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Tutankhamun: The Life and Death of a Pharaoh, by Christine El Mahdy
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'When archeologist Howard Carter shined his flashlight through a hole in the door of Tutankhamun's tomb, this was the amazing sight that met his eyes.' This is a wonderfully illustrated history of the discovery of the tomb, the treasures that lay within and the story of Tutankhamun's life. Including a montage of illustrations: reconstruction drawings, photographs of Howard Carter, Lord Carnarvon and their workmen, and of the treasures now housed in various museums. A great book for a younger audience.
- Sales Rank: #3136525 in Books
- Published on: 1998-12-31
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 6.50" w x 1.00" l,
- Binding: Hardcover
- 48 pages
From Publishers Weekly
When British archeologist Howard Carter first opened King Tutankhamen's tomb in November 1922, his patron, Lord Carnarvon, standing behind him, impatiently asked if he saw anything. In one of the great moments in archeological history, Carter, dumbstruck, could only utter, "Yes, wonderful things." Briskly written by Egyptologist El Mahdy, this book is also a wonderful thing. El Mahdy seeks to shift attention away from the headline-grabbing elements of the tomb and toward the historical figure of Tutankhamen himself. Despite immense interest in his tomb, our knowledge of Tutankhamen's life, including who his parents were and how he died, is sparse. In fact, El Mahdy maintains, the accepted story of Tutankhamen is marred by inaccuracies and misperceptions. By scrutinizing the evidence from his tomb (which was full of intriguing anomalies), she reconstructs a spate of long-hidden details about his life and death. Examining Tut's mummy, El Mahdy argues that he was not murdered, but died suddenly of natural causes, probably a tumor. This is significant because his sudden death could easily have led to a power struggle and political crises in Egypt. Instead, it led to a cover-up: Tutankhamen was secretly buried by his successor, the author argues, in order to ensure order in Egypt. Accessible and informative and full of the author's enthusiasm for her subject, El Mahdy's book provides some long-absent historical context to the life of the famous king. Although at times she overextends herselfAas when she posits that homosexuality did not exist in ancient EgyptAEl Mahdy has, generally speaking, produced a concise and lively account of life in ancient Egypt and a balanced historical discussion of Carter's discovery. (Aug.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Biographies can be controversial even when based on richer documentary sources than a small corpus of often fragmentary inscriptions, decorative temple reliefs, tomb paintings, funerary equipment, and mummies from the 14th century B.C.E. El Mahdy (Egyptology, Liverpool Univ.) employs the fallacious premise that "we now have incontrovertible archaeological evidence for the true story of Tutankhamen, and can recreate the events of his life and death." Previous biographies of the short-lived king include Christiane Desroches-Noblecourt's classic Tutankhamen: Life and Death of a Pharaoh (1990) and Bob Brier's highly imaginative and sensational The Murder of Tutankhamen: A True Story (LJ 12/97). El Mahdy' s work fits somewhere in between and includes all of the evidence currently available for analysis. The author provides an introductory primer on Egyptian culture during the Eighteenth Dynasty and outlines the 1922 discovery and subsequent clearing of Tutankhamen's tomb. Unfortunately, El Mahdy includes totally speculative commentary, e.g., that Nefertiti and her purportedly half-sister Mutnodjme "regarded each other as full sisters" and that "it seems that Nefertiti was the more beautiful of the two." To her credit, she includes as appendixes the complete texts of Tutankhamen's Restoration Stela, Akhenaten's Hymn to the Aten, Amenhotep III's commemorative scarabs, and Thutmose IV's Dream Stela. El Mahdy rejects the "murder" of Tutankhamen as "out of the question" based on the lack of evidence but proceeds to accept Julia Samson's theory that there was no ephemeral King Smenkhkare but rather Nefertiti as coregent using that name. Most of this same material is handled more judiciously by Joyce Tyldesley in Nefertiti: Egypt's Sun Queen (LJ 2/15/99). If only one book is to be purchased, Tyldesley's is the most "factual." To appreciate the complexities of the archaeological puzzle, the books by Brier and El Mahdy offer the lay reader interesting alternative conjectures.DEdward K. Werner, St. Lucie Cty. Lib. Sys., Ft. Pierce, FL
Copyright 2000 Reed Business Information, Inc.
From Booklist
Egyptologist Christine El Mahdy plays forensic and historical detective to reconstruct the enigmatic life of King Tut. Born early in the fourteenth century B.C., Tutankhamen, otherwise known as the Boy-King, ruled for a mere nine years before his untimely death at age 16 or 17. Although legends abound, very little has actually been verified about Tutankhamen's parentage, his childhood, his brief reign, his supporters, his detractors, or his mysterious death. Sifting through arcane archaeological evidence, the author diligently pieces together a full-bodied portrait of an ever-fascinating ancient ruler. Margaret Flanagan
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
16 of 16 people found the following review helpful.
A thought provoking analysis of ancient Egypt
By Bruce Trinque
I give very high marks to Christine El Mahdy's "Tutankhamen" for its vigorous, insightful examination of the reign of the so-called Boy-king. Actually, her book could be accurately titled "Akhenaten, Nefertiti, Smenkhare, Tutankhamen, and Ay" because her study extends to include all the "Amarna Period". El Mahdy contends, and rightly so I believe, that much of the conventional wisdom about this era of Egyptian history and its rulers is based not on a careful examination of the evidence, but upon outdated theories first published early in the Twentieth Century or even earlier, when the amount of information available was much smaller and our overall understanding of Egyptian culture far poorer. In this book El Mahdy goes back to basics, not blindly accepting the conclusions of other Egyptologists (many of whom appear to somewhat blindly repeat what others had written before them) but examining the original inscriptions for herself. Not infrequently they have previously been mistranslated or particular interpretations placed upon them without good justification. Inscriptions, art, tombs, and mummies are all re-examined with a rigorous application of common sense and logic. What emerges is a story strongly at variance with popular understanding of the period. El Mahdy rejects the notion that Akhenaten's "new" religion was really something radically different than the Egyptian mainstream, and she finds flaws in the notion that the so-called "heretic king" was widely hated by the Egyptian people. She also argues strongly and effectively against the idea that Smenkhare and Tutankhamen were interlopers from outside of the 18th Dynasty royal family (she supports the theory that Smenkhare was Nefertiti's identity upon ascending to a co-regency with her husband and she contends that Tutankhamen was Akhenaten's son by another wife). I have read a good many books about this era of Egyptian history, and I can think of no other which has been so thought provoking. Whether or not all of El Mahdy's conclusions will stand the test of time is something we will have to wait and see, but anyone who feels that they already "know" Akhenaten, Nefertiti, and Tutankhamen would be well advised to read this book.
4 of 4 people found the following review helpful.
a good story that could be better told
By A Customer
Christine el Mahdy obviously has a fascinating take on the life of Tutankhamen, with what are apparently new and very interesting theories about his parentage, his life and death, the cultural and political life of his time, and his entombment.
However, while she criticises other archeologists, past and present, for jumping to conclusions, making unwarranted assumptions, and cutting data to fit the shape of their expectations, her writing invites her readers to conclude that she's done the same thing herself. It's one thing to say that evidence "suggests" a conclusion, and it's something else again to present such a conclusion as a fact, as El Mahdy often does in writing of her own findings. The problem, as el Mahdy repeatedly says, is that we don't KNOW--we can only infer based on evidence, and I could wish she's taken this precept to heart in presenting her own conclusions, which would appear to be more serious if she had presented them more judiciously.
I also found this book an irritating read, because it is full of repetition as well as typographical (1959 for 1859) and editorial (it's for its, everyone...their) errors. Can't help but feel that a month or so under the pencil of a good editor would have given the book a much cleaner shape and a good deal more pace and excitement.
El Mahdy's not to blame for the failings of her publishers, though, and it is a good story, once you get to it.
6 of 7 people found the following review helpful.
Not Just Tutankhamen!
By Rob Hardy
When twenty years ago the unprecedented exhibit of artifacts from King Tutankhamen's tomb was shown around America, they caused a sensation wherever they went. When it came to the importance of Tutankhamen, however, the exhibit sparked another round of dismissiveness about the boy king (who just happened to leave a terrific tomb) compared to his predecessor Akhenaten, who was regarded by western Egyptologists as a bit of a hero. It was Akhenaten who struck a blow for monotheism, banishing the strange gods with insect and crocodilian bodies in favor of the one sun god Aten. He was a figure compared to Moses or Jesus, but it was said that his heresy terrified the people and threatened the powerful priesthood, which forced him out of Luxor into a new city he could devote to his peculiar ideas. Upon his death, the boy king Tutankhamen came to power (or his handlers did), and caused a reversion to the old ways.
Christine El Mahdi has another tale to tell in _Tutankhamen: The Life and Death of the Boy King_ (St. Martin's Press), a revision of the lives of the pharaohs that shows how fashions, even in such arcane studies as Egyptology, change over time. Akhenaten, in her view, was not the monotheistic hero pictured by the Egyptologists of the last century. The old view was sparked by Tutankhamen's successor Horemheb, a conservative military man who hated Akhenaten, but not Aten. The attestations of Akhenaten's monotheistic "heresy" were most vividly not from his successors, but from the nineteenth century "gentlemen archeologists" who were in Egypt as part of their Grand Tours, perhaps as preparation for entering the church. Ancient Egyptians were seen as those who had enslaved the Jews, and who had the worst sort of animal-worshipping polytheism. Their interpretation of Horemheb's denigration of Akhenaten (which seems to have been political) was that there was a revulsion against monotheism just as there had been reviling of the true religion by those other pagans, the Romans.
El Mahdi's title is simply too limited. This is not just the story of Tutankhamen, but of the pharaohs who came before and after him. It is a survey of the religious beliefs of their societies. It is the story of Carter, Carnarvon, and of Egyptology in general, and how subjectivity influences even academic research. It is a wonderful book for readers who want to find out more about the reality of a time that has always inspired enormous curiosity. El Mahdi's enthusiastic and clear writing and broad view of history ensure that even those addicted to the wilder ideas of Egyptology should enjoy this guided tour of evidence and common sense.
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