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Far from Russia: A Memoir, by Olga Andreyev Carlisle
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Olga Andreyev Carlisle has never lived in Russia, and yet throughout her life Russia has never been far. Far From Russia captures the enduring grip of Russia, and how the idea of that homeland shaped her world. We see her first as an aspiring painter in post-World War II Paris, savoring her independent life. There she falls in love with an American G.I., Henry Carlisle. With Henry, she comes to the United States, to Nantucket, where she is introduced to his family's more reserved ways. In New York City, Olga begins to piece together a community in a strange land of artists and writers including, Robert Lowell and Robert Motherwell. Carlisle makes vivid the influential and heady times of both postwar Paris and New York.
- Sales Rank: #3617823 in Books
- Published on: 2000-03-10
- Original language: English
- Number of items: 1
- Dimensions: 8.56" h x .76" w x 5.54" l,
- Binding: Hardcover
- 160 pages
Amazon.com Review
She was born in France in 1931, daughter of Russian émigrés with revolutionary but anti-Bolshevik antecedents. Far from Russia, she would not set foot in the land of her ancestors until 1959, when she was married to an American editor and herself an aspiring painter well acquainted with the abstract expressionists who were reshaping modern art. Among the most charming passages in Olga Andreyev Carlisle's engaging memoir are her recollections of Paris during the enchanted spring and summer of 1951, when she fell in love with her husband-to-be, Henry Carlisle. She evokes with equal vividness the literary and artistic social life of New York in the 1950s and '60s--Robert Lowell and William Styron mingle in her pages with Robert Motherwell and Jackson Pollock--and describes the natural beauty of Nantucket, historic home to Henry's family. Yet the Russian language, politics, and especially literature are always in her heart; her earliest memories are of her parents reciting poetry aloud with Marina Tsvetayeva, and the closing section details her stormy tenure as Alexander Solzhenitsyn's representative to American publishers. Carlisle's account of her experiences in three equally beloved countries reminds us that a cosmopolitan life need not be rootless and alienated--hers, on the contrary, has been excitingly varied and richly satisfying. --Wendy Smith
From Library Journal
In this new memoir, celebrated memoirist Carlisle writes of her many travels and acquaintances. She divides her text into three sections, which trace her years in Paris and the United States and the continuing influence of Russia in her life. Carlisle begins her story in post-World War II Paris, where she was an aspiring painter. While there she met an American soldier, Henry Carlisle. Love soon blossomed, and, after their marriage, they moved to Nantucket, where Olga was introduced to Henry's reserved family. Carlisle moves along with her life as artist and translator. Yet for all the many things she relates, the book lacks a sense of drama until she gets to her activist years and especially her associations with Robert Lowell and Alexander Solzhenitsyn. Her political activism in the 1960s and 1970s on behalf of Soviet writers and in opposition to the Vietnam War makes the latter portion of this memoir engaging. For literary collections.
---Ronald Ratliff, Emporia P.L., KS
Copyright 2000 Reed Business Information, Inc.
From Kirkus Reviews
The Russian-French-American painter and writer (Voices in the Snow, not reviewed, etc.) sketches her life and extensive acquaintances from 1935 to 1975. The cosmopolitan Carlisle was born into a distinguished Russian family living in France. Her grandfather Leonid Andreyev was a leading pro-Soviet writer; her uncle Daniel was a mystical poet tortured and imprisoned by Stalins henchmen; he died shortly after a long term in the Gulag. She writes vividly of her coming-of-age and adult years in Paris, where she met and married Henry Carlisle, the American literary scholar, editor, novelist, and her eventual coauthor (The Idealists, 1999). He was descended from an old-line Protestant family in Nantucket, where the couple moved before the island became chic. Despite many descriptions of the natural world and the authors in-laws, the Nantucket pages are far less interesting than Carlisles last major section, covering the 1950s and '60s, when the couple and their son, Michael, lived in New York City. Even though she resists the reigning school of abstract expressionism, the introverted, aesthetically independent Carlisle manages to be in the thick of things in the New York art world, getting to know such figures as Robert Motherwell and Mark Rothko, as well as literary stars Robert Lowell and Norman Mailer. Unfortunately, except when she recounts her romance with Henry, Carlisle is reserved about her feelings and her family life, and sometimes slights important details in describing events and personalities. In an otherwise fascinating section, she describes how she and Henry came to represent Aleksandr Solzhenitsyn with Western publishers during the early 1970s and to translate part of The Gulag Archipelago, only to see the Nobel laureate turn furiously on them for what he felt were translating and publishing errors. Yet she never explains just what went wrong. While a significant number of passages here seem too cursory, Carlisles life emerges as stimulating, self-aware, and culturally rich. Many readers will hope for a sequel. -- Copyright ©2000, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
4 of 5 people found the following review helpful.
The life of an intellectual in a postwar world
By Keith Nichols
This is a graceful little memoir rich in anecdote and detail of post-WWII Paris and New York. In it, the author chronicles her development as an intelligent and talented young woman during the 1950's, beginning in Paris, where her emigre Russian parents strove to carry on the Andreyev family traditions in art and literature. While studying to become a painter, she meets a handsome American student at the Sorbonne, marries, and moves to America. There she dives into the New York art scene, studying with Robert Motherwell and bcoming friends with those who became landmark figures in 20th century arts and letters. Her stoutness of character is indicated by the fact that she persisted in bringing to Motherwell's class the small still-life paintings whose techniques she was determined to master - having to display them among the enormous, flat abstractions with which her teacher and fellow students were enamored at the time. Rather than belabor his charming young student regarding her entire approach to art, Motherwell simply ignored her paintings. In later years, having become a respected writer on Russian affairs, she becomes a conduit and agent for Alexander Solzhenitsyn and other writers living under Soviet oppression.The author's knack for evoking the mood of her times as well as the sights, sounds, and smells of her surroundings, plus her lifelong dedication to the intellectual life and intellectual freedom make this a satisfying and inspiring read.
3 of 3 people found the following review helpful.
A good Read!
By A Customer
I would recommend this book to anyone who is interested in Russian literary society. This book gives an interesting account of her life as an emigre of her life in France and US, and how her Russian heritage and literary upbringing affected her daily life.
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