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Our Lady of the Circus, by David Toscana
PDF Download Our Lady of the Circus, by David Toscana
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The latest offering by acclaimed Mexican writer David Toscana is a whimsical and dark tale about a group of circus performers who, disillusioned with their lives as traveling entertainers, are seduced by the idea of settling down and living like ordinary people.
Our Lady of the Circus begins with the once formidable circus of the Mantecón Brothers breaking apart, resulting in one brother taking with him the best of the group. Left behind is brother Don Alejo, who tries to rally the remaining troupe of eight stragglers and a pig. Together they stumble upon an abandoned town, where the demoralized performers seize the opportunity to start over and christen it Santa María del Circo.
What ensues is an absurd and tragic look at the misfits' struggle to create new lives for themselves. Through these desperate characters, Toscana skillfully reveals the many defects of humanity and the individual's desire for self-realization, and, in so doing, creates a touching metaphor for the human condition.
- Sales Rank: #4481145 in Books
- Published on: 2001-09-20
- Original language: English
- Number of items: 1
- Dimensions: 8.78" h x .94" w x 5.64" l,
- Binding: Hardcover
- 256 pages
From Publishers Weekly
A group of eight stranded circus performers colonize an abandoned town in this darkly humorous and poignantly allegorical novel by Mexican writer Toscana (Tula Station). A squabble between the two founders of the Mantec¢n Brothers Circus, Don Alejo and Don Ernesto, results in the split-up of performers and assets. When Don Alejo and the five men and three women left in his charge trudge into an abandoned town, they decide to become ordinary citizens, and the results are ludicrously serious. They rename the town Santa Maria of the Circus and hold a drawing to pick occupations. The midget, who cannot remember the Mass, is a priest. The bearded lady becomes a doctor, and the contortionist must play the role of Negro, and do all the work no one else wants to do. The paunchy strong man is discomfited but willing when he is assigned to be the town whore. Don Alejo, the only one who refuses to participate in the plan, secludes himself in the big top with his performing pig in its velveteen robe. Hungry and half-mad, the ex-performers sink periodically into self-gratifying reminiscences, only to awake to a fast-deteriorating reality. When Don Ernesto happens back with his half of the circus, the rest of the troupe is changed beyond recognition. Astringent, remorseless and spectacularly strange, this is a cunning social satire, a wise and wonderful companion to Charles G. Finney's immortal Circus of Dr. Lao. (Sept.)Forecast: More accessible than the well-received but forbiddingly metafictional Tula Station, this clever and smoothly translated novel should stimulate interest in its impressive young Mexican author.
Copyright 2001 Cahners Business Information, Inc.
Review
"A one-of-a-kind performance. Toscana is ready to join the ranks of Latin America's finest novelists." --Kirkus Reviews, starred review
"...Toscana's balance of the ludicrous and serious succeeds admirably."--San Francisco Chronicle
Language Notes
Text: English (translation)
Original Language: Spanish
Most helpful customer reviews
18 of 19 people found the following review helpful.
The book of wisdom
By A Customer
This novel might very well be the Philosophy Textbook of our times, and thus, a literary masterpiece. With only eight circus performers, an impresario and a pig, David Toscana explains with wisdom why our societies do not work, why our world is going crazy, why some things I don't want to mention happen. In an allegorical, apocalyptical, and even humorous way, every social issue is covered: religion, sexism, racism, media, poverty, the military, xenophobia, ecology, health, aging, politics, injustice, solitude, despair and more. The human condition -not the circus- is the greatest show on Earth, but just until we all go to hell.
2 of 2 people found the following review helpful.
More clowns wanted in the freakshow of life.
By Mary Whipple
The Amazing Mantecon Brothers Circus, a down-at-the-heels roadshow of freaks, failures, and outcasts, dissolves after its arrival at an abandoned Mexican town. Eight performers and one of the brothers remain behind to "settle" the town and create a home, while the majority continue their haphazard journey through the hinterlands. For the settlers, "A bunch of empty houses was a greater temptation than a life filled with applause..." In this unique "utopia," which they name Santa Maria of the Circus, the "essential" jobs for the community are assigned by lot. The midget, for example, becomes the priest (saying "The hell with it," when he can't remember the Mass), the bearded lady is the surgeon, the strongman is the "puta," assigned to a house on the outskirts of town, and the youthful contortionist is "the Negro," the scapegoat for all.
With no water, no food, no clocks, and no mirrors, the characters in Santa Maria confront, often humorously, the very essence of life and survival. Toscano uses his wild cast to comment on the world at large, revealing man's innate longings and fears, his need to belong, and the sadness of being different. As Nathaniel, the one-eyed midget, says, "If it weren't for my height, no one would know I'm a midget." Gentle satire, whimsy, black humor, subtle and not-so-subtle word pictures, and consummate irony combine with sensitive description and poignant observations by these characters about the world as they, and, presumably, we find it.
Despite the book's warmth and whimsy, however, the overriding belief that "chance is God" pervades this narrative, leading ultimately to an extremely dark and very depressing conclusion, one which came as a huge letdown to me. Though life is not all fun and games, and many problems exist both in society and in human relationships, these characters are survivors in the very weird circus of their lives, despite the curves that chance has thrown them. The ending is consistent with the theme that "chance is God," but I felt it was not consistent with the overall tone of the book, even when that tone became darker and less playful. I found myself wondering if the author needed a way to extricate himself from the thematic corner into which he had painted himself and chose this ending as a deus ex machina. Mary Whipple
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