the ancestral roots of Minnie and Sam "Frenchy" Marx are impeccable.....and Louvish's way of putting the "ages" of the brothers in their proper timeframe is first rate. I think he captured each brother perfectly. I was impressed at his case for giving Chico a hell of lot more credit in steering the brothers to superstardom. Chico was a go-getter, just like his mother Minnie, and I was happy to see Chico portrayed as something more than just the gambling, womanizing, loose cannon type of a guy we all know about (or thought we knew about). That's not to say Chico wasn't like that, it's just good to hear something else about him for a change (I'd kill to have the mathematical mind that guy had!). Harpo is always just the Harpo we all know (just like in "HARPO SPEAKS!") and love. He definitely marched to a beat of a different drummer (Louvish captures that perfectly), Harpo was his own man to say the least. That's a good thing. Groucho, is displayed (like usual) as cantankerous, moody and insulting (well, this IS Groucho we're talking about!). But Louvish gets into the reasons WHY Groucho was that way (let's just say insecurities MIGHT have played a small part in Groucho's disposition).
For me, reading of Zeppo's burden of being so much younger and feeling he was always an afterthought is sad. To be bearing the middle name of his deceased eldest brother, you have to feel some sympathy towards the poor guy. Zep's talents lie elsewhere, as subsequent chapters explain. Louvish's use of prime Marxist dialogue is superb, and he really outdid himself in research at the Libary of Congress, finding several vintage manuscripts just lying there waiting to have their moment in print.......speaking of moments, I was really intrigued by the true story of Margaret Dumont. This woman managed to pull off the ultimate lifelong-practical joke on GROUCHO of all people. Read the book to see what I'm talking about. Everything you'd want to know about the Marxes is here, and there's so much irony in the stories, it's mind boggling. What really got me was the sad way each of their lives ended. None of them (except maybe Gummo) just went along peacefully. Chico died of arteriosclerosis, with practically nothing to show for all the glory years in the movies, Harpo had a heart attack during open-heart surgery (on his 28th wedding anniversary no less), Zeppo died of lung cancer. Groucho's surviving relatives' feud with Erin Fleming (even after Grouch was gone) was a sad closing to an amazing, but sometimes painful life. But it's the laughter that kept the brothers (and brought all of us) together. That's what this book celebrates more than anything. The genius of their comedy, their anarchistic style, they brought THEMSELVES to us, the movie goer. That's why almost 80 years later, we're still interested in them, because there was no one else like them, probably never will be. But it's the legacy of laughter they left behind, the legacy that Louvish writes about so beautifully. First rate book, get this one.

12 of 13 people found the following review helpful.
near-top of the marx
By A Groucho Marxist
Louvish's comprehensive biography is intelligent, solidly researched (with careful notes, unlike the new Kanfer bio of Groucho), and written with warmth and affection. Where others have accepted mythologies about the lives of the boys, Louvish has dug for facts and unearthed all sorts of tantalizing details and contradictions: he is particularly strong on the family's European roots and their vaudeville career, and he offers the most detailed and lovingly iconoclastic biographical sketch of the implacable and heretofore mysterious Margaret Dumont.
One wishes that his analyses of Marxian comedy were sharper and deeper, and at times the British author seems to have only a slippery grasp of the American pop culture idiom; there are references he just doesn't get. Also, the chatty tone of his writing and his conversational interjections can be distracting.
Overall, though, this is the best Marx book in years--it is trustworthy and enjoyable. Buy it, and tell them AGrouchoMarxist sent you!

12 of 13 people found the following review helpful.
Very Enjoyable
By Michael Samerdyke
I found "Monkey Business" very enjoyable and interesting. I had trouble putting the book down. It reads very quickly and is not dull or academic in the least.
The one drawback I found was that the book is not as focused as Louvish's bio of W. C. Fields, but then here he is following five people as opposed to one.
Still, this was a very good book. I liked the way Louvish challenged some old stories about the Marx Brothers, and I liked the way he made a case for Chico being the chief "behind the scenes" brother in business matters. His assessment of the films seemed quite fair to me, and I found it interesting that the Marxes (or their writers) originally intended "Duck Soup" to be more political, and that they made it after plans to film "Of Thee I Sing" fell through.
Still, this is perhaps not the best "first book to read" on the Marx Brothers. I would nominate Joe Adamson's "Groucho, Harpo, Chico and Sometimes Zeppo" for that.

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The Grove Dictionary of Art, the award-winning 34-volume set that was launched to critical acclaim in 1996, represents the knowledge of more than 6,800 of the world's leading scholars. It is now the preeminent reference resource for the visual arts. The new GroveART series makes this comprehensive and authoritative art scholarship accessible and affordable to all audiences for the first time. Complete with a multi-page color plate section as well as extensive black and white images throughout, each volume in the series will focus on one particularly popular area or period of art history. Broad enough to appeal to the general reader, but thorough enough for the art historian, each book will reflect the depth and excellence of coverage that brought such acclaim to The Grove Dictionary of Art.

This unprecedented book draws together biographies of artists who worked in one of the most exciting and dramatic political eras in France, when Paris became the artistic capital of Europe. It features in-depth studies of such well-known Neo-classical artists as Jacques-Louis David, and Jean-Auguste-Dominique Ingres, the artist most revered by his fellow countrymen. Also included are artists of the Romantic Movement, like Delacroix and Gericault, as well as the painters of the Barbizon School, whose plein-air landscapes anticipated those of the Impressionists.

• Sales Rank: #3593457 in Books
• Published on: 2000-05
• Original language: English
• Number of items: 1
• Dimensions: 1.03" h x 6.12" w x 9.15" l,
• Binding: Paperback
• 414 pages

Review
...indispensable tools for students of nineteenth-century French art. -- Visual Resources

...indispensable tools for students of nineteenthcentury French art. -- Visual Resources

About the Author
Jane Turner was General Editor of the Grove Dictionary of Art. A specialist in Old Master drawings, she is currently completing catalogs of 17th-century Dutch drawings for the Pierpont Morgan Library, New York and the Ashmolean Museum, Oxford.

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Crossing Boundaries examines experimental novels about travel by William Gaddis and Thomas Pynchon as precursors of innovative contemporary travel narratives, represented by the work of authors such as Bruce Chatwin, William Least Heat-Moon, and William T. Vollmann, among others. While these texts may be read as cultural criticism-functioning as a collective portrait of the world at a time when global space seems exhausted, dominated by multinational corporations and threatened with ecological devastation-they also serve as new Waldens .

• Sales Rank: #6195660 in Books
• Published on: 2000-12-08
• Original language: English
• Number of items: 1
• Dimensions: 8.66" h x 1.01" w x 6.52" l, .86 pounds
• Binding: Hardcover
• 240 pages

Review

"...these works demonstrate the relevance and range of the culture of travel." - American Literature

About the Author
ALISON RUSSELL is Assistant Professor of English at Xavier University in Cincinnati, Ohio.

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This book examines the many routes forty or so women have taken to become president or prime minister of their countries and the problems they have encountered once in office. Their ability to deal with the difficulties of governmental and party leadership in a male-dominated culture are discussed along with an evaluation of their performance in managing domestic problems and handling the issues of war and peace. The essential question asked throughout is what difference being female made in their governing style.

• Sales Rank: #5077806 in Books
• Published on: 2008-11-15
• Released on: 2008-11-25
• Original language: English
• Number of items: 1
• Dimensions: 8.53" h x .83" w x 5.67" l, .90 pounds
• Binding: Hardcover
• 268 pages

About the Author
JANE JENSEN received her Ph.D. in political science from the University of Illinois. Her publications include articles on human rights, teaching international studies and on South Asian politics. She has served as book review editor for the International Development Review.

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* PDF Download Tell Me No Lies: How to Face the Truth and Build a Loving Marriage, by Ellyn Bader, Peter T. Pearson, Judith Schwartz

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Lying-For Better or Worse

Everybody lies. Friends lie to friends. Children lie to their parents. Politicians lie to constituents. And, inevitably, husbands and wives lie to each other.

Lies between lovers can be highly electric; they have tremendous potential to both nurture and destroy a relationship. It is easy to underestimate the power that lies-even seemingly harmless lies-can wield in your marriage. Tell Me No Lies explores the complexity of honesty versus deception in marriage.

Tell Me No Lies offers a riveting account of the lies we tell our partners (and ourselves) in marriage. Some people lie because they lack the nerve to tell their partners what they feel, while others are so terrified of hearing the truth that they encourage their mates to lie to them, thus falling into "Lie Invitee" behavior. This book examines the four marital stages-The Honeymoon, Emerging Differences, Freedom, and Together as Two-and how deception interferes with development in each of the stages. For example, couples in the Honeymoon stage are often under the illusion that they are perfectly content and have everything in common.

This book also illustrates how each of these stages can go awry, leading to more dangerous lies such as those in: The Dark Side of the Honeymoon, when couples refuse to acknowledge any problems; the Stalemate, when couples fight and brutalize each other with exaggerated truths; and Freedom Unhinged, when independence outweighs togetherness and marital anarchy ensues.

Offering a new way of thinking about truth and deception, this book will help you understand the dynamics of your marriage in the context of the marital stages. If you can identify your marital stage, you can overcome the barriers to honesty and move on to a happier and more fulfilling marriage!

• Sales Rank: #612332 in Books
• Published on: 2000-08-08
• Original language: English
• Number of items: 1
• Dimensions: 9.56" h x .98" w x 6.38" l, 1.10 pounds
• Binding: Hardcover
• 288 pages

From Publishers Weekly
After 15 years "studying marital communication" as coordinators of the Couples Institute in Menlo Park, Calif., Bader and Pearson (a married couple themselves) share the secrets to uncovering, understanding and recovering from lies between husbands and wives. Based on the presumption that "everybody lies," this highly detailed manual explains why lying happens, how it harms relationships (and those who lie) and what the underlying motivations may be. With many examples from their practice and their own marriage, Bader and Pearson guide readers through the deceptive traps common to what they cast as each of the four stages of relationships: Honeymoon, Emerging Differences, Freedom to Explore and Together as Two. Examining the "dark side" of each stage, the authors show how "lies in a marriage cause wanton destruction." In the idyllic honeymoon phase, slight imperfections can provoke secret resentments, while differences between partners can later cause a "seething stalemate" if not balanced honestly and respectfully. Freedom to grow can slip into an "anything goes" mode, involving rebellious drinking or money dealings, or sexual infidelity. Even seemingly innocuous lies, intended to spare feelings and maintain equilibrium in a marriage, can backfire or become obsolete over time. At the book's end, Bader and Pearson provide a nine-step process for revealing a difficult truth. The rest of their self-help manual may be better used in conjunction with professional counseling, as it can be dauntingly complex. At least one chapter, addressing the "Lie Invitee," may push readers too far, leaving them feeling blamed for another's deception. Perhaps Bader and Pearson can guide clients through these difficult events in person, but their advice on the printed page may not offer enough help for couples in trouble. (Aug.)
Copyright 2000 Reed Business Information, Inc.

About the Author
Dr. Ellyn Bader and Dr. Peter Pearson are internationally recognized experts on couples therapy and cofounders and directors of The Couples Institute in Menlo Park, California. They maintain an active lecture and workshop schedule for couples and professionals, and they have appeared on a variety of radio talk shows. Bader served as President of the International Transactional Analysis Association; Pearson is a Consulting Associate Professor at Stanford University. They are also the authors of In Quest of the Mythical Mate, which received the Clark Vincent Award for its outstanding contribution to the field of marital therapy from The California Association of Marriage and Family Therapists. They live in Menlo Park and have three daughters.

Judith D. Schwartz is a widely published writer with a specialty in psychology. The author of The Mother Puzzle, she lives in Bennington, Vermont with her husband, Tony Eprile, and their son, Brendan.

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12 of 12 people found the following review helpful.
Spectacular
By James P. Hutt, Ph.D., MFT
It is difficult to imagine how lies and lying could be expounded upon in such a remarkable way! But Bader & Pearson have done it, and have done it better than one might imagine. For this is not simply a book about the impact of lying upon relationships, it is a dissertation on the essence of intimacy and the secret of how to grow close to one another.
Every couple who is truly committed to the growth of their marriage would benefit from this book. In addition, all clinicians who dare to work with couples need to all but memorize this volume. But don't be fooled by the ease of the read--there is much to be absorbed here, and the true student of human relationships, or the curious couple, will find that one pass through these deceptively deep pages is not nearly enough. Bader & Pearson's breadth of knowledge is evident throughout the entire manuscript, and no doubt, they have a scholarly understanding of philosophy as well as psychology. Somehow they are able to blend their clinical knowledge with their awareness of the vicissitudes of Silicon Valley without developing a severe case of cynicism.
Needless to say, no other author/couple has woven into their work their own marriage in such a real way, and yet has no axe to grind. All of us in the clinical field owe a debt of gratitude to these two for what they have written, and the fact they had the wisdom to write. The married and the about to be married are likewise blessed to have the material at their finger tips that can be found in Tell Me No Lies.

10 of 10 people found the following review helpful.
The truth about lies
By Mark Brady
Every once in a while, you come across a book where it's obvious that the author(s) know their subject in extraordinary depth. They know every single square centimeter of their topic, from the gross to the elegant, from the subtle to the sublime. Bader and Pearson know lies and lying. They have spent decades confronting them, in their long-time therapy practices and inside the crucible that has unmistakeably been their own marriage. They also deeply understand and respect the well-researched and documented stages of human and relationship development, stages which have certain aspects and qualities that can almost predict the kinds and frequency of the lies that will inevitably get told. The real power and strength of this book is two-fold: first, these couples therapists shine a bright light on the system that lies get told within and identify the ways and means that people in relationships "invite" lies to be told to them. This alone is an eye-opening revelation. Secondly, and most importantly, rather than telling me to "Stop lying", Bader and Pearson invite me to use the lies that are often a simple fact of life as instances to practice and expand awareness, as stepping stones for growth, learning and intimacy.
I'd be lying if I gave this book anything less than a wholehearted endorsement.

10 of 10 people found the following review helpful.
Incredibly Illuminating - Worth a Read!
By A Customer
Reading this book was a great experience. I will never be able to look at the relationships in my life in the same way again. The authors, who are married to one another, provide such practical, useful, and totally accurate insights into the mistakes that couples make and offer realistic, implementable, sustenable solutions to unravel the mess that these mistakes create. In spite of it being a pretty slim book, I had to read it in small doses because there is a lot to take in. Every other page there comes an example that truly speaks to you and you need to put the book down to digest what you have just read before continuing further. This was one of those rare gems - a self-help book that is not "preachy" in tone and unrealistic in its solutions. Also, the whole concept of being a "Lie Invitee" is mind-boggling. I think book is definitely helpful and worth reading.

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• Sales Rank: #11808540 in Books
• Published on: 1985-06
• Original language: English
• Number of items: 1
• Dimensions: 8.82" h x 5.75" w x .83" l,
• Binding: Hardcover
• 205 pages

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Foreword by Ralph Nader. In Corporation Nation Derber addresses the unchecked power of today's corporations to shape the way we work, earn, buy, sell, and think―the very way we live. Huge, far-reaching mergers are now commonplace, downsizing is rampant, and our lines of communication, news and entertainment media, jobs, and savings are increasingly controlled by a handful of global―and unaccountable―conglomerates. We are, in effect, losing our financial and emotional security, depending more than ever on the whim of these corporations. But it doesn't have to be this way, as this book makes clear. Just as the original Populist movement of the nineteenth century helped dethrone the robber barons, Derber contends that a new, positive populism can help the U.S. workforce regain its self-control.

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• Sales Rank: #1174803 in Books
• Published on: 2000-04-10
• Released on: 2000-04-10
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .86" w x 5.50" l, 1.10 pounds
• Binding: Paperback
• 384 pages

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• ISBN13: 9780312254612
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Publishers Weekly
We must take up a "positive populism" to defend society against corporations, while at the same time protecting the health of business, argues Boston College sociologist Derber (The Wilding of America). Derber begins with a useful, somewhat polemical survey of growing corporate power, synthesizing and critiquing thinkers such as William Greider and John Kenneth Galbraith and occasionally being unable to resist calling the replacement of workers with contractors "job genocide." He reminds us that seemingly private corporations are actually quite dependent, relying on government for subsidies, infrastructure and trade law, and suggests that strengthened unions can help narrow national income gaps. He warns, however, that the current trend toward corporate "social responsibility" distracts from the need for government policies and proposes a move toward the German-style stakeholder corporation in which workers and community representatives have a voice in governance; he calls for all corporations over $1 billion to be "public corporations," required to "serve clear public needs." Change, Derber suggests, might be effected by the labor movement in collaboration with civic groups, multiculturalists and environmentalists. Derber is genuinely engaged; generally even-handed, this is a necessary critique.
Copyright 1998 Reed Business Information, Inc.

From Booklist
Derber is a Boston College sociology professor who seems always to be in search of connections and grand themes. In The Wilding of America (1996), the most recent of his seven previous books, he compares the teenagers who savagely attacked a Central Park jogger in 1989 to turn-of-the-century robber barons and to those who operate modern-day sweatshops. In Wilding he also anticipated his current attack on corporate America and its abuse of power, calling for a more virtuous capitalism. Now he debunks the "corporate mystique" and shows how corporations unduly direct public policy and affect private lives. But instead of simply decrying corporate excess, Derber sets an agenda for "how to be against corporate power [but] for business." He advocates a global populism and recommends joining in four movements that he says are leading in the fight to "return basic rights from corporations to the citizens to whom they rightly belong." David Rouse

From Kirkus Reviews
Americas in deep troublecorporate oligopoly is seizing our money and stealing our humanity, too. Derber (Sociology/Boston Coll.; Money, Murder and the American Dream, 1992) diagnoses the problem and prescribes a cure. Writing 100 years ago at the height of the Gilded Age, John P. Davis concluded his seminal study, Corporations, by noting that citizenship ``has been largely metamorphosed into membership in corporations and patriotism into fidelity to them.'' Now the situation is no better, claims Derber. He says weve entered another Gilded Age at the turn of a century just as problematic as the last one. His tract compiles complaints against big business and how it blights our lives. Acquiescent politicians, autocratic CEOs, and huge mergers enable corporations to act as a new branch of government, and we confront businesses bigger than nations. The top 200 transnational companies enjoy more income than four fifths of the world's population; their combined income is greater than the combined economies of 182 countries. Corporate plunder thrives; countervailing forces are weak. It's time to rethink what a corporation is supposed to do beyond rewarding shareholders. It's time to fix things. Derber's answer: populism. But not the hayseed, xenophobic populism of William Jennings Bryan, nor the prejudiced populism of Father Coughlin, nor the reactionary populism of Pat Buchanan. Instead, the professors sermon considers and reconsiders what he calls ``positive populism.'' This new version of an old idea is global, embracing labor, grassroots community groups, multiculturalism, and the environmentalist agenda in a broad movement where corporations must serve people, not the reverse. How practical is this? Derber, unsurprisingly, affirms signs of hope; to be fair, his program makes more sense than Bryan's platform ever did. An epilogue offers a few halting first steps. His vibrant polemics cite plausible villains and an implausible solution. It remains to be seen if anyone will follow. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

3 of 4 people found the following review helpful.
Unbelievably Brilliant!
By Brian Curtis
I don't give top ratings lightly, but this book is breathtakingly well written and carries a powerful message. Any given chapter is a great eye-opener to how our society works and what's REALLY going on in the world around us... with all the distractions stripped away.

Unlike Arianna Huffington's "Pigs at the Trough," which consists entirely of disjointed anecdotes on "what's bad," this book tackles the underlying reasons for WHY it's bad. Corporations have quietly and efficiently consolidated their economic muscle and merged it with political power--witness the everyday complaint that Special Interests hold sway in Washington. But as Derber shows, few are willing to make the obvious connection--that the problem is not simply government per se, but unrestrained corporate power.

And Derber is no hippie anti-capitalist wacko, either. He acknowledges that globalization is inevitable, but simply notes that we need to ensure it's the right KIND of globalization... the kind that's accountable to the public and that serves the public good. For all the conservative and libertarian whining about how the evil UN represents a "loss of U.S. sovereignty," notice that they never say a word about the WTO and similar business deals that have _already_ undermined our sovereignty, setting up arrangements that subordinate our laws to corporate profits--all with zero accountability to anyone but the executives and stockholders.

This books outlines real, practical solutions for putting the brakes on corporate power while still promoting economic growth and profitability. Environmentalists and unions don't HAVE to be at odds, not when they can unite against the common enemy and take positive action to force corporations into their proper, subordinate role to public government.

0 of 0 people found the following review helpful.
Take This Medication an Hour Before or Two Hours After Eating
By Nanette Ward
... or you will throw up.
It's that depressing, folks.

Not the book, but what it speaks of.

23 of 48 people found the following review helpful.
Verbose unstructured rambling
By Franklin Schmidt
The essence of the book is "corporations behave badly". I happen to agree but I don't need 339 pages to tell me this. I was hoping to learn something here. I was hoping for some history of how corporations developed. Nothing of the kind. Just a comparison to the gilded age (late 1800s) repeated throughout the book that is obvious to anyone who knows American history. Those liberals who love to read long winded tirades that support their point of view may enjoy this book. But if you aren't a liberal or if you are a liberal with a brain, this book will bore you to tears.

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! Ebook Download An Introduction to Global Financial Markets, Third Edition, by Stephen Valdez

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An Introduction to Global Financial Markets provides an introduction to the world's principal financial markets and institutions. Its scope is comprehensive. A glossary of financial terms and a survey of key future trends is also included. Known as Introduction to Western Financial Markets in its previous edition, the book has been extensively revised with new coverage of: European Union developments: recent bank mergers and alliances; the Lloyd's recovery plan; derivatives after Nick Leeson; and general trends and issues; and useful minor topics such as credit unions, asset backed securities, repos, coupon stripping, GDR's, bought deals, share buy backs and scrip dividends.

• Sales Rank: #10165143 in Books
• Published on: 2000-07-07
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.25" w x .75" l,
• Binding: Paperback
• 404 pages

About the Author
Stephen Valdez founded Valdez Financial Training which operates as a division of the Financial Training Company, Ltd., one of the largest providers of training to the financial markets.

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# Download Pulp Friction: Uncovering the Golden Age of Gay Male Pulps, by Michael Bronski

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Long before the rise of the modern gay movement, an unnoticed literary revolution was occurring, mostly between the covers of the cheaply produced pulp paperbacks of the post-World War II era. Cultural critic Michael Bronski collects a sampling of these now little-known gay erotic writings―some by writers long forgotten, some never known and a few now famous. Through them, Bronski challenges many long-held views of American postwar fiction and the rise of gay literature, as well as of the culture at large.

• Sales Rank: #796707 in Books
• Published on: 2003-01-14
• Released on: 2003-01-14
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .86" w x 5.50" l, 1.10 pounds
• Binding: Paperback
• 384 pages

From Publishers Weekly
Noting research that included reading "just over 225 novels," cultural critic Bronski (The Pleasure Principle) delightfully chronicles gay pulp novels from their emergence in the late 1940s through the post-Stonewall era in this expansive, exhaustively researched amalgam of fiction and gay history. In the earliest novels, homosexual characters were often drawn as angst-ridden men living hideaway lives. These mild tales gave way to the more outrageous and sexually intrepid plot lines of the 1950s and early '60s as gay male pulps gained momentum-typical is a locker-room fantasy scene from Jay Little's Maybe-Tomorrow. As the 1960s progressed, fiction grew bolder in form and content. Richard Amory's lush The Song of the Loon was a landmark title, its literary aspirations plain, while other titles of the era-racy fictions like Jack Love's Gay Whore, a melodrama set on Fire Island, and the pseudonymous Memoirs of Jeff X-were willing to settle for being "extraordinarily profitable." The gay revolution unleashed by the Stonewall riots is boldly evident in excerpts by Marcus Miller (from Gay Revolution), and a selection from Bruce Benderson's 1975 erotic potboiler, Kyle. Prefacing each section with thoughtful background on the period, Bronski then steps back to let the generous novel excerpts speak for themselves. Bronski has searched thoroughly and thought-provokingly, and this book should pop up on required reading lists for gay studies courses (the extensive appendix is invaluable). This is obviously a labor of love, and an absolute must for gay historians and those interested in stimulating gay fiction from years gone by.
Copyright 2002 Reed Business Information, Inc.

Review

“I read through this book saying again and again, 'How did I miss this?' 'How did I manage not to know about this?'--a sign that Michael Bronski has done a necessary job and done it well. Rarely is a book so educational also such a delight. By leaving the hallowed precincts of the 'literary,' Bronski lends a continuity heretofore lacking in many of our pictures of the development of gay fiction from World War II on.” ―Samuel R. Delany, author of Times Square Red, Times Square Blue and The Motion of Light in Water

“Out of the shadows, into the sheets! Between the covers of gay pulp fiction, Michael Bronski finds forgotten treasures, presenting juicy excerpts and his own wise insights into this neglected bit of literary history.” ―Jonathan Ned Katz, author of Love Stories: Sex Between Men Before Homosexuality and Gay American History

“A wonderful book, a sexy, funny, looney-tune work of social history that rewrites the recent past. It's a celebration of the poetry of pulp as well as the truth of pulp. I cannot remember the last time I learned so much while having so much fun.” ―Christopher Bram, author of Father of Frankenstein and The Notorious Dr. August

“Noting research that included reading 'just over 225 novels,' cultural critic Bronski (The Pleasure Principle) delightfully chronicles gay pulp novels from their emergence in the late 1940s through the post-Stonewall era in this expansive, exhaustively researched amalgam of fiction and gay history. In the earliest novels, homosexual characters were often drawn as angst-ridden men living hideaway lives. These mild tales gave way to the more outrageous and sexually intrepid plot lines of the 1950s and early '60s as gay male pulps gained momentum--typical is a locker-room fantasy scene from Jay Little's Maybe--Tomorrow. As the 1960s progressed, fiction grew bolder in form and content. Richard Amory's lush The Song of the Loon was a landmark title, its literary aspirations plain, while other titles of the era--racy fictions like Jack Love's Gay Whore, a melodrama set on Fire Island, and the pseudonymous Memoirs of Jeff X--were willing to settle for being 'extraordinarily profitable.' The gay revolution unleashed by the Stonewall riots is boldly evident in excerpts by Marcus Miller (from Gay Revolution), and a selection from Bruce Benderson's 1975 erotic potboiler, Kyle. Prefacing each section with thoughtful background on the period, Bronski then steps back to let the generous novel excerpts speak for themselves. Bronski has searched thoroughly and thought-provokingly, and this book should pop up on required reading lists for gay studies courses (the extensive appendix is invaluable). This is obviously a labor of love, and an absolute must for gay historians and those interested in stimulating gay fiction from years gone by.” ―Publishers Weekly

About the Author

Michael Bronski is the author of Culture Clash: The Making of Gay Sensibility and The Pleasure Principle: Sex, Backlash, and the Struggle for Gay Freedom. He has edited and contributed to many anthologies, has had essays published throughout the world, and teaches and lectures widely. He lives in Cambridge, Massachusetts.

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14 of 15 people found the following review helpful.
A fascinating look into gay history
By gac1003
Just after the end of World War II, a small literary movement began, unnoticed to most of the public: the gay pulp novel. From quiet novels about homosexual relationships post-WWII to the psycho-analytic and sexually charged writings of the Sexual Revolution to the more speculative and activist writings post-Stonewall, Author Michael Bronski has drawn from extensive research and a large collection of pulp novels to give an in-depth look at this almost hidden movement. Through this anthology, the reader not only sees a history of the gay literature but of societal views concerning homosexuality and how they have progressively changed.
Bronski has chosen to cite only a few chapters from specific works to point out the pulp styles as they changed with the times. At first, I thought I would be put off by this, but instead, it has interested me enough to try to find copies of some of these works, many of which have not been in publication since the 1950s and 1960s. One selection of note is from "The Gay Haunt" by Victor Jay. Kind of a gay "Blithe Spirit," even the snippet that was included in this book had me laughing hysterically.
This is a fascinating read, most definitely worth your reading.

15 of 16 people found the following review helpful.
Truly incredible
By Steve S.
I've respected Michael Bronski's journalism for years, but this is the first of his books I've read. I'll definitely be reading more. Here he performs two amazing feats. First, after doing an extraordinary amount of background reading, he selects examples of gay pulp fiction from the 1940s through the 1970s, ranging from the surprisingly literary to campy porn. I worried that the excerpt approach would be frustrating, but Bronski has a real knack for setting the scene, and the excerpts are all satisfying on their own. Given that most of these novels are hard to find (now probably more so), this is a tremendous resource.
Second, he offers an introductory essay bursting with insight & nuanced introductions to every piece (often with tantalizing information about the writers). At the back, perhaps most valuable of all, he puts together an annotated timeline of highlights of gay male literature 1940-1969 which discusses works by the writers included in the book as well as more literary work (Genet, Vidal, Baldwin, etc.). It's an essential resource for those looking for further reading.
The later pieces are often pornographic, campy and silly (very entertaining, occasionally dark or hard-core) while some of the earlier pieces are generally more thoughtful, even literary, though sometimes downbeat. Bronski's selections always emphasize what was exceptional or unique for the time. *None* of these pieces are routine. My personal favorites are "Sam," "Spur Piece," "Lost on Twilight Road," "The Boys of Muscle Beach," "Song of the Loon," and "Gay Revolution" (in which the world is turning gay, Body Snatcher-style). "Maybe--Tomorrow" is hilarious yet somehow brilliant. ("Muscle Beach" & "Gay Whore" are also hysterical.) My excitement about gay literature has been completely renewed. Bronski has eschewed the stuffy (often depressing) "classics" angle for a poppier approach of the smartest kind. At a minimum, every gay discussion group should read this book, but it should also appeal to adventurous non-gay readers.

8 of 9 people found the following review helpful.
Lots of fun
By A Customer
Michael Bronski's enlightening anthology of mostly forgotten gay writings from the mid-twentieth century is a wonderful addition to any bookshelf. Alternating literary analysis with lively samples, he demolishes the notion of a dearth of gay literature from World War II to the 1969 Stonewall riot. All of the works excerpted here are out of print, and while some may not be to our modern readers' tastes, they are all evocative of gay men's lives at the times, for better or for worse. From insightful drama to hardcore erotica, these books did much to shape America's views of homosexuality, and "Pulp Friction" whets the appetite and showcases where today's gay literature can trace its roots. Also included is an appendix where Bronski lists a smattering of gay novels published from 1940 to 1969. This anthology is a great introduction to this genre of queer writings.

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