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Sister: The Life of Legendary Interior Decorator Mrs. Henry Parish II, by Susan Bartlett Crater, Apple Parish Bartlett
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This intimate portrait of Mrs. Henry Parish II-known to friends as Sister-chronicles one woman's remarkable life and groundbreaking career, painting a unique portrait of American high society and recounting the transformation of an art form.
Dorothy May Kinnicutt was born into a patrician New York family in 1910 and her privileged early life was one of the right schools, yacht clubs, coming out parties, and the Social Register. Compelled to work because of the lean years of the Depression, Sister combined her innate design ability and her high echelon social connections to create an extraordinarily successful interior decorating business. Her firm, Parish-Hadley, served a list of clients that comprised the crème de la crème of American aristocracy, among them Rockefellers, Astors, and Whitneys. To them, she was in indispensable presence, both in their salons and in designing them. Her style, influenced by her family's country house in Maine, came to be known as "American country" and was a reflection of Sister's deeply felt Yankee roots. It influenced an entire generation of American decorators. To the pubic at large, she was the visionary who helped transform Jacqueline Kennedy's White House from a fusty relic of the fifties into the international symbol of American elegance-Camelot.
To Apple Parish Bartlett and Susan Bartlett Crater, she was a mother and grandmother. Drawing upon Sister Parish's own unpublished memoirs, as well as hundreds of interviews with world-famous interior decorators and socialites, Bartlett and Crater take readers into the houses-and the lives-of the most famous and powerful people of Parish's time, telling the story of the enormously charismatic woman who redefined American design.
- Sales Rank: #397233 in Books
- Brand: St. Martin's Press
- Published on: 2000-09-02
- Original language: English
- Number of items: 1
- Dimensions: 9.62" h x 1.25" w x 6.74" l,
- Binding: Hardcover
- 384 pages
- Great product!
Amazon.com Review
Born with the silverest of spoons in her mouth, Mrs. Henry Parish II went on to become, of all things, a working woman. Yet she couldn't have picked a métier more suited to her milieu. As a decorator, she drew upon both her blue-blood connections and the exquisite taste that was her birthright to become one of the foremost figures in American interior design. Not bad for a woman who never received a high school diploma, and who was known most often (and most endearingly) by her childhood nickname of Sister. (When she was hired to do over the White House for Jackie, the headlines read "Kennedys Pick Nun to Decorate White House.") In Sister, Parish's daughter and granddaughter lovingly chronicle this remarkable woman's life and work. She began adulthood as the wife and mother she had been expensively nurtured to become. But when the Depression hit and her husband's stockbroker salary plummeted, this Sister started doing it for herself. She hung out a shingle, literally, and soon upper-crust types from far and wide were clamoring for her untrained but decidedly stylish services. In narrating the illustrious career that followed, the book alternates interviews with past clients, coworkers, and friends with excerpts from Sister's never-completed autobiography--and with few exceptions, the most vivid passages are those in her own inimitable voice. Parish described her own style, quite correctly, as "timeless and personal," yet she actually innovated key elements of what we now take for granted as the "American country" look, including quilts, painted floors, and mattress ticking upholstery. But she never sacrificed a client's wishes to an inflexible ideal. For her, design was always about matching a house with the personality of those who lived inside it, making her work the truest extension of her love of family and home. More than just a tribute to a remarkable woman, Sister is also a fascinating portrait of a bygone world, almost Jamesian in its manners and morals. --Chloe Byrne
From Publishers Weekly
The daughter and granddaughter of Mrs. Henry Parish II (who, as a baby, was dubbed "Sister" by her three-year-old brother) present a lively tribute to the woman who was the undisputed doyenne of 20th-century American interior decorating, the visionary behind the renowned Parish-Hadley firm and the tastemaker responsible for the "American Country" look. Strung together with Sister's own memoirs and comments by the authors, the book is structured as an ongoing conversation among Sister's relatives, lifelong friends (including Eleanor Todd, K.K. Auchincloss and Marian Frelinghuysen), colleagues and clients. Raised "in the grand manner," Dorothy May Kinnicutt Parish received no formal training as a decorator but remembers loving the look of her family's sitting room when she was six years old. Blessed with a remarkable eye for color and an intuitive aesthetic sense, Sister used vibrant colors (red walls and a different shade of red paint for the floor, for example) and easily mixed heirlooms, custom-made furniture and inexpensive items with flair. Patrician, elegant and stubbornAindeed, she expected no one to challenge her design decisions, least of all her clients (including Brooke Astor, President and Mrs. Kennedy, the William Paleys)ASister believed the most important thing in life was continuity. For her, this meant that love and warmth is evidenced by hospitality and good breeding. Balancing intimacy, objectivity and the numerous voices from Sister's world, Bartlett and Crater have rendered a fast-moving, entertaining biography that's like eavesdropping on a lively society lunch. Agent, Faith Childs. (Aug.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
This biography of Dorothy May Kinnicutt Parish, better known as Sister Parish, is both unusual and interesting. Written by her daughter and granddaughter, the book explores the personal and professional life of this notable interior decorator to the rich and famous, who stepped into the international spotlight with her involvement in the redecorating of the Kennedy White House. The chapters follow her life chronologically, from family beginnings until her death in 1994, placing special emphasis on her unorthodox career and notable clients, including the Rockefellers, Astors, Whitneys, Engelhards, Watsons, and Paleys. Most of the text consists of the personal reminiscences of family, friends, colleagues, and clients, an element that lends the book the air of oral history. An interesting side feature is the biographical notes on the contributors. Recommended primarily for public libraries. (Color photographs and index not seen.)"Stephen Allan Patrick, East Tennessee State Univ. Libs., Johnson City
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
37 of 43 people found the following review helpful.
Speak softly, and carry a big roll of chintz
By Anonymous
The book, a series of interviews, doesn't hold together as well as I might have liked, though it is chock-full of intriguing raw materials, including reminiscences of Sister by other legends (e.g. the late Mark Hampton, John Fowler, and Mario Buatta). I read it in a hotel room dashing out to shop and to go to a wedding, and I naturally began to critique the decor from what I imagined as Sister's point of view. The hotel forbade dogs, small or otherwise, which would never have done. Sister's Pekinese Yummy went everywhere. There was a certain baroque grandeur to the lobby, which was carried into the rooms, where one could not miss the giant chandelier. You just stared at it, and perhaps felt that this justified the price of the night. But this would not have been Sister's way. As she demonstrated during her days in the Kennedy White House, she could differentiate between public spaces and private ones. Private ones were subtle in tone, with the emphasis on incorporating one's own sentimental possessions into the general scheme. A client's library might have a Picasso or a Monet, but it wouldn't be the first thing that would hit you when you walked into the room. You'd probably be drawn to a cozy fire, and only gradually realize the masterpiece off somewhere to the side. Public spaces could be grand as befitted their function. None of her clients wound up living in a museum. She's worth knowing about, and a nice guide to what endures. The current rage for "homekeeping" probably would have pleased her, as the basis of it is making people comfortable rather than knocking them upside the head with your worldly success. She also had a sort of innate ability to measure things, and to compose with her eye, like a really good candid photographer. However natural things appeared, her own description of a "typical" day makes one think of show business. She was a life force, and no family can ever make up for the gap someone like this leaves, I am sure, but this book is a fine eulogy, which works the way the great ones do: it's an encouragement to more life. Sister Parish seems thoroughly to have enjoyed hers.
16 of 17 people found the following review helpful.
Sgt. Sister
By sweetmolly
Sister (Dorothy) Parrish was "gently" born, and she played this card like a violin all her life to great success. Expensively, but scantily educated Sister had an "eye" for proportion and taste that never failed her. Her decorating services became astronomically expensive, yet she had a Grande Dame persona that made her clients feel she was doing them a great favor by decorating their homes.
"Sister" is authored (perhaps edited) by her daughter and granddaughter very respectfully indeed. It contains little essays and remarks by friends and colleagues, plus sections by Sister herself from her autobiography that never was completed. Her daughters were clearly terrified by her, though her granddaughter seems to be a little bit of a chip off the old block. An oddity I noticed in the pictures: movie-star-handsome men run in her family while the women are plain as peahens. Sister speaks of growing into beauty, but I would have to respectfully disagree. Imposing, and dramatic--yes; but "beautiful"--no. All mention her wonderful sense of humor, which struck me as cruel and belittling along with a razor sharp tongue. The pictures of her projects (sadly, most in black and white) show her capabilities in making a fabulous mansion into a home rather than a museum. However, in spite of Sister's declamations that the client's wishes were first and foremost, most of her actions show that you go her way or the highway. Her Pekinese dogs always were with her and each seemed to have a talent for vicious nipping.
"Sister" is fascinating and does a good job (mostly Sister herself) describing her artistic techniques. The family history is well done. But there is a slightly patched together quality of the book that makes this reader feel the events are only half-told and some not told at all. I don't mean I expected or remotely wanted a "Sister Dearest." I admire the tact and respect displayed by Ms. Parrish's heirs. I just wish a few of the reminiscences were by folks who had less than 100% adoration for Sister!
-sweetmolly-Amazon Reviewer
27 of 29 people found the following review helpful.
Absolutely delightful!!!!!
By A Customer
This book is superb. I am a window dresser for a high end furniture store. Three other co-workers plus myself have been waiting for our copies of this book to come in for weeks! We come to work in the morning and rave to each other about what we have read. It is written in such an interesting manner. There are wonderful excerpts from conversations with people about Sister. Some are: Letitia Baldrige (Jackie O's former secretary), Mark Hampton, Parish-Hadley decorators and her children plus lots more. It's written in vivid detail and transports you to another time. Sister remembers rooms in such a manner that you feel as if you are there in the bright sunny rooms of her childhood at the beginnings of the century. Not only that, but this books paints a good picture of what life was like for the upper class pre-WWI and after both wars. I highly recommend it. One thing my friends and I all love is the way that this book is written with "blips" from all of her family and friends. You feel as if you sitting there having a conversation with all of these truly fascinating people.
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