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The Phantom of Manhattan, by Frederick Forsyth
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It is 1906, and few in the teeming metropolis of New York City have heard of, let alone seen, the hugely wealthy man who controls so many of their lives. Few, too, would have heard of the extraordinary events that took place at the Paris Opera House more than twenty years before - a story as dramatic as any of the operas themselves: a tale of love and murder and passion, the heartbreaking legend of Phantom of the Opera....
It all began in 1882, when Antoinette Giry, Maitresse du corps de ballet at the Opera, took her small child, Meg, to a carnival. And there, to her horror, she saw a caged, filthy, manacled creature whose tormented eyes shone from a grotesquely deformed face. Overcome by pity, Madame Giry freed him, cured his wounds and finally let him find a dwelling place in the seven below ground levels of the labyrinthine Opera. The creature - Erik - was to become the Phantom of the Opera, his hideous visage masking a brilliant mind. He is a magician, an artist, a musician, and lover. But when he tries to lure the object of his adoration to his underground domain - it must end in tragedy.
But did it end?
Gaston Leroux's original novel The Phantom of the Opera has been the subject of many adaptations. One of which is of course Andrew Lloyd Webber's spectacular stage production of The Phantom of the Opera.. Old friends Frederick Forsyth and Andrew Lloyd Webber discussed how the Phantom's story might continue. As Forsyth said: "Andrew Lloyd Webber's superb musical left us with an enigma: what ever happened to the Phantom and Christine? The answer is the theme of the novel." The result is a memorable tale.
- Sales Rank: #1177628 in Books
- Published on: 1999-11
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x 5.00" w x .75" l,
- Binding: Hardcover
- 177 pages
From Library Journal
The Phantom of the Opera goes to New York.
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
The author of The Day of the Jackal (1971) and Icon (1996) steals more then a page from Gaston Leroux and Andrew Lloyd Webber to bring Erik, the Phantom of the Paris Opera, to America bearing his memories of Christine. Forsyth opens his continuation in 1906 with Antoinette Girya former Paris Opera ballerina who became mistress of the corps de ballet, now 58 and dying of cancertelling the familiar story of Christine de Chagny, the Phantom's beloved, currently the greatest diva in Europe. Giry first saw 16-year-old Erik as a cruelly deformed sideshow freak, with one side of his face looking like molten candle wax and maggots writhing in wounds caused by his chains. Later she freed Erik and nursed him, letting him wander the seven floors under the opera house. Having learned carpentry from his brutal father, who had sold him to the circus, Erik filched what he needed and built his own quarters, then taught himself all the works in the opera's enormous library. He fell in love with Christine, coached her singing, and abducted her once she became a star. When the police and pregnant Christine's beau Vicomte de Chagny saved her, Erik fled. Antoinette found him and, in Forsyth's point of departure from Gaston Leroux, put him on a freighter bound for New York. At this point Erik takes up the story. Starting as a fish-gutter, he becomes as wealthy as Croesus. At first he wants a screened and curtained box at the new Metropolitan Opera, but instead he joins Oscar Hammerstein as a secret partner in opening a house of his own. His eye is on the renowned soprano Nellie Melba. Just as his plans are ripening, however, Christine comes to Manhattan to sing at the Mets inaugural opera. Will she and the Phantom sing together again? Will he see his son at last? Forsyth captures the era with a brilliant series of pasteboard narrators who stand in for Manhattan's garish liveliness. Please understand, though, it's all perfectly operatic. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
Review
"'Frederick Forsyth not only captures the spirit and style of Gaston Leroux's original novel, but also the romance and thrills that make the Phantom such an alluring character'"
Most helpful customer reviews
2 of 5 people found the following review helpful.
Interesting, if not wonderful...
By Amariel Rowan
I gave this one four stars if only because I thought that it had a reasonable plot and stuck pretty well to the spirit of Leroux's original characters, facts that made me unable to give it three. However, although the plot is reasonable, it is hardly a page turner. The idea of Erik luring Christine in with a new opera house opening only to discover that she had a son, his son, not Raouls, is good but not original. Pierres instant ditching of the only father he's ever known for one he's never met is rather, well...unrealistic.
On the good side, it does make for an interesting idea about what happened after Christine left Erik, and it sticks to Leroux's original writing style, that of mapping out the story strictly from the point of view of people who came in contact with Christine and Erik (i.e. the family priest, the intrepid reporter, Erik's servant, etc.), a perspective you don't usually find in Phantom sequels/prequels.
All in all, if your a Phantom Phan, it makes for an interesting read. If your not a phan, start with the original novel and Susan Kay's Phantom first, then hit this one.
0 of 7 people found the following review helpful.
Glad I got it
By †Faith♥*¨*•.¸¸♥†
Every Phantom sequel I have read, while none the book I'd have written, has been done, I believe, thoughtfully. That would include this one. Written pre-"Gerik," my formal introduction to this character, I found this story to be interesting & imaginative. I did not consider Mr. Forsyth's opinion of Mr. Leroux's work to be overly unkind, but merely his explanation of the thought process behind his own work. I did not find the references to better known people of the day to be out of place, & was pleasantly surprised that Mr. Forsyth included a quote by the oft overlooked writer, G. K. Chesterton. Most authors do their best to incorporate the characteristics of the already known character into their sequels. This one depicts Erik as a man struggling, then succeeding to some degree, to survive in a world he believes will not accept him as he is, using some of the ways that we know he knows best - that being mostly his creative genius. The other characters, too, behaved as I would imagine they would in the set of circumstances they met in this particular tale. Again, not the way I would continue his story, but I still enjoyed it, & consider this a welcome addition to my collection.
17 of 19 people found the following review helpful.
Forsyth was not at his best with this book
By Cynthia Grissinger
Being a Phantom of the Opera fan and enjoying Frederick Forsyth's books, I expected a lot more from this one. I found it tedious reading with a very thin plot. It did not keep my interest. It was written on request of Andrew Lloyd Webber who intended it as a sequal to his Broadway smash. However, it misses the mark completely.
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