Monday, November 30, 2015

~ Download Ebook Boogie Man: The Adventures of John Lee Hooker in the American Twentieth Century, by Charles Shaar Murray

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Boogie Man: The Adventures of John Lee Hooker in the American Twentieth Century, by Charles Shaar Murray

With John Lee Hooker's death in June 2001 the world lost one of the last great Mississippi Delta bluesmen. Acclaimed writer Charles Schaar Murray's Boogie Man is the authorized and authoritative biography of this musician whose extraordinary career spanned over fifty years and included over one-hundred albums and five Grammy Awards. Murray was given unparalleled access to Hooker, and lets him tell his own story in his own words, from life in the Deep South to San Francisco, from the 1948 blues anthem "Boogie Chillen" to the Grammy-winning album The Healer nearly a half-century later. Boogie Man is far more than merely a brilliant biography of one man; it also gives the story of the music that inspired him. "When I die," Hooker said, they'll bury the blues with me. But the blues will never die." Here is the book that does him and his music full justice.

  • Sales Rank: #1219483 in Books
  • Published on: 2002-03-18
  • Released on: 2002-03-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 1.06" w x 6.14" l, 1.64 pounds
  • Binding: Paperback
  • 512 pages
Features
  • ISBN13: 9780312270063
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Booklist
John Lee Hooker became an overnight sensation in the '80s after more than 40 years at his craft. The springboard for his "discovery" was the Grammy-winning album The Healer, which featured Bonnie Raitt and Carlos Santana among other younger musicians. This gambit, too, was not new, for Hooker had recorded Hooker 'n' Heat with Canned Heat in the late '60s--a truly seminal album. Hooker is one of the last surviving bluesmen with a direct lineage from the Delta blues tradition and for years was king of Detroit's blues scene. Murray's extensive bio goes all the way back to the beginning in a sprawling literary effort worthy of Hooker's lengthy career. Like many American blues artists, Hooker was revered by the early '60s English rockers, yet unlike Muddy Waters, widespread pop music interest in Hooker was slow to build. Nevertheless, Hooker's music is a national treasure; anybody who has ever boogied to George Thorogood's recording of Hooker's "One Bourbon, One Scotch, One Beer" or rocked out to ZZ Top's early recordings has heard the man's influence. Now they can read his life story in depth and celebrate Hooker and his music in a way that many of his contemporaries never lived to enjoy. Mike Tribby
Copyright © American Library Association. All rights reserved

Review

“(A) meticulously researched portrait...Hooker comes to life as a petulant, triumphant figure: complex and sometimes just unknowable, but as a genius for whom blues is as vital as a heartbeat.” ―Rolling Stone

“Surely the most exhaustive biography of any bluesman.” ―Chicago Tribune

About the Author

Charles Shaar Murray's previous book, Crosstown Traffic: Jimi Hendrix and the Postwar Rock 'n' Roll Revolution, was called by Entertainment Weekly "the best book on Hendrix," and rode their A-list for over two months before winning the prestigious Ralph J. Gleason Music Book Award. He lives in England.

Most helpful customer reviews

36 of 39 people found the following review helpful.
Facinating, But Flawed
By J. Keenley
"Boogie Man" is a fascinating portrait of a fascinating man. John Lee Hooker is arguably the greatest living blues man, a man whose life virtually spanned the entire 20th century, and this is the book he deserves. Based on extensive interviews with Hooker and many of his contemporaries, the reader experiences Hooker's life, his influences, his motivations, and, most important, his music as if one were sitting at his knee listening to him playing his guitar and telling stories. In addition, Charles Shaar Murray does a magnificent job of placing Hooker and his inimitable style within its historical, sociological, cultural, and musical context, including several interesting "sidebars" on the history of the blues, the nature of blues music, and that intangible something that makes Hooker so unique and so influential.
However, the book has one major flaw that will keep many readers, especially those who are not blues aficionados, from completely enjoying it. It is written in the hep-cat, daddy-o style that music critics and biographers seem to be compelled to employ and that readers of music criticism and biography have come to know and hate. Because of this, the author himself is so prominently present on virtually every page of the book. "Boogie Man" ends up being not a biography of John Lee Hooker, but rather a book about Hooker as seen through the eyes of Charles Shaar Murray. Good biographers know how to make themselves disappear from the text, to the benefit of their subjects. Murray is so present here that after a while it proves very annoying. Worst of all, many times he writes in a faux ebonics style that he thinks mimics the way black people speak. It's annoying, embarrassing, and even disturbing.
Murray also shares the bias that many Brits share of being convinced that America is a land seething with racism and racial prejudice, from the day the first Europeans landed here up to the present day. Granted, America is not a land of racial harmony, slavery was legal for he first 250 years of the country's existence, and it wasn't until a mere generation ago that blacks received the same treatment under law as whites. Still, Murray's prejudices against white Americans mars his point of view and clouds his perception of the facts surrounding Hooker and his life.
Further (and, strictly speaking, this isn't really the author's fault), the book is very poorly edited. It was written over a period of many years, and reading the finished product makes it clear that no one went through the book from start to finish to check for consistency and flow. There are several points repeated many times, and even some of Hooker's quotes are repeated verbatim in different places. One small example: Every blues fan knows that there were two blues men named "Sonny Boy Williamson," and perhaps for the sake of non-fans this curiosity needs to be pointed out and the difference between the two explained, but not five or six times.
In the end, despite its flaws, "Boogie Man" is a fascinating, informative, and insightful book, one that fans of John Lee Hooker, or blues in general will want to read -- provided they can overcome the author's style and point of view.

10 of 12 people found the following review helpful.
just tell the story
By Paul Hench
I thank Mr Murray for writing a well researched biography and letting John Lee Hooker tell his own story. But I would offer him (or any other would-be biographers) the following suggestion: people are not interested in hearing how hip you are, they're interested in John Lee Hooker. Try to make yourself as inconspicuous as possible; don't get in the readers face with frequent references to "your correspondent"; use your own voice without inserting phrases in pseudo-Black English which only sound affected and draw attention to yourself instead of the subject matter (people writing on blues musicians often feel the need to sound hip and street-wise). Just tell the story.

10 of 13 people found the following review helpful.
The intellectual's Blues
By John A. Gregorio
The blues is primal as this biography reminds us more than once. Scholar's have used more words than a presidential candidate in trying to explain the blues. This book succeeds when it directly discusses John Lee Hooker, his life and thus the blues. When it repeats Blues 101 information found in other books it fails. Many other works by Sam Charters, Pete Welding, Leroi Jones (Amiri Baraka) and others do it much better. Read works by these authors if the history and etiology of the blues is what you need. But if you want to know more about Hooker... this is the place! The author admits when the information he has conflicts with the various sources, yet lets you know where the truth may be found. An Hooker's words are worth the price alone! Read and then listen to the Man to find a answer to the question "What is the Blues?"

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> Ebook Freedom and Security: An Introduction to the Basic Income Debate, by T. Fitzpatrick

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Freedom and Security: An Introduction to the Basic Income Debate, by T. Fitzpatrick

A basic income would be an income paid periodically and unconditionally to every man, woman and child as a fundamental right of citizenship and without reference to employment, marital and household status. It would be a means of ensuring the twin objectives of freedom and security for all. This book provides an introduction to the basic income debate, examining a range of arguments for and against, and so will be of interest to anybody concerned with the future direction of the welfare state.

  • Sales Rank: #4957729 in Books
  • Published on: 1999-09-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .69" w x 5.50" l, 1.11 pounds
  • Binding: Hardcover
  • 234 pages

Review

'This book...identifies, explains and explores an alternative strategy for reform that could lower many of the barriers that have led to social exclusion in welfare states, and avoid many of the traps into which Clintonism-Blairism is falling.' - Bill Jordan, Exeter University

'Enthusiastically advocated by some, bitterly criticized by others, Basic Income will be one of the focal ideas of Europe's public policy debate in the 21st century. There exists no better introduction to its pros and cons than Tony Fitzpatrick's lucid book.' - Philippe Van Parijs, Professor of Economic and Social Ethics, Université Catholique de Louvain

'The issues that Fitzpatrick so persuasively examines here are at the very heart of the welfare reform debate and anyone who is concerned with that debate should read this book.' - Chris Pierson

'...an imaginative approach to social policy...the book deserves a place on course reading lists alongside more standard social security texts.' - Martin Hewitt, Social Policy

About the Author
Tony Fitzpatrick is Lecturer in Social Policy at the University of Luton.

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Wednesday, November 25, 2015

* Download Awareness: The Key to Living in Balance (Insights for a New Way of Living), by Osho

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Awareness: The Key to Living in Balance (Insights for a New Way of Living), by Osho

Underlying all meditation techniques, including martial arts-and in fact underlying all great athletic performances-is a quality of being awake and present to the moment, a quality that Osho calls awareness. Once we can identify and understand what this quality of awareness is, we have the key to self-mastery in virtually every area of our lives.

According to great masters like Lao Tzu or Buddha, most of us move through our lives like sleepwalkers. Never really present in what we are doing, never fully alert to our environment, and not even aware of what motivates us to do and say the things we do.

At the same time, all of us have experienced moments of awareness-or awakening, to use another-in extraordinary circumstances. On the road, in a sudden and unexpected accident, time seems to stop and one is suddenly aware of every movement, every sound, every thought. Or in moments that touch us deeply-welcoming a new baby into the world for the first time, or being with someone at the moment of death.

Awareness, says Osho, is the key to being self-directed, centered, and free in every aspect of our lives. In this book, Osho teaches how to live life more attentively, mindfully, and meditatively, with love, caring and consciousness.

OSHO challenges readers to examine and break free of the conditioned belief systems and prejudices that limit their capacity to life in all its richness. He has been described by the Sunday Times of London as one of the "1000 Makers of the 20th Century" and by Sunday Mid-Day (India) as one of the ten people-along with Gandhi, Nehru, and Buddha-who have changed the destiny of India. More than a decade after his death in 1990, the influence of his teachings continues to expand, reaching seekers of all ages in virtually every country of the world.

  • Sales Rank: #82850 in Books
  • Published on: 2001-12-10
  • Released on: 2001-12-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.19" h x .59" w x 5.49" l, .38 pounds
  • Binding: Paperback
  • 208 pages

About the Author

Osho is one of the most provocative and inspiring spiritual teachers of the twentieth century. Known for his revolutionary contribution to the science of inner transformation, the influence of his teachings continues to grow, reaching seekers of all ages in virtually every country of the world. He is the author of many books, including Love, Freedom, Aloneness; The Book of Secrets; and Innocence, Knowledge, and Wonder.

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0 of 0 people found the following review helpful.
Outstanding Work on a Critically Important Topic
By Dennis E. Bradford
This is one of the best books I've read in years. Anyone who has not yet experienced "no-mind" (alertness without thinking) is not living well. Thinking or reading about it prepares one to open up to being. Reading this book and digesting its contents slowly is excellent preparation for living more wisely.

0 of 0 people found the following review helpful.
Best of Osho
By A.U.
My favorite book by OSHO (and I read most of them)

16 of 19 people found the following review helpful.
Clarity in great abundance...
By A Customer
...that is typical of Osho. Awareness is the heart of all sincere effort, and nobody says it better. This book contains the elixir a confused, mind-addled world needs so very badly. Buy three...one for yourself, and two for friends, and ask them to do the same.

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~~ Download Ebook Choices - A Basic Writing Guide with Readings - Instructor's Edition, by Mangelsdorf Kate

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Choices - A Basic Writing Guide with Readings - Instructor's Edition, by Mangelsdorf Kate

  • Sales Rank: #5724292 in Books
  • Published on: 2000
  • Binding: Paperback
  • 675 pages

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Tuesday, November 24, 2015

## PDF Ebook The U.S. War with Mexico: A Brief History with Documents (Bedford Cultural Editions Series), by Ernesto Chavez

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The U.S. War with Mexico: A Brief History with Documents (Bedford Cultural Editions Series), by Ernesto Chavez

The U.S. war with Mexico was a pivotal event in American history, it set crucial wartime precedents and served as a precursor for the impending Civil War. With a powerful introduction and rich collection of documents, Ernesto Ch‡vez makes a convincing case that as an expansionist war, the U.S.-Mexico conflict set a new standard for the acquisition of foreign territory through war. Equally important, the war racialized the enemy, and in so doing accentuated the nature of whiteness and white male citizenship in the U.S., especially as it related to conquered Mexicans, Indians, slaves, and even women. The war, along with ongoing westward expansion, heightened public debates in the North and South about slavery and its place in newly-acquired territories. In addition, Ch‡vez shows how the political, economic and social development of each nation played a critical role in the path to war and its ultimate outcome. Both official and popular documents offer the events leading up to the war, the politics surrounding it, popular sentiment in both countries about it, and the war's long-term impact on the future development and direction of these two nations. Headnotes, a chronology, maps and a selected bibliography enrich student understanding of this important historical moment.

  • Sales Rank: #67275 in Books
  • Published on: 2007-12-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .39" w x 5.50" l, .44 pounds
  • Binding: Paperback
  • 170 pages

About the Author
ERNESTO CHAVEZ (Ph.D., University of California, Los Angeles) is Associate Professor of History at the University of Texas at El Paso. Dr. Ch‡vez’s research interests center on the Mexican and Mexican American past. His first book, Mi Raza Primero! (My People First): Nationalism, Identity, and Insurgency in the Chicano Movement in Los Angeles, 1966-1978, was published in 2002 and focused on the rise of the Chicano movement in this California city. At present, he is working on a biography of Mexican-born, silent film star Ram—n Novarro, tentatively titled Crossing the Boundaries of Race, Religion, and Desire: The Life of Ramon Novarro.

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2 of 2 people found the following review helpful.
A basic documentary history.
By Roger D. Launius
The 1846-1848 Mexican-American War may be interpreted as a bald-faced adventure in conquest; it may also be interpreted as an unfolding of “Manifest Destiny” in which the U.S. is bringing the “blessings of liberty” to the benighted peoples of the American Southwest. There are a range of interpretations in between and beyond these two poles. This short general history emphasizes the racism of American invaders over the Mexican people and the imperialism that the author believes motivated the war. Ernesto Chavez, a professor of history at the University of Texas at El Paso, offers a brief introduction that ranges widely in time and space to fashion a narrative that suggests the racist tendencies in American society as predominant in this war.

One example of this is in the discussion of the manner in which the Polk administration dealt with the British in negotiating the Oregon boundary at 49 degrees latitude when the president had campaign on the slogan 54’ 40” or fight. They didn’t fight and ended up compromising. Not so with Mexico; the U.S. went to war and conquered that nation. It imposed its own settlement annexing what is now the American Southwest, including parts of California, Arizona, Utah, Nevada, and New Mexico. Chavez insists that this was because of the U.S.’s “racialized outlook” (p. 15). I would never conclude that the U.S. in not a racist nation, clearly it is, but fighting Mexico is quite a lot different than fighting the greatest empire on Earth at the time. It would be an easy decision in 1846 not to fight a two front war, and to negotiate a settlement with the stronger of the two antagonists regardless of a racialized outlook. I’m not sure I would assign racism as the fundamental reason for these divergent ways of dealing with Great Britain and Mexico. Moreover, the U.S. had already gone to war twice since 1776, so it’s not like the two nations’ Anglo heritage kept them from fighting.

After a short introduction there is a selection of interesting documents that offering unique perspectives on the story, as well as a timeline, and an annotated bibliography. These are all useful attributes of this fine short introduction to a very complex topic.

7 of 10 people found the following review helpful.
Good Selection of Documents
By Jack Straw
Since there aren't any reviews at all - the introductory essay really emphasizes racism and imperialism as factors in the war, so its not the most original or groundbreaking interpretation. The documents are well selected, though, and many aren't available elsewhere (or are very hard to find). The Plan of Iguala, pro-war journalism by Walt Whitman, an "I-told-you-so" article by Pena y Pena, and others are included. It was a very useful source for a term paper I wrote and, beyond that, was an interesting read. I would recommend it to anyone interested in the history of US expansion, US-Mexico relations or Mexican history.

6 of 9 people found the following review helpful.
iVIVA MEXICO!
By chan-o
iUno! This is a great learning resource, only a few pages in and I find myself, a Mexican-American, already discovering amazing facts I have never known before. The product was new and on time purportedly

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~ Free PDF Hidden Witness: African American Images from the Dawn of Photography to the Civil War, by Jackie Napolean Wilson

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Hidden Witness: African American Images from the Dawn of Photography to the Civil War, by Jackie Napolean Wilson

As slaves, African Americans were virtually invisible to history. Even after the Civil War there were not many African American photographers and very few people had the time, money or freedom to sit for a portrait. Consequently only a few hundred such pictures have survived from that time to bear witness to African Americans and the lives they led. Jackie Wilson has assembled a comprehensive collection of such images into one volume. The daguerreotypes and tintypes shown here present these men and women in situations and attire that brings the truth of their daily lives much closer to us. Scenes of maternal affection, matrimony, war and the grim realities of the master/slave relationship help focus perceptions of the African American experience in the US.

  • Sales Rank: #1145342 in Books
  • Published on: 2000-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 8.50" w x .75" l,
  • Binding: Hardcover
  • 191 pages

Amazon.com Review
The image is striking: A woman gazes serenely at the camera, baby cradled in her arms in classic Madonna-and-child pose. More striking is the fact that the sitters are black, and the photograph dates from 1860. Few photographs from the mid-19th century feature African Americans, enslaved or free. Those that do are often staged and reflect the biases of the photographer or the printmaker who published them. Others, however, provide glimpses of daily life before the abolition of slavery.

Renowned collector of early photographs Jackie Napolean Wilson has compiled 70 such images in Hidden Witness. Each photograph--whether an outdoor scene, where slaves are afterthoughts in the frame, so-called Mammy portraits of slaves holding white children, studio portraits of proud freemen and women--is accompanied by a brief explanation, contextualizing the image and speculating on the nature of the pictured relationships. Some of the subjects are famous, such as Abraham Lincoln and Frederick Douglass; others, though unknowns, carry a force of their own: the exuberant grin of the prizewinning boxer, the proud stance of a Union soldier, the quiet dignity of a slave nurse. A handsome addition to the history of African Americans and photography. --Sunny Delaney

From Library Journal
Hidden Witness consists of reproductions of 69 photographs--almost all from attorney Wilson's private collection as well as a few from the Getty Museum's holdings--that depict African Americans in the 1840s, 1850s, and early 1860s. Most of the photos are formal studio portraits, but others are outdoor scenes. The commentary by Wilson accompanying each photo is more personal reaction and interpretation than conventional scholarship. Something of the difficult lives and restrictive environment in which the pre-Emancipation slaves and freedmen existed are revealed through often subtle clues in posing, clothing, sitter's interactions, arrangement of nearby objects, etc. Considering the paucity of visual documentation from the era of American slavery, this collection of photos is an invaluable resource. In contrast, Jezierski (history, Saginaw Valley State Univ.) offers us a thorough, scholarly study of a heretofore little explored aspect of African American cultural history, detailing the lives and careers of a family of black professional photographers who operated studios in Pennsylvania and Michigan. The nearly eight decades in which Glenalvin, Wallace, and William Goodridge practiced literally spans the early history of photography in America. The Goodridge Brothers not only managed to establish themselves and then flourish as professional photographers, they also gained international renown for their expertise in large-format photography. Both books will engage two groups of readers, those interested in African American history and students of the development of photography in America. Recommended for all libraries serving either of those two constituencies.
-Eugene C. Burt, Seattle
Copyright 2000 Reed Business Information, Inc.

About the Author
Jackie Napolean Wilson is an attorney and historian who has been collecting since 1978. He was guest curator of the historic Hidden Witness exhibition at The J. Paul Getty Museum. This book is based on that Exhibition. Mr. Wilson lives in Detroit.

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8 of 8 people found the following review helpful.
Fantastic Pictures, Be wary of the Commentary
By A Customer
I give this book 4 stars because the photographs are FANTASTIC!! But, I have to agree, Mr. Wilson does take extreme liberty with some of his comments. Don't get me wrong, there are indeed some history lessons to be had here, but indeed on page 27 those women are related. Where he got the idea that these women were merely "abolitionists" puzzles me. I think perhaps he was trying to teach a history lesson here, and he needed a picture to try and fit that lesson, he just used the wrong picture to make his point. I can't imagine someone having such a fabulous picture and not understand the true meaning of it. So, with that said please enjoy the pictures and the history lesson that he's trying to teach. Just don't try and put the two together.

12 of 12 people found the following review helpful.
Interesting images of 19th black Americans
By The Sanity Inspector
These pictures are taken from the author's collection of early photographs of black Americans, reputed on the flap copy to be the largest such in existence. If you enjoy looking at old photos, these richly repay the viewing. The plantation scenes are interesting--many such grand houses still survive, so it is intriguing to see them peopled with their original inhabitants. The portraits are also compelling, as we try to read the eyes of the subject across the void of years. The author does climb on rainbows a bit, trying to get into these people's minds. And he is inexplicably wrong about the first photo in the book--the black gardener is not in the photo by mistake, but obviously by the family's choice, since the long exposure required by the primitive cameras obliged the subjects to be still for an appreciable length of time. Plus, he is clearly posed in a well-lit spot. Quibbles aside, this is a very interesting collection of antebellum photos of black Americans, slave and free. Photography buffs will find it rewarding.

9 of 9 people found the following review helpful.
Beautiful Photographs, Forget the Commentary
By K. I. Simon
Who could not be intrigued with the faces illustrating this book. This is a wonderful collection of early photography. As one looks into the eyes of each subject, one longs to look into their mind and soul. "What is the true story behind this picture?"
To answer that question, don't read the commentary. It is clear Jackie Wilson had an "adgenda" and he went way out to proclaim his propoganda. It's a shame, his words ruined a otherwise poignant collection.
Mr. Wilson relates a story of women abolitionists to discribe the photograph on page 27 stating this is simply a picture of a black and white woman ignoring the presence of the child. Blinded by his own prejudices, he fails to see the striking resemblence between all three around the eyes and the mouth. He brushes away the fact that the little girl leans toward the older woman, yet holds hands with both. He ignores the leaning in of the older woman toward the child. I'm no expert, but clearly I see a Mother with her adult Daughter and Granddaughter.
On page 46 Mr. Wilson discribes the beads worn by the "Seated Black Woman" as "rarely seen African trade beads, a form of currency in Africa, which may well symbolize her awareness of her ancestral links." Huh? The woman is clearly wearing Rosary Beads. A form of prayer used by Roman Catholics. Obviously, the woman wants to share her awareness of her Faith. I'm surprised an editor let that pass.
No one will ever know the true stories behind these photographs, but interpretations that bear no resemblance to the truth make this a book which has a questionable crediblility.

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Sunday, November 22, 2015

~ Get Free Ebook Far from Russia: A Memoir, by Olga Andreyev Carlisle

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Olga Andreyev Carlisle has never lived in Russia, and yet throughout her life Russia has never been far. Far From Russia captures the enduring grip of Russia, and how the idea of that homeland shaped her world. We see her first as an aspiring painter in post-World War II Paris, savoring her independent life. There she falls in love with an American G.I., Henry Carlisle. With Henry, she comes to the United States, to Nantucket, where she is introduced to his family's more reserved ways. In New York City, Olga begins to piece together a community in a strange land of artists and writers including, Robert Lowell and Robert Motherwell. Carlisle makes vivid the influential and heady times of both postwar Paris and New York.

  • Sales Rank: #3617823 in Books
  • Published on: 2000-03-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.56" h x .76" w x 5.54" l,
  • Binding: Hardcover
  • 160 pages

Amazon.com Review
She was born in France in 1931, daughter of Russian émigrés with revolutionary but anti-Bolshevik antecedents. Far from Russia, she would not set foot in the land of her ancestors until 1959, when she was married to an American editor and herself an aspiring painter well acquainted with the abstract expressionists who were reshaping modern art. Among the most charming passages in Olga Andreyev Carlisle's engaging memoir are her recollections of Paris during the enchanted spring and summer of 1951, when she fell in love with her husband-to-be, Henry Carlisle. She evokes with equal vividness the literary and artistic social life of New York in the 1950s and '60s--Robert Lowell and William Styron mingle in her pages with Robert Motherwell and Jackson Pollock--and describes the natural beauty of Nantucket, historic home to Henry's family. Yet the Russian language, politics, and especially literature are always in her heart; her earliest memories are of her parents reciting poetry aloud with Marina Tsvetayeva, and the closing section details her stormy tenure as Alexander Solzhenitsyn's representative to American publishers. Carlisle's account of her experiences in three equally beloved countries reminds us that a cosmopolitan life need not be rootless and alienated--hers, on the contrary, has been excitingly varied and richly satisfying. --Wendy Smith

From Library Journal
In this new memoir, celebrated memoirist Carlisle writes of her many travels and acquaintances. She divides her text into three sections, which trace her years in Paris and the United States and the continuing influence of Russia in her life. Carlisle begins her story in post-World War II Paris, where she was an aspiring painter. While there she met an American soldier, Henry Carlisle. Love soon blossomed, and, after their marriage, they moved to Nantucket, where Olga was introduced to Henry's reserved family. Carlisle moves along with her life as artist and translator. Yet for all the many things she relates, the book lacks a sense of drama until she gets to her activist years and especially her associations with Robert Lowell and Alexander Solzhenitsyn. Her political activism in the 1960s and 1970s on behalf of Soviet writers and in opposition to the Vietnam War makes the latter portion of this memoir engaging. For literary collections.
---Ronald Ratliff, Emporia P.L., KS
Copyright 2000 Reed Business Information, Inc.

From Kirkus Reviews
The Russian-French-American painter and writer (Voices in the Snow, not reviewed, etc.) sketches her life and extensive acquaintances from 1935 to 1975. The cosmopolitan Carlisle was born into a distinguished Russian family living in France. Her grandfather Leonid Andreyev was a leading pro-Soviet writer; her uncle Daniel was a mystical poet tortured and imprisoned by Stalins henchmen; he died shortly after a long term in the Gulag. She writes vividly of her coming-of-age and adult years in Paris, where she met and married Henry Carlisle, the American literary scholar, editor, novelist, and her eventual coauthor (The Idealists, 1999). He was descended from an old-line Protestant family in Nantucket, where the couple moved before the island became chic. Despite many descriptions of the natural world and the authors in-laws, the Nantucket pages are far less interesting than Carlisles last major section, covering the 1950s and '60s, when the couple and their son, Michael, lived in New York City. Even though she resists the reigning school of abstract expressionism, the introverted, aesthetically independent Carlisle manages to be in the thick of things in the New York art world, getting to know such figures as Robert Motherwell and Mark Rothko, as well as literary stars Robert Lowell and Norman Mailer. Unfortunately, except when she recounts her romance with Henry, Carlisle is reserved about her feelings and her family life, and sometimes slights important details in describing events and personalities. In an otherwise fascinating section, she describes how she and Henry came to represent Aleksandr Solzhenitsyn with Western publishers during the early 1970s and to translate part of The Gulag Archipelago, only to see the Nobel laureate turn furiously on them for what he felt were translating and publishing errors. Yet she never explains just what went wrong. While a significant number of passages here seem too cursory, Carlisles life emerges as stimulating, self-aware, and culturally rich. Many readers will hope for a sequel. -- Copyright ©2000, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

4 of 5 people found the following review helpful.
The life of an intellectual in a postwar world
By Keith Nichols
This is a graceful little memoir rich in anecdote and detail of post-WWII Paris and New York. In it, the author chronicles her development as an intelligent and talented young woman during the 1950's, beginning in Paris, where her emigre Russian parents strove to carry on the Andreyev family traditions in art and literature. While studying to become a painter, she meets a handsome American student at the Sorbonne, marries, and moves to America. There she dives into the New York art scene, studying with Robert Motherwell and bcoming friends with those who became landmark figures in 20th century arts and letters. Her stoutness of character is indicated by the fact that she persisted in bringing to Motherwell's class the small still-life paintings whose techniques she was determined to master - having to display them among the enormous, flat abstractions with which her teacher and fellow students were enamored at the time. Rather than belabor his charming young student regarding her entire approach to art, Motherwell simply ignored her paintings. In later years, having become a respected writer on Russian affairs, she becomes a conduit and agent for Alexander Solzhenitsyn and other writers living under Soviet oppression.The author's knack for evoking the mood of her times as well as the sights, sounds, and smells of her surroundings, plus her lifelong dedication to the intellectual life and intellectual freedom make this a satisfying and inspiring read.

3 of 3 people found the following review helpful.
A good Read!
By A Customer
I would recommend this book to anyone who is interested in Russian literary society. This book gives an interesting account of her life as an emigre of her life in France and US, and how her Russian heritage and literary upbringing affected her daily life.

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Friday, November 20, 2015

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Emily Brontë: Wuthering Heights (Analysing Texts), by Nicholas Marsh

Emily Brontë's Wuthering Heights took the literary world by storm when it was published in 1847. There had never been a novel like it, and it continues to cast a powerful spell over readers to this day. This book takes extracts and examines them in close detail to explore how Brontë achieves her effects and to inquire into the significance of her characters and fable. The reader is taught to explore and appreciate the love-tragedy of Catherine and Heathcliff, the resonant images and symbols of the text, and the complex way the story is told.

  • Sales Rank: #3640347 in Books
  • Published on: 1999-10-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .52" w x 5.50" l, .60 pounds
  • Binding: Paperback
  • 246 pages

About the Author
Nicholas Marsh is the author of three previous books in the Analysing Texts Series: Shakespeare: The Tragedies, Virginia Woolf: The Novels, and Jane Austen: The Novels.

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Intimacy: Trusting Oneself and the Other, by Osho

"Hit-and-run" relationships have become common in our society as it has grown more rootless, less tied to traditional family structures, and more accepting of casual sex. But at the same time, there arises an undercurrent of feeling that something is missing-a quality of intimacy.

This quality has very little to do with the physical, though sex is certainly one possible door. Far more important is a willingness to expose our deepest feelings and vulnerabilities, with the trust that the other person will treat them with care. Ultimately, the willingness to take the risk of intimacy has to be grounded in an inner strength that knows that even if the other remains closed, even if that trust is betrayed, we will not suffer any permanent damage.

In this gentle and compassionate guide, Osho takes his readers step-by-step through what makes people afraid of intimacy, how to encounter those fears and go beyond them, and what they can do to nourish themselves and their relationships to support more openness and trust.

OSHO challenges readers to examine and break free of the conditioned belief systems and prejudices that limit their capacity to life in all its richness. He has been described by the Sunday Times of London as one of the "1000 Makers of the 20th Century" and by Sunday Mid-Day (India) as one of the ten people-along with Gandhi, Nehru, and Buddha-who have changed the destiny of India. More than a decade after his death in 1990, the influence of his teachings continues to expand, reaching seekers of all ages in virtually every country of the world.

  • Sales Rank: #88941 in Books
  • Published on: 2001-12-14
  • Released on: 2001-12-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.22" h x .52" w x 5.45" l, .51 pounds
  • Binding: Paperback
  • 192 pages

About the Author

Osho is one of the most provocative and inspiring spiritual teachers of the twentieth century. Known for his revolutionary contribution to the science of inner transformation, the influence of his teachings continues to grow, reaching seekers of all ages in virtually every country of the world. He is the author of many books, including Love, Freedom, Aloneness; The Book of Secrets; and Innocence, Knowledge, and Wonder.

Most helpful customer reviews

0 of 0 people found the following review helpful.
This book will help me to understand life, the here and now, love and others
By mollyjreader1@Yahoo
Very good insight...some things about God did not quite gel with me...learning to love oneself is very well explained...living in in the here and now is very understandable...giving and receiving is also well explained...how to threat others is another topic I enjoyed...well written...
Trust and love...

0 of 0 people found the following review helpful.
I don't like the circular way he writes
By ERP
I don't like the circular way he writes, nor did I appreciate when he called 'other people' who don't believe the same as him, "stupid". (Other people is my way of paraphrasing) and he calls people "stupid" on page 6 of the book. This book just wasn't for me.

0 of 0 people found the following review helpful.
Yet another good book by Osho
By Aston Trinidad, W.I.
Yet another good book by Osho. He speaks in simple, easy to understand language. Some of his thoughts may be considered controversial to the societal status quo.

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Wednesday, November 18, 2015

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British Television Drama is a collection of essays by leading media professionals and academics, which debates the past, present and future of British television drama. Writers, producers and television executives reflect on the changing face of TV drama, and academics present case studies on critical approaches, general topics and specific programs. Contextualized by editors' introductions to each section, this often provocative collection will inspire debate and reappraisal of this formative aspect of television.

  • Sales Rank: #7599198 in Books
  • Published on: 2001-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.86" h x .79" w x 6.68" l, .97 pounds
  • Binding: Hardcover
  • 214 pages

Review
'The book not only brings academics and TV professionals together in the debate about televised drama but also provides a probing, but not over-technical introduction to the field of British Television Drama to put alongside Nelson's TV Drama in Transition.' - Christian-Martin Czypull, University of Hannover, European Journal of English Studies

About the Author
Jonathan Bignell is Professor of Television and Film at the University of Reading, UK. He works on the history and analysis of television, especially television drama in the UK and USA, using archival sources and the detailed analysis of programmes. Recent publications include An Introduction to Television Studies (3rd editon, 2012), Beckett on Screen: The Television Plays (2009) and A European Television History (co-edited with A. Fickers, 2008)

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