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Salman Rushdie's most ambitious and accomplished novel, sure to be hailed as his masterpiece.
At the beginning of this stunning novel, Vina Apsara, a famous and much-loved singer, is caught up in a devastating earthquake and never seen again by human eyes. This is her story, and that of Ormus Cama, the lover who finds, loses, seeks, and again finds her, over and over, throughout his own extraordinary life in music. Their epic romance is narrated by Ormus's childhood friend and Vina's sometime lover, her "back-door man," the photographer Rai, whose astonishing voice, filled with stories, images, myths, anger, wisdom, humor, and love, is perhaps the book's true hero. Telling the story of Ormus and Vina, he finds that he is also revealing his own truths: his human failings, his immortal longings. He is a man caught up in the loves and quarrels of the age's goddesses and gods, but dares to have ambitions of his own. And lives to tell the tale.
Around these three, the uncertain world itself is beginning to tremble and break. Cracks and tears have begun to appear in the fabric of the real. There are glimpses of abysses below the surfaces of things. The Ground Beneath Her Feet is Salman Rushdie's most gripping novel and his boldest imaginative act, a vision of our shaken, mutating times, an engagement with the whole of what is and what might be, an account of the intimate, flawed encounter between the East and the West, a brilliant remaking of the myth of Orpheus, a novel of high (and low) comedy, high (and low) passions, high (and low) culture. It is a tale of love, death, and rock 'n' roll.
- Sales Rank: #660755 in Books
- Published on: 2000-03-16
- Released on: 2000-03-16
- Original language: English
- Number of items: 1
- Dimensions: 8.17" h x 1.03" w x 5.52" l, 1.00 pounds
- Binding: Paperback
- 592 pages
Amazon.com Review
The ground shifts repeatedly beneath the reader's feet during the course of Salman Rushdie's sixth novel, a riff on the Orpheus and Eurydice myth set in the high-octane world of rock & roll. Readers get their first clues early on that the universe Rushdie is creating here is not quite the one we know: Jesse Aron Parker, for example, wrote "Heartbreak Hotel"; Carly Simon and Guinevere Garfunkel sang "Bridge over Troubled Water"; and Shirley Jones and Gordon McRae starred in "South Pacific." And as the novel progresses, Rushdie adds unmistakable elements of science fiction to his already patented magical realism, with occasionally uneven results.
Rushdie's cunning musician is Ormus Cana, the Bombay-born founder of the most popular group in the world. Ormus's Eurydice (and lead singer) is Vina Apsara, the daughter of a Greek American woman and an Indian father who abandoned the family. What these two share, besides amazing musical talent, is a decidedly twisted family life: Ormus's twin brother died at birth and communicates to him from "the other side"; his older brothers, also twins, are, respectively, brain-damaged and a serial killer. Vina, on the other hand, grew up in rural West Virginia where she returned home one day to find her stepfather and sisters shot to death and her mother hanging from a rafter in the barn. No wonder these two believe they were made for each other.
Narrated by Rai Merchant, a childhood friend of both Vina and Ormus, The Ground Beneath Her Feet begins with a terrible earthquake in 1989 that swallows Vina whole, then moves back in time to chronicle the tangled histories of all the main characters and a host of minor ones as well. Rushdie's canvas is huge, stretching from India to London to New York and beyond--and there's plenty of room for him to punctuate this epic tale with pointed commentary on his own situation: Muslim-born Rai, for example, remarks that "my parents gave me the gift of irreligion, of growing up without bothering to ask people what gods they held dear.... You may argue that the gift was a poisoned chalice, but even if so, that's a cup from which I'd happily drink again." Despite earthquakes, heartbreaks, and a rip in the time-space continuum, The Ground Beneath Her Feet may be the most optimistic, accessible novel Rushdie has yet written. --Alix Wilber
From Publishers Weekly
Time and space, understood conventionally, have never been enough for Rushdie's antic imagination, and here he needs two parallel universes to contain this playful, highly allusive journey through the last 40 years of pop culture. Ormus Cama, a supernaturally gifted musician, and his beloved, Vina Apsara, a half-Indian woman with a soul-thrilling voice, meet in Bombay in the late '50s, discover rock and roll, and form a band that goes on to become the world's most popular musical act. Narrator Rai Merchant, their lifelong friend, is a world-famous photographer and Vina's "backdoor man." Rai tells the story of their great, abiding love (both are named for love gods: Cama as in Kama Sutra, and Vina for Venus), which thrives on obstacles. At first Vina is underage, and Ormus swears not to touch her until she turns 16; then, after one night of love, she disappears for a decade, returning only to rescue Ormus from a near fatal coma. While he swears chastity for a decade, Vina tests their commitment with a string of other lovers, of whom only Rai is kept secret. Ultimately, Ormus and Vina reenact the Orpheus myth, not once but twice. And this is only the heart of a plot whose action moves from Bombay to London to Manhattan. Rai's work as photographer underwrites meditations on 20th-century art and journalism. Rock and roll inspires endless fun, as Rushdie sprinkles lyrics into his narrative, and scrambles pop music names and historyAElvis Presley becomes Jesse Garon Parker, for instance. History is scrambled, too: Watergate turns out to be nothing more than a pulp thriller. The reader slowly discovers that the novel is set in a universe parallel to our own, and the characters catch glimpses of an alternate reality that looks more like our actual world. Despite many comic and dazzling passages, the hyperbole, the scrambled allusions and the parallel universes eventually become wearying. While not one of his masterpieces, this flawed giant is a spirited, head-spinning entertainment from a writer of undeniable genius. Agent: The Wylie Agency. Rights sold in Brazil, Canada, Denmark, France, Germany, Greece, Hungary, Italy, the Netherlands, Norway, Spain, Sweden and the U.K.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Vina Apsara, a charismatic singer, and Ormus Cama, a visionary songwriter, unite in the late 1960s to form VTO, the worlds greatest rocknroll band. Jetset photographer Rai Merchant, who grew up with both stars in Bombay, recounts the bands history, using the myth of Orpheus and Eurydice as a frame story. The text is a mosaic of 1960s trivia. Rock lyrics are embedded in every photograph. There are caricatures of industry moguls like Ahmet Ertegun, and cameo appearances by pop culture icons like the Jean Seberg character from Godards Breathless. All inhabit a parallel universe where The Watergate Affair is a best-selling thriller and both Kennedy brothers are killed by the same magic bullet. Ormuss Earthquake song cycle actually predicts an endtime catastrophe where the VTO world collides with our own. Rushdies irreverent but respectful take on the counterculture is pitch perfect. U2s decision to include a VTO song on their next CD should generate a lot of interest in this book. Highly recommended.
-Edward B. St. John, Loyola Law Sch., Los Angeles
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A lovely work
By Arien Malec
Work that I love, I read almost in dream, and I have been dreaming for the past few days. The closest echo to this book is Nabokov's Ada. It may be criticized on the same terms: too much over-the-top linguistic wordplay, self-absorbed lovers, too long. But, like Ada, beneath the text is texture (John Shade is a writer of poetry in Rushdie's mirrored world). This is a novel of longing and exile -- exile from country, exile from love, and existential exile. At the same time, it is a novel of love, and artistic creation and re-creation, an attempt to repair the breach of exile. Not to bring back what is forever gone, or to attempt to bridge the uncrossable, but to use the power of the best of 5 cultures (ancient Indian, ancient Greek, Bombay, England and America) to begin to imagine something beyond the worst in them.
3 of 3 people found the following review helpful.
Two-dimensional characters, muddled plot
By A Customer
This is a brave attempt at retelling the Orpheus/Eurydice myth in a modern, rock 'n' roll context. And you can't fault Rushdie's skill with words. The puns and allusions fly thick and fast. But he fails to make any of the central characters anything more than cartoonish. Avatars, he'd say. Add to that the problem that the plot wobbles from one improbable event to another. It's hard to swallow the idea that two essentially boring characters -- Ormus and Vina -- could produce the kind of world-shaking music Rushdie credits them with. There's a sneering tone about real stars like the Beatles and Elvis, which many may find annoying. But then, he's always been anti-Western culture, perhaps as much as he has been tagged anti-Moslem. Far too long, too.
0 of 0 people found the following review helpful.
Unique
By Elizabeth
Excellent, mythical, stimulating. A bright light in the midst of mayhem. The effect of this brilliant account will. keep lingering.
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