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Christgau's Consumer Guide: Albums of the '90s, by Robert Christgau
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The Dean of American Rock Critics tackles the decade when music exploded.
The '90s saw more albums produced and distributed than any other decade. It was a fertile era for new genres, from alt-rock to Afropop, hip hop to techno. Rock critic Robert Christgau's obsessive ear and authoritative pen have covered it all-over 3,800 albums graded and classified, from A+s to his celebrated turkeys and duds. A rich appendix section ensures that nothing's been left out-from "subjects for further research" to "everything rocks but nothing ever dies." Christgau's Consumer Guide is essential reading and reference for any dedicated listener.
- Sales Rank: #724226 in Books
- Published on: 2000-10-15
- Original language: English
- Number of items: 1
- Dimensions: 9.26" h x 1.01" w x 6.40" l,
- Binding: Paperback
- 544 pages
About the Author
Robert Christgau has reviewed rock and popular music for over thirty years. He is a senior editor and chief music critic at the Village Voice, and writes for Playboy, Rolling Stone, Spin and other publications. Christgau's Consumer Guide: Albums of the 90s is his third record guide. Christgau is also the author of Any Old Way You Choose It: Rock and Other Pop Music, 1967-1973 and Grown Up All Wrong: 75 Great rock and Pop Artists from Vaudeville to Techno.
Most helpful customer reviews
19 of 20 people found the following review helpful.
Muddled, But Still Worthwhile
By Hapworth
Yes, this version of Christgau's Record Guide is a bit more chaotic, but at least the author admits so in his introduction. The new grading system, although different, doesn't take long to get used to. I found myself whizzing right along after reading Christgau's introduction.
Yes, this book is shorter and less comprehensive than his two previous guides. Is this a fault? Yes and no. If you're already familiar with Christgau's work (I check the Village Voice online once a month to read his Consumer Guide) you'll probably thank him since he's cut away most of the fat and left only lean meat (i.e. the artists truly worth checking out). If, however, you're distraught that some of the bigger artists have been left out, you might want to check out a safer, broader (and, thus, more tepid) record guide such as the one published by Rolling Stone.
Christgau is opinionated (he IS a critic, after all), but I strongly suggest thumbing through this guide at your local bookstore. Look up some of your favorite artists, and if the reviews of those artists are unfavorable or, worse, if you can't even FIND reviews, well, then this book probably isn't for you. However, if your tastes already lean towards Sonic Youth, Lucinda Williams, Sleater-Kinney, and Randy Newman (my fave!) you'll more than likely turn to the Christgau Record Guide as you would your Bible.
22 of 25 people found the following review helpful.
Very Disappointing - I Want A Refund
By A Customer
This is the third (and by far the worst) volume I've bought from Cristgau, `cause when he writes about things he likes he can be right on the money. A line such as "irony - an excuse for anything and a reason for nothing" is a good example. Unfortunately, I can't recommend this book, and for several reasons.
First of all, he doesn't like any hard rock or heavy metal, so why he even bothers reviewing these genres is beyond me because he has no understanding of them. Truth is, every time he dismisses a band like Alice in Chains, Metallica, or Kyuss, sometimes without so much as an explanation (more on that later), I feel like sending him to a corner and throwing a dunce cap on his head.
He also continues to wildly overrate 90% of all hip-hop and African albums, as well as any Ramones-influenced punk bands and hard rocking female bands (he's nothing if not politically correct). This also holds true for his beloved "Amerindie" artists, as well as for literate (but sometimes boring) singer songwriters such as John Prine, Bonnie Raitt, Randy Newman, and Lucinda Williams. Meanwhile, "pretentious" artists who actually try to do something new and different (such as Radiohead, Bjork, U2, Flaming Lips, for example) are obnoxiously dismissed.
I could go on about other albums I feel he's dead wrong about (Pearl Jam's "Vs.," Emmylou Harris' "Wrecking Ball," etc) but I'd run out of space. I've also given up trying to figure out why he loves Marshall Crenshaw but doesn't like Crowded House (they seem comparable to me, and I for one prefer Crowded House), especially since he won't tell me. This is because of his awful new rating system, on which simple letter grades are often confusingly replaced by turkey and bomb symbols, or by record symbols along with a list of a few songs. This flawed new system allows Cristgau to be way too lazy. For example, important `90s artists such as Smashing Pumpkins, Blur, Oasis, The Verve (what's he got against Britpop, anyway?), Tori Amos, and Elliott Smith are barely given a mention. Their albums are listed, but with very little or no commentary.
In short, his `70s and `80s album guides were much better - even if he thought Lou Reed's `80s albums were better than Led Zeppelin's '70 albums.
P.S. What's up with the personal attacks, like the ones on Jeff Buckley and Tom Petty?
21 of 25 people found the following review helpful.
The most un-"user-friendly" record guide ever published
By David P Jaudon
As a fan of Christgau's earlier consumer guides for albums of the 1970s and 1980s, I was looking forward to this edition chronicling the 1990s. After one hour of trying to read this thing, I threw it down in disgust. This book has to rank as the single most difficult and un-"user-friendly" record guide ever published.
Instead of the earlier, simpler method of reviewing albums with a paragraph and a letter grade, Christgau now includes stars, turkeys, ham, and bomb symbols and often combines them. The result is a confusing, sometimes contradictory mishmash. For example, a record may rate a "C+", but may be supplemented with a bomb or turkey symbol. Or, a record may not get a letter grade, but will instead have one, two, or three stars after it, or have an "N" or a ham symbol. While Christgau explains his new rating system in the introduction, I found myself flipping back to his ratings chart frequently to figure out what he was saying about a particular album.
In addition, it seems that over half the albums listed in the guide get no review at all and instead merely get a symbol. The book is also a lot slimmer and has larger type than previous editions.
Overall, this was very disappointing and frustrating. Not recommended.
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