Tuesday, October 27, 2015

> Get Free Ebook Hong Kong: A Jake Grafton Novel, by Stephen Coonts

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Hong Kong: A Jake Grafton Novel, by Stephen Coonts

Jake Grafton takes his wife, Callie, along when the U.S. government sends him to Hong Kong to find out how deeply the U.S. consul-general is embedded in a political money-raising scandal. And why not? Jake and Callie met and fell in love in Hong Kong during the Vietnam War, and the consul-general is an old friend from those days, Tiger Cole.

The Graftons quickly discover that Hong Kong is a powder keg ready to explode. A political murder and the closure of a foreign bank by the communist government are the sparks that light the fuse . . . and Tiger Cole is right in the middle of the action.

When Callie is kidnapped by a rebel faction, Jake finds himself drawn into the vortex of a high-tech civil war. Drawing on the skills of CIA operative Tommy Carmellini, in order to save his wife Jake Grafton must figure out who he can trust-both among the Western factions vying for control of the volatile situation, and among the Chinese patriots fighting for their nation's future-and make sure the right side wins.

  • Sales Rank: #771676 in Books
  • Published on: 2000-09
  • Released on: 2000-09-12
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 1.25" l,
  • Binding: Hardcover
  • 350 pages

From Publishers Weekly
Last year, Coonts had Cuba teetering on the political edge in his megaseller of the same name. Now it's Hong Kong, in another steadfast speculative thriller. The great city/state is falling out of Communist hands, just a few short years after the Chinese takeover. The revolution is being fomented by the cyberintelligentsia, who have managed to rig computer systems throughout Hong Kong and China so that all vital functionsAthe power grid, airports, oil refineries, telephone systems, etc.Awill collapse at the same time. At the helm of the insurrection is Virgil Cole, the American consul general who used his enormous wealth as a former Silicon Valley exec to finagle the overseas appointment; he views the revolution as a kind of extreme sport. He doesn't, however, anticipate the arrival of Jack Grafton, navy admiral and Washington's go-to guy, who starts prowling around a few days before the revolution begins. Just as Grafton is beginning to figure things out, a criminal gang leader working with the rebels kidnaps his wife. Anyone who's seen Grafton in action before knows that he isn't one to take such personal slights lightly. The final third of the book shows Hong Kong under spectacular siege as the rebels rely on sabotage, cunning and half a dozen fighting robots, called Sergeant Yorks, to subdue the Chinese soldiers. Coonts does a remarkable job of capturing the mood of clashing cultures in Hong Kong, creating some noteworthy secondary characters. These include Lin Pe, the aging owner of a fortune cookie factory who finds solace in writing simple fortunes while the world around her crumbles, and Sun Siu Ki, the Beijing-installed governor of Hong Kong, whose peasant mind simply cannot grasp rebellion. For all its stylish accents, however, the story goes from point A to point B with few detours or surprises. Most readers will likewise rush headlong through this seventh Grafton adventure. Major ad/promo. (Sept.)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Hong Kong in the immediate future is the scene for Coonts!s (Cuba) latest thriller. China is ripe for an anti-Communist revolution, and it explodes while Admiral Jake Grafton is in Hong Kong on a fact-finding assignment. While most previous Grafton novels have revolved around military actions, Hong Kong deals with spies, murder, kidnapping, and treachery. When the revolution erupts, the rebels use cyberwarfare to paralyze the Chinese government!s computers and gain access to traditional weapons. A real distraction is the use of Terminator-type combat robots to turn the tide for the rebels. Since these automata don!t exist (yet), they should not play a role in a novel that purports to be based on fact, and they spoil what could have been a compelling novel about a people!s struggle for freedom. Despite its flaws, this book will be enjoyed by Coonts!s many fans. For general collections.
-"Robert Conroy, Warren, WI
Copyright 2000 Reed Business Information, Inc.

From Booklist
Last year he defended the U.S. against a nuclear attack in Cuba; this year Admiral Jake Grafton merely defends one American, his wife, against a Hong Kong gangster. The narrowing of Grafton's focus means he won't be operating his usual panoply of jets and aircraft carriers, but what Coonts reduces in hardware he enhances in intrigue. In Hong Kong to investigate the loyalty of American consul Virgil Cole, Grafton finds a tense city as protests against a failed bank take on anticommunist overtones. Constitutionally indisposed to the circumspect approach, Grafton bluntly confronts Cole with official suspicions that the consul is fomenting the unrest. Almost before the consul can concoct a lie, the aforesaid gangster nabs Grafton's wife, setting up the two agendas that drive Coonts' plot: Grafton's attempt to rescue his spouse, and Cole's sub rosa machinations with Chinese rebels. Grafton's link between the two is the pal he made in Cuba, CIA lock-picker Tommy Carmellini. When not snooping on the consul and other CIA agents, Carmellini buddies up with Grafton, backing him up with that nick-in-time gunplay so critical to any techno worthy of the name. And the techno part of Coonts' yarn is an over-the-top machine, seemingly recruited from Terminator 2. This is an entertaining distraction within its genre's conventions, and credit Coonts with risking his fans' loyalty by setting his hero within a planeless plot--they'll stick with Jake, even when he's on foot. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent reading!
By Jerry Long
Enjoyed the book. I am reading the entire Jake Grafton series and love all of them. Great writer.

0 of 0 people found the following review helpful.
Five Stars
By Jerry L. McSwain
I am hooked on all of the Jake Grafton novels. Being retired Navy, I can relate!

0 of 0 people found the following review helpful.
Missed the beauty of Hong Kong.
By JCT
Not an enjoyable read for me. Too much fiction.

See all 88 customer reviews...

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Sunday, October 25, 2015

~ Ebook Download Origami to Astonish and Amuse, by Jeremy Shafer

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Origami to Astonish and Amuse, by Jeremy Shafer

Imagine folding a piece of paper into nail clippers that really work, or a Swiss Army knife that actually opens, or a surfer on a wave that crashes when the surfer is slid forward...There's no need to imagine-this is for real!

In Origami to Astonish and Amuse Jeremy Shafer has taken the art of paper folding in an entirely new direction. Filled with hundreds of entertaining models and folding ideas, ranging from amazingly simple to ridiculously complex, this is origami at its most fun and creative.

  • Sales Rank: #49197 in Books
  • Brand: Shafer, Jeremy
  • Published on: 2001-07-06
  • Released on: 2001-07-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .54" w x 8.25" l, 1.55 pounds
  • Binding: Paperback
  • 256 pages

Review
“A brilliant and bizarre take on art and life.” ―Peter Engel, author of Folding the Universe

About the Author

Jeremy Shafer has been folding for fifteen years and has created hundreds of original models, each folded from one piece of paper, without cutting. He has been published in major origami journals in the United States, Japan, and the United Kingdom, and has exhibited his work at seven OrigamiUSA conventions. He is a member of the Friends of Origami Center of America and is the editor of the BARF (Bay Area Rapid Folders) newsletter. He lives in Berkeley, California.

Most helpful customer reviews

71 of 75 people found the following review helpful.
Really good work plus really funny work
By Sen Peng Eu
It worths the long wait. This is the only origami book make you laugh to tears.
All models here are folded from a single square, no cut. The author emphasize this philosophy, and wrote a quite clear essay about it and encourge the folder-reader to become designer.
Followed are a lot of wonderful models. Besides the very excellent models "Swiss knife", "Nail clipper", etc, and extraordanary models: man swapper, man on the surf, eight interwine ring, eagle balanced on the tip of the mountain (both folded from dollar bill) etc, there are many funny models:
An elephant from behind (so only butts and tail, and tip of nose), a walking man(when spread and flatten the whole paper, the creases become a labyrinth.) One I appreciated most is the "Origami square", fold as followes: Take a Square paper, rotate and rotate and rotate and flip and rotate and rotate, then VOILA, the origami square completes. (I got angry and very happy at the same time when I read this). Moreover, a invisible duck, a car with tires replaced by 4 legs....
The author is so versatile and desperately funny, joyous atmosphere prevails the whole book. Highly recommended.

52 of 54 people found the following review helpful.
Astonishing and amuse definitely!
By HS Lim
The title is rather apt. I was suitably astonish and amused by the origami subjects within. If I have to choose one word to descibe the book, it would be "quirky".
For those who have been purchasing origami books and getting the usual stuff and would like some unusual subjects, this is definitely the book!
Within the book is divided into 4 main sections: 1) Origami Action (32 models) 2) Symbols, Signs & Stunning Designs (21 models), 3) Models from the Heart (15 models) and 4) Origami for the Almost Deranged (21 models). Most of the subject matters cannot be found elsewhere, in any other origami books.
I find the general format and presentation of the book rather unusual too, rather refreshing. Throughout the book, for every models, there is a section "Thoughts behind the fold". This allows you to get into the mind of the author and possibly ideas for creating your own models.
There are so many models that I am unable to list all of them. Among my favourites are a workable Swiss Army Knife, a nail clipper and slithering snake skin! There are also a lot of action models and this suits me very well as I like action models.
The general complexity ranges from simple to complex. On a range of 1 to 5, with simple (1) and complex (5), I find that most of the models fall in the range of 2. Do not let this fool you, simple models can be very effective and fun to fold too. The final result is astonishing and amusing, much more so that some complex models.
I like to mention too that I had fun with the running car, hey!, running on legs, not wheels! Then you will be taught how to fold the carbon atom that even a rocket scientist could not fold. Do not forget to try folding the invisible duck too! It's a riot!
Hey! as I am already almost deranged, folding from the book maintained me in the same deranged condition. Perhaps all you almost deranged origami enthusiasts would like to group together and form the ADOES (Almost Deranged Origami Enthusiasts Society).

29 of 30 people found the following review helpful.
Origami to Astonish and Amuse
By Carlos Garcia Macias
I was surprised for a great Origami book that includes excellent models for different skills (23 simple, 8 low-intermediate, 20 intermediate, 12 high-intermediate and 26 complex, in total 89, and not 400 as is written in the cover) and different interests:
Action Models, from beginners (Baby Bird, Men's Suit), intermediate (clapping hands), high intermediate (surfer on a wave), to complex (nail clippers), and in other areas like Symbols and Signs (some billfolds, a pyramid and a balancing eagle that poses at the top of the pyramid), Heart-related origami (Cards, envelopes) and others (like a square base with hands that folded it -a la Escher-).
The book includes tips and ideas to fold variations for the models.
If you are interested in Origami to entertain children and adults, or making not traditional models, this is the book.
I recommended specially for intermediate to expert folders.

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Saturday, October 24, 2015

> Fee Download Writing the Voice of Pleasure: Heterosexuality without Women, by A. Callahan

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Writing the Voice of Pleasure: Heterosexuality without Women, by A. Callahan

The Voice of Pleasure makes a persuasive and fascinating argument that the romantic couple of Western representation is not heterosexual. Nor is it homosexual. With insightful new readings of landmarks of Western culture from Tristan and Yseut to Seinfeld , Callahan demonstrates that the illusion of heterosexuality is created by a male artist's assumption of a feminine voice to express desire. Named the 'troubadour effect' for the first time here, this tradition of male femininity in romantic writing results in a cultural model of desire best described as 'heterosexuality without women.' The most compelling aspect of the book is its attention to the effect of this paradox on women writers. Illuminating her argument with striking examples from the 'troubairitz' to Toni Morrison, the author shows how women writers inscribe their 'vagabondage,' a term she coins to name the consequences of the 'troubadour effect' for women's agency, as both writers and lovers.

  • Sales Rank: #7375645 in Books
  • Published on: 2001-11-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .69" w x 5.51" l, .98 pounds
  • Binding: Hardcover
  • 273 pages

Review

'I admire [The Voice of Pleasure] tremendously. I wish I had read Professor Callahan's work while I was working on my book.' - Louise Kaplan, author of Female Perversions

'Callahan's thesis is an interesting and persuasive one. She is enormously learned: her cultural and historical references range over an astonishing period of time...I was particularly impressed by the initial chapters on medieval poetry and romance and the final chapter on popular culture... The book is written in a very clear style and is very readable, accessible to students and scholars alike. It offers useful and original information about the French romantic literary tradition in historical perspective.' - Carla Freccero, Professor of Literature and Women's Studies at UC Santa Cruz and specialist in early modern continental history and literature, U.S. popular culture, and feminist and queer theory

About the Author
ANNE CALLAHAN is Professor of French at Loyola University Chicago. She is the author of Erotic Love in Literature: From Medieval Legend to Romantic Illusion.

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Wednesday, October 21, 2015

!! PDF Ebook Texas Music, by Rick Koster

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Texas Music, by Rick Koster

The Definitive History of Texas Music From the 1920s to the Present

Texas is the land of Buddy Holly and Janis Joplin, Roy Orbison, and Ornette Coleman. It's where Stevie Ray Vaughn wailed his blues, and where Kirk Franklin praised the Lord. Texas Music covers all of these artists and more in this critically acclaimed history of music in the Lone Star State. From country and blues to rock and soul, jazz and folk to funk and rap, Texas Music has it all. This lively, informative, and fully updated history is a book to make Gene Autry, Buddy Holly, Willie Nelson, Barry White, George Jones, and Texans everywhere proud.

  • Sales Rank: #3113491 in Books
  • Published on: 2000-05-08
  • Released on: 2000-05-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .83" w x 6.14" l, 1.22 pounds
  • Binding: Paperback
  • 352 pages
Features
  • ISBN13: 9780312254254
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Library Journal
While readers know that Texas is a mighty big state that has produced plenty of great music over the years, they may well be unprepared for the sheer number of musicians who were either born or spent their formative years there. Just about every musical genre has had more than its share of Texas influence: country from Gene Autry to LeAnn Rimes, blues from Blind Lemon Jefferson to Stevie Ray Vaughn, and rock from Buddy Holly to the Butthole Surfers?not to mention folk, jazz, disco, soul, rap, and even easy listening. Journalist Koster, who claims to have an immense record collection, presents an enormous amount of material in an engaging, humorous manner, helped along by frequent sidebars highlighting a "Criminally Underrated Artist" or a "Guitarist Who Changed Modern Music." This book is indispensable to any library where there is interest in music history, and Texas librarians who fail to purchase it should be prosecuted to the full extent of the law.?Dan Bogey, Clearfield Cty. P.L. Federation, Curwensville, Pa.
Copyright 1998 Reed Business Information, Inc.

From Booklist
Texas is a big place that has produced a lot of music and musicians. Consequently, a wide-ranging survey such as this contains some very brief sketches and some omissions. It would otherwise probably be an unwieldy book. Still, one wonders about the Texas-ness of the likes of Sly Stone, Steve Miller, and Steven Stills, all of whom came to pop fame while associated with other regions of the country. Because Koster seemingly includes every noted musician who ever drew breath in the Lone Star State, his coverage of such too obscure Texas notables as Omar and the Howlers, Greezy Wheels, and Jerry Jeff Walker is briefer than it ideally might be. The treatments of Leadbelly, Stevie Ray Vaughan, Mance Lipscomb, etc., etc., are a treat, though, even if a reader may wish for greater depth and more detail. Koster set out in this fast-paced, pleasantly and informally written survey to just chronicle the contributions of Texas and Texans to the American musical heritage. At that, he largely succeeds. Mike Tribby

From Kirkus Reviews
Veteran music journalist Koster surveys music from the state with the most to offer. In addition to well-researched and historically savvy sections on country, rock 'n' roll, and blues, Koster tackles folk, ethnic music, a variety of black musical styles, easy listening, classical, and jazz. While some formats are inevitably relegated to, at best, a passing treatment, Koster is able to apply his amazing expertise about these forms and combine this knowledge with a smart and funny writing style. His special genius is his ability to link famous names with well-known songs where the relationship has previously been unknown. For instance, how many readers will already know that the Champs, who recorded ``Tequila'' in 1958, had Texans Jim Seals and Dash Crofts as guitarists--the same Seals and Crofts who went on become easy- listening stars in the '70s? His principal weakness is his seeming desire to cast everyone as a Texan. Jimi Hendrix, he points out, was not born, never lived, and did not die in Texas, but he did, Koster notes, once buy a guitar from bluesman Jimmy Vaughan. Robert Johnson is included because he made all his extant recordings in Texas, although he is most often associated with the Mississippi Delta players he inspired. On the other hand, Koster gives proper attention to ground-breaking Texas acts like the indescribable Butthole Surfers and Austin folkster Meredith Louise Miller. Koster also intersperses his text with boxed profiles of ``Criminally Overlooked Musicians,'' to bring attention to some truly influential artists who have gone unnoticed. A lively and affectionate study for music lovers of all stripes. (100 b&w photos, 7 maps, not seen) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

2 of 3 people found the following review helpful.
Poorly written, but great info
By L. Nicholas Deane
This book is really poorly written, with factual errors and sophomoric humor. Many of the musicians are poorly represented, some with merely a reference. But what is amazing is how many great musicians are from Texas. I found myself thinking about the information I learned from this book a lot, and I found myself recommending the book for its information to a number of people as well. Don't look for a literary experience, but you might get a lot out of this book.

1 of 2 people found the following review helpful.
Informative but flawed
By pville78@hotmail.com
As someone who has been a fan of the Austin music scene since the late 70's, I enjoyed reading about the bands I've followed over the years. There are lots of interesting tidbits in the book, but on the negative side Mr Koster tends to use the same phrases and descriptions too many times. He also could have used a fact-checker, he says the Sex Pistols played at Randy's Radio when it was actually Randy's Rodeo and he mixes up Southwest Texas State Univ with Southwestern Univ, just to name a couple mistakes.
Overall, I'd recommend this book to anyone who is a music fan and is interested in the history of music in Texas.

0 of 0 people found the following review helpful.
Quick read for Music Fans
By Jonna Young
Entertaining and very informative. Especially enjoyed chapters on Texas Swing and early rock and roll.

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Tuesday, October 20, 2015

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A new series of easy-to-digest profiles on individual countries and regions, featuring everything you'll ever need to know about the places, people and practices of each country. The series will continue with eight further titles to launch in Spring/Autumn 2000, on Scandinavia, Southern Africa, and Central Europe.

  • Sales Rank: #9897149 in Books
  • Published on: 2000-02-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .47" w x 5.50" l, .66 pounds
  • Binding: Paperback
  • 179 pages

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Monday, October 19, 2015

? Free PDF Storm Riders: A Novel, by Craig Lesley

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Storm Riders: A Novel, by Craig Lesley

Winner of the Oregon Book Awards H.L. Davis Prize for Fiction

Storm Riders examines the conflicted love of a single father struggling to raise his adopted Native American son, who was born with fetal alcohol syndrome. When a small girl mysteriously drowns near a student-housing complex, the boy is implicated and the father wrestles with his own doubt, guilt, and responsibility.

Bringing to life the austere beauty of the Tlingit Alaskan village of the boy's family, as well as the highly educated pockets of the East Coast, Lesley vividly portrays a father and a son struggling to come to terms with each other and above all, with the truth. This novel, as The Chicago Tribune noted, is "a powerful tale with a strong emotional core."

  • Sales Rank: #2259156 in Books
  • Published on: 2001-02-03
  • Released on: 2001-02-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .73" w x 5.50" l, .90 pounds
  • Binding: Paperback
  • 360 pages
Features
  • ISBN13: 9780312263980
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Amazon.com Review
Young Wade drops into Clark's life like a disobedient Skylab. Wade, a Tlingit boy, is Clark's ex-wife's cousin--hardly a close relation. But the mild-mannered Clark, an Oregonian professor trying to make his way in the East, becomes foster father to Wade by attrition; there is simply no one else to care for the boy. In Craig Lesley's humane and beautifully competent fourth novel, Storm Riders, no romance is attached to the notion of saving a Native American child. Lesley makes both his heroes ornery and unlovable--and desperately real.

Mysteries accrue around Wade. At the opening of the book, a neighbor girl drowns and he is blamed for the accident. In fact, throughout Wade's time with Clark, violent events crop up, and Lesley has the guts to leave these events unexplained. This deepens our sense of the core mystery of the story: Wade's damaged childhood remains unknowable. A string of therapists toss about theories--abuse, a learning disability, Fetal Alcohol Syndrome--and Lesley (who was foster parent to such a boy for a decade) shows how meaningless such theories are in the face of the day-to-day reality of Wade's difficulties.

As Wade makes his way back to his tribe, Lesley spins his novel outward into a meditation on the way families are made and the way children are lost. A Tlingit elder describes to Clark the mythical "land otters" who make off with Tlingit children. Clark thinks he knows what the old man is talking about, and remarks that the land otters are a good metaphor for drugs and alcohol. "The old man shook his head. 'Sometimes there are real land otters.'" And that's the grace of Lesley's writing: Wade is a metaphor for all endangered children, and at the same time he's his own distinctive story, no more and no less. --Claire Dederer

From Publishers Weekly
As desolate and lonely as the rural scenery of its setting, Lesley's latest novel examines in deeply moving detail the conflicted love of a single father struggling to raise his adopted, mildly retarded son. Billed as partly autobiographical, this wrenching tale examines eight years in the tormented life of Clark Woods, who adopted Wade, the cousin of Woods's then wife, Payette, as a way of trying to save the marriage. Instead, the difficulties of raising the troubled boy contribute to the couple's breakup. A Native American from Alaska born with fetal alcohol syndrome, Wade tests his new parents' marriage from the start. Payette, frustrated with Wade's erratic development, cannot sustain the all-consuming task of raising her cousin and eventually runs off, leaving Woods, a professor at Two Rivers College in western Oregon. Frightening, violent, possibly psychotic tendencies begin to emerge in Wade's personality, escalating over the years. As a nine-year-old, he is suspected of drowning a toddler in a muddy culvert. Wade denies it, but Woods isn't so sure. Yet Woods stands fiercely behind the boy, whom he is convinced cannot distinguish right from wrong, and whom he is unwilling to abandon to the state system for the mentally ill. At the same time, Woods knows he has to break the bondAthat Wade is suffocating his spirit, sapping all possibility of joy from his life. The two do, however, develop a form of love as profound as it is forlorn in this intense story about loyalty and letting go. Lesley (Winterkill; The Sky Fisherman) captures this poignant, despairing quality of love, rendering quiet scenes as heartbreaking reminders that both Woods and Wade are in for a lifetime of struggles and painful challenges that can only ever be, at best, partially redemptive. Regional author tour. (Feb.)
Copyright 1999 Reed Business Information, Inc.

From Library Journal
Having drawn a following in the Pacific Northwest for his previous novels (e.g., The Sky Fisherman), Lesley aims for national readership with this new book. For eight years, Clark Woods struggles to raise his foster son, Wade, a Tlingit orphan who suffers from fetal alcohol syndrome and other abuses. This saga seems to argue for keeping Indian children within the tribal unit, as Clark's love and care are not enough to "fix" whatever is damaged within Wade. With the death of a little girl at the novel's start and Wade's possible involvement, the reader dreads another awful event. This is an emotional look at the relationship between fathers and sons and the complexities of trying to raise a responsible child. Lesley creates chapters that often read like well-crafted short stories, complete in themselves. For any quality fiction collection.
-Rebecca Sturm Kelm, Northern Kentucky University Lib, Highland Heights
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Storm Riders Delivers
By A Customer
Craig Lesley's Storm Riders explores the bonds between his characters with a clear-eyed, unvarnished honesty and complexity borne of compassion for people and dedication to craft. There are no easy answers for Clark Woods and Wade White Fish. Lesley illuminates the dark corners of each dead-end, exposes the flaws in pat answers and pop theories, and renders true the enduring love and faith binding Clark to Wade when he could blameslessly walk away. Craig Lesley rounds his characters out with the imperfections and frustrations that leave the reader wholly convinced and engaged as they negotiate what is broken and cannot be fixed. As with Lesley's earlier novels (Winterkill, Riversong, and The Sky Fisherman) his passion for authenticity and devotion to detail are evident on every page as the novel moves from Massachusetts to Oregon to Alaska. Storm Riders is a personal, powerful, haunting, and healing effort from one of our finest novelists.

10 of 11 people found the following review helpful.
You Should Read This One
By A Customer
Craig Lesley's book is really terrific. His character's story of trying to raise a Native Alaskan child, whose mother had been alcoholic, shows exceptional compassion. Lesley's central character tries everything to help this young boy--time, effort, schools, experts, everything. Having worked with children with difficulties, I was deeply moved.

8 of 9 people found the following review helpful.
Sorm Riders a Good Read
By Hank Slangal
Craig Lesley's Storm Riders is a very good read. I don't often anymore find a book that I want to keep reading right to the end. This is such a book. I wished for more. Lesley has the gift of the story-teller. He's a born yarner. This is his fourth novel, and I think he reaches higher here than in the others. Less landscape, more heartscape. The many crises in raising a child damaged by fetal alcohol syndrome are rendered convincingly and movingly. In a deceptively plain style, Lesley peoples complex events with well-rounded characters. Wade, the mentally damaged child who shares the focus of the novel, is utterly alive to me in his sometimes charming, often frightening behavior. Wade's stepdad Clark is for the most part a model of patience and commitment, so much so that I had to ask myself if he weren't too virtuous and strong. I asked myself whether I knew any such dads. The answer is yes, several of them. I hear dad-bashing so often -- deadbeat dads, you know-- it's wonderful to read at last about a really good dad, portrayed realistically. Clark is no ivory saint, but he's as good a dad as you'd ever want. Another reviewer has questioned Lesley's decision to write this story of his own experiences as fiction rather than straight exposition. I feel, as probably many others do, that story-telling is a primary means of sharing. Lesley is a novelist, not a psychologist. The same reviewer objected to Lesley's detailed commentary about the U. S. Navy's massacre of Tlingit villagers more than 100 years ago. I found the commentary both interesting and functional. Sounds to me like praising with faint damns.

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Friday, October 16, 2015

>> PDF Ebook Inside the Volcano: My Life with Malcolm Lowry, by Jan Gabrial

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Inside the Volcano: My Life with Malcolm Lowry, by Jan Gabrial

This intimate memoir of the tempestuous marriage between Jan Gabrial, a young, aspiring American writer, and British novelist Malcolm Lowry takes us through the highs and lows of this passionate, troubled relationship. Lowry began writing his best-known work, Under the Volcano, during their marriage, while the two were living in Mexico. He based the character of Yvonne on his wife. Now, for the first time, Jan Gabrial tells the true story of their lives during those heady years, and provides a compelling portrait of a troubled artist, a bright and independent young woman, their deep love and bitter struggles, and her positive role in the creation of his work.

  • Sales Rank: #2137512 in Books
  • Color: Black
  • Published on: 2000-11-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.64" h x .83" w x 6.76" l, .80 pounds
  • Binding: Hardcover
  • 240 pages

Review
“A tough, realistic, and ultimately beautiful memoir of Lowry, by a former soulmate.” —Kirkus Reviews

“...an honest authentic record...” —The New York Times Book Review

“...a fascinating cautionary tale about the dangers of coming too close to the heat produced when great talent fuels the flames of reckless self-immolation.” —Elle

About the Author
Jan Gabrial was novelist Malcolm Lowry's first wife. The couple married in 1934 in Paris. They spent a year (1936) living in Mexico, where Lowry began writing Under the Volcano. Jan and Malcolm divorced in 1940 and she subsequently moved to Hollywood, where she worked in the entertainment industry and real estate.

Most helpful customer reviews

13 of 13 people found the following review helpful.
Equally as important as Pursued by Furies
By Mike Erlindson
I heard excerpts of this book at a symposium for Lowry in 1996. The person reading this memoir said it would only be available after Gabriel's death so I'm assuming she has passed on. I was very moved during the reading in 1996 and I was no less moved when I finally was able to read the entire book. Gabriel has a very poetic and flowing style of her own. She is very honest throughout the book as she writes about her tragic relationship with Lowry. This book won't make you happy but it will give you insight into their relationship that you can't find anywhere else. On that level, it is as equally important as Pursued by Furies. In the end, we get to see a sympathetic character in Jan Gabriel that counters Lowry's portrayal of her in Under the Volcano. We also get an insights on Lowry from the most important period of his creative life.

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Thursday, October 15, 2015

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Through Women's Eyes: An American History with Documents, by Ellen Carol DuBois, Lynn Dumenil

The first textbook for the survey course in American women’s history to combine a compelling narrative with a wide array of written and visual primary sources, Through Women’s Eyes: An American History is also the first to integrate women’s history into U.S. history while ensuring a balanced sense of the broad diversity of American women. Modeling for students how historians gather and interpret evidence, DuBois and Dumenil provide a textbook rooted in recent scholarship yet accessible to all introductory students.

  • Sales Rank: #1174960 in Books
  • Published on: 2005-02-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.30" h x 7.40" w x 9.00" l,
  • Binding: Paperback
  • 672 pages

About the Author
ELLEN CAROL DUBOIS is professor of history at the University of California, Los Angeles. She received her B.A. from Wellesley College and her M.A. and Ph.D. from Northwestern University. DuBois is the author of Feminism and Suffrage: The Emergence of an Independent Women's Movement in America, 1848–1869; Harriet Stanton Blatch and the Winning of Women's Suffrage (winner of the 1998 Joan Kelly Price Award from the American Historical Association); and Woman Suffrage and Women's Rights. With Vicki L. Ruiz she is the coeditor of the influential anthology, Unequal Sisters: A Multicultural Reader in U.S. Women's History. In 1998 she received a Guggenheim Foundation Fellowship, and in 2004 she held a Distinguished Fulbright Chair at the University of Bologna. She has published articles in Feminist Studies, Radical History Review, Gender and History, and the Journal of American History, receiving in 1987 the Organization of American Historians' Binkley prize for her essay that year. She has served on the Executive Committee of the Organization of American Historians and the Editorial Board of the Journal of American History. Currently she is working on two projects: a history of movements for women's enfranchisement around the world after 1920; and a series of intersecting biographies of border-crossing women in 1848.

LYNN DUMENIL is Robert Glass Cleland Professor of American History at Occidental College. She received her B.A. from the University of Southern California and her M.A. and Ph.D. from the University of California, Berkeley. Dumenil has written The Modern Temper: American Culture and Society in the 1920s and Freemasonry and American Culture: 1880–1930, and she is coauthor with James Henretta and David Brody of America's History and America: A Concise History. Her articles and reviews have appeared in the Journal of American History; the Journal of American Ethnic History; Reviews in American History; and the American Historical Review. She has been a historical consultant to several documentary film projects and is on the Pelzer Prize Committee of the Organization of American Historians. Her current work, for which she received a National Endowment for the Humanities Fellowship, is on World War I, citizenship, and the state. In 2001–2002 she was the Bicentennial Fulbright Chair in American Studies at the University of Helsinki.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By priscillailene
Very informative.

13 of 13 people found the following review helpful.
Bravo!!
By Knowledge Contagion
I wasn't aware of this book until I took an American women's history class - I can honestly say that I would have wanted this book even if it wasn't assigned reading.

Nearly every aspect of American women's history is (unfortunately only) touched upon from many nationalities. It opened my eyes to some aspects of women's history that I hadn't been interested in before and reeducated me in other areas. The book is littered with illustrations, photographs, maps, stories, letters, documents, collections of photographs to show what is written about, etc - all of which keep the text interesting and free of dryness.

To make up for some lack of information, the end of each chapter has an extensive bibliography that steers you in any direction you feel the need to go.

4 of 4 people found the following review helpful.
So interesting!
By Tiffany Gulden
I also used this book for a History class and found it to be wonderful. It was so much more informative than any other History textbook I have used before. There were some amazing first-hand accounts written by women, and a wealth of new information that I wasn't aware of. Definitely a great and eye-opening read. Loved it.

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## PDF Ebook Raj: The Making and Unmaking of British India, by Lawrence James

PDF Ebook Raj: The Making and Unmaking of British India, by Lawrence James

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Raj: The Making and Unmaking of British India, by Lawrence James

Raj: The Making and Unmaking of British India, by Lawrence James



Raj: The Making and Unmaking of British India, by Lawrence James

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Raj: The Making and Unmaking of British India, by Lawrence James

In less that one hundred years, the British made themselves the masters of India. They ruled for another hundred, leaving behind the independent nations of India and Pakistan when they finally withdrew in 1947. Both nations would owe much to the British Raj: under its rule, Indians learned to see themselves as Indians; its benefits included railways, roads, canals, schools, universities, hospitals, universal language and common law.

None of this, however, was planned. After a series of emergencies in the eighteenth century transformed a business partnership-the East India Company-into the most formidable war machine in Asia, conquest gathered its own momentum. Fortunes grew, but, alongside them, Britons grew troubled by the despotism that had been created in their name. The result was the formation of a government that balanced firmness with benevolence, and had as its goal the advancement of India.

But the Raj, outwardly so monolithic and magnificent, always rested precariously on the goodwill of Indians. In this remarkable exploration of British rule in India, Lawrence James chronicles the astonishing heroism that created it, the mixture of compromise and firmness that characterized it, and the twists and turns of the independence struggle that ended it.

  • Sales Rank: #342820 in Books
  • Brand: Historical & Reference Books St. Martin's Press
  • Published on: 2000-08-12
  • Released on: 2000-08-12
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.93" h x 1.97" w x 6.04" l, 1.60 pounds
  • Binding: Paperback
  • 768 pages

Amazon.com Review
When Robert Clive, a "harum-scarum schoolboy" not yet out of his teens, arrived in India in 1744, he found himself in the middle of chaos: English merchants fought against French traders, Indian princes warred among themselves, Portuguese and Dutch privateers plied the coasts, and throughout the country, anarchy reigned. Clive flourished amid the confusion. He quickly distinguished himself both in battle, showing bravery and unusual presence of mind, and in trade. The combination was profitable for his employer, the East India Company, and although Clive committed suicide in the wake of political scandal in 1774, he set in motion what would become the British conquest of India and the establishment of the Raj, a mixed form of government in which the English ruled through a network of Indian politicians and civil servants. Outwardly stable, the Raj was constantly under threat both by Indian aspirations to self-rule and by other imperialists' intrigues, notably on the part of Russia, Britain's chief competitor in what would come to be called "the great game." Lawrence James, a longtime student of British military history, offers a sweeping, and wholly absorbing, narrative account of the Raj, taking it from Clive's time to the era of Mahatma Gandhi and the flamboyant Viscount Mountbatten, the last British viceroy of India. --Gregory McNamee

From Publishers Weekly
Even though James gives relatively short shrift to the period between the battle of Plassey (1757) and the second Maratha war (1817-1818), when the East India Company used arms and bribery to take over the Indian subcontinent, this is still a big book. But for what the British historian and author of The Rise and Fall of the British Empire wanted to do, it had to be big. James is a very lucid writer on a variety of topics, whether military, economic, social or political. His primary interest has been military history and it shows here. While not every reader will be fascinated by detailed descriptions of, say, military maneuvers of Sikh wars, these same details add intensity to the narrative of the Indian Mutiny (1857-59); the Great Game, that tortuous Anglo-Russian squabble over Afghanistan; or the doings of Subhas Chandra Bose during WWII. Opting against a simple chronology, James works in chapters on the position of Indian princes in the Raj, the differences between British and Indian sexuality and the romanticized, Kipling-esque vision of India that pervaded Britain in the early 20th century. There is a great deal about Britain here: the reception back home of newly rich Nabobs (a corruption of nawab); the British reaction to reports of the Indian Mutiny and the 1919 Amritsar massacre; the irreconcilable friction between Britain's devotion to economic expediency and liberal paternalism. In fact, some may find that the emphasis is a little too much on the "British" of the subtitle and not enough on the "India," but James presents a consistently intriguing take on a deeply complicated history.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
After writing several acclaimed histories primarily focused on British imperial military history, James (The Rise and Fall of the British Empire, St. Martin's, 1996) now concentrates on India, the old Empire's cornerstone. With an orientation to historical narrative instead of analysis, the work often raises questions it does not answer. Military perspectives dominate, but James fails to show the relationship between government and the military. Hardly anyone receives favorable discussion in this "revisionist" recounting of the Raj's rise and fall, while crucial figures (Clive, Hastings, Gandhi, Mountbatten) are treated shabbily. Nehru, strangely, is hardly mentioned. Military buffs might like this rather long history, but those interested in an impartial treatment will be better served by other recent titles, e.g., Shashi Tharoor's From Midnight to the Millennium (LJ 6/1/97).?Donald Johnson, Univ. of Minnesota Lib., Minneapolis
Copyright 1998 Reed Business Information, Inc.

Most helpful customer reviews

49 of 54 people found the following review helpful.
Vivid Colors, Fuzzy Shapes
By E. T. Veal
Whatever its impact on India, the two centuries of the British Raj were an inspiration for novelists, poets, painters, film makers and popular historians. Lawrence James falls into the last group. His "Raj" is a set of overlapping portraits: some exciting, some grandiose, some grim, some exotic, all animated and colorful. They do not quite blend into a coherent picture of British rule but are fascinating to view.
Mr. James has set himself the task of covering political, institutional and social history. Although he limits himself to the British point of view, the job is too big for even a bulky volume like this one. As a consequence, many years and events receive brief notices or none at all. (By comparison, Sir Penderel Moon's "The British Conquest and Dominion of India", which concentrates almost completely on politics, is over twice as long.) The institutional and social accounts likewise jump around. There is, for example, a section, set before the Indian Mutiny of 1857, on the onerous taxation imposed on Indian villages, in which we are told of tax rates of 50 to 75 percent of net income. Later, in a different context, appear economic statistics for a single locality, which have the villagers paying taxes of about five percent. The discrepancy is not explained, nor even alluded to. Did the British wisely cut taxes after the Mutiny? Were rates drastically different in different areas? Did widespread evasion make the nominal rates a sham? Are the figures for some reason not comparable? There is no way to tell, and the question is surely not unimportant.
Elsewhere, as in the section on the Princely States, the author recounts a multitude of details without leaving a clear impression. One would like some estimate of the balance between playboy rajas and their hardworking counterparts, and between princes loyal to the paramount power and those who submitted only under duress. The mere alternation of scandal and praise is not satisfactory.
If, however, one looks at the parts without worrying about their sum, this is an informative (and certainly lively) book. Subjects range from concise histories of the Raj's most dramatic eras (its formation in the 18th Century, the Great Mutiny and the nationalist struggles of the 20th century) to taxation and policing to the social and sexual lives of the sahib class to India's participation in the World Wars to literature and films about the Raj. Unhappily, the author's serviceable prose is too frequently marred by copy editing that is wretched even by the low standards of our day. Jarring is the frequent use of "whom" where "who" would be correct (a most unusual error). Surrealistic is this garbled statement (p. 451) about a corps of staunchly Islamic troops: "Pathans, always highly receptive to Pan-Islamic appeals, were responsible for two mutinies of the 130th Baluchis during the winter of 1914-15, both sparked off by fears of being forced to follow Muslims." My puzzlement lasted until I figured out that "to follow Muslims" was supposed to read "to fight fellow Muslims".
Some earlier reviews on this site decry Mr. James' supposed partiality for the British rulers and inattention to the masses of their subjects. That is a misguided criticism. The author is alert for signs of racialism, arrogance and ineptitude among the British, occasionally to the point of unfairness. Were those Englishmen who deplored Hindu customs really more blameworthy than the post-1948 politicians who sought to suppress them and turn India into a secular state (an effort that is now encountering a dangerous backlash)? As for his summary evaluation that the Raj was good for the subcontinent, that is a left-handed compliment. He reckons that, given the realities of 18th and 19th century geopolitics, India was bound to fall prey to some form of European imperialism and that the British form was more benign than any of the alternatives.
It is true that he is strongly critical of Mahatma Gandhi's insouciance concerning the outcome of World War II and of vain, incompetent Lord Mountbatten's handling of the partition between India and Pakistan. Anyone who thinks that India would have been better off in the Far Eastern Co-Prosperity Sphere or that Mountbatten deserves no blame for the butcher's bill of 1948 should turn elsewhere for reading matter, preferably to works of utopian fantasy.
The Raj is such a sprawling subject that no single volume can paint it entire. This one, while imperfect in many ways, is a good starting point.

26 of 29 people found the following review helpful.
An entertaining, uneven history -
By Luke D Jasenosky
Professor James' book is enlightening, but also a bit uneven and narrow. The image of jovial British troops in exotic locations will probably always enter one's mind when one thinks of the Raj, but Professor James elaborates nicely on the day to day drudgery of the average soldier, and one of the strongest points of the book is the hot, dusty atmosphere that surrounds his discussions of commerce, the hunt, food, sexual relations, and many other topics. The discussion of India's involvement in the second world war is also fascinating. I do not feel that James' book necessarily presents a biased view, but because it does concentrate on the British experience first and foremost, and relies heavily on British correspondance and debate in parliament, I can understand how one might walk away with the impression that the Indian experience was treated lightly, or even unfairly. On the debit side, I finished the book feeling that I hadn't really learned anything knew about the overarching British imperial experience, and I agree with a previous commentator who stated that the final years were glossed over. The book is also short on maps, and I had to pull out the atlas a number of times to pinpoint the location of the events being described. Overall a good narrative and cultural (on the British side, mostly) history that could have used a larger dose of figures and analysis.

16 of 17 people found the following review helpful.
Despite flaws, a very useful and impressive read
By ST
This is a flawed but useful book on the British Raj in India. First let us get the flaws out of the way. Many people here have mentioned its supremacist viewpoint, quoting the jacket blurb. In fact, the jacket description does not do justice to James. He is somewhat to the British side of the center, but does a decent job of showing all viewpoints and giving credit and/or censure where they are due. If anything, the author's fault is that he is not as much objective as omni-subjective. This, and his tendency to write complete sentences without attribution, lead us to believe there is a multiparty debate going on inside the author's head.

Another fault which has been mentioned by Edward Veal in a review here is the low copy editing standards. Several sentences just could not be right, and I wish I had Edward's zeal in writing some down, because I've forgotten them now. One thing I do remember is the manglings of Indian names. These range from the minor but irritating (Khatri is written Khastri, Krishna is written Khrishna or Khrisha) to the random and absurd (Raghoji [Bhosle, a Maratha general] is called Rahugi) to the meaning changing (Garhwali means "from Garhwal"; the author uses Gharwali meaning housewife). The usage of "gi" for the honorific "ji" at the end of Indian names is especially irritating, surely the author should know that the rule of "g" being soft before "i" is not applicable to Indic languages? Now these are *not* contemporary anglicizations. James is not consistent about that either. If Kutch becomes Kachchh (current spelling), why isnt Poona Pune or Cawnpore Kanpur?

The last flaw is that James is simply not a good writer in the caliber of your typical British historian. His writing can be jumpy, inconsistent, and is memorable for the bad aspects rather than the good. He uses pet words (eg. will-o-the-wisp) excessively, and uses unnecessarily hard words -- which furthermore are misspelled, eg. I still dont know what läocooned means but I'm sure the umlaut shouldnt be atop the "a". In the chapter on Russia-Britian tensions (a superfluous chapter if there was one), he repeatedly uses the word "Maskirovka" to refer to Russia's deceptive tactics. The word comes from a chess move, but I doubt it was used thusly before Stalinist times. After the seventh time it appears, I was like, okay we get it, let's move on.

Now for the good parts. There is a *wealth* of information in this book. As I said before, James is British of center, but this is not a bad thing for someone raised on the British-bad India-good B&W wisdom of Indian Government textbooks and the typically hagiographic/sensational works of Indian writers. How many Indians would know that Peshwa Nanasaheb, far from being a hero of the First War of Indian Independence (or Sepoy Mutiny from the British angle; James correctly says the truth lay in the middle), ordered the murder of hundreds of innocent British women and children? Or that Naoroji won a council seat in Britain? Or that Charles Dickens wanted to exterminate all Hindus? Or the Swadeshi movement was protectionism for Indian traders in all but name? Or that Gandhi didnt care about people losing lives for his cause? Who remembers men such as Auchinleck, the army head who refused to accept honours because he felt Britain made a mess of leaving India? I would go so far as to say this book should be mandatory reading for every Indian history student, if only to get an alternate viewpoint.

The most exciting parts in the book undoubtedly correspond to the 45-47 era. The sheer volume of stuff happening and hitting the ceiling in those times, especially the few months before independence, is probably unparalleled in Indian history. James is especially good here, in these last few chapters.

The level of research that has gone into this book is impressive. It has a lot of detail, many eyewitness accounts and quotes and anecdotes, snippets from contemporary literature etc, which in my opinion get the pulse of a time better than the spouting of dates and events and such. All in all, not a great book, but a very useful and entertaining history.

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