Tuesday, September 29, 2015

^^ Ebook Download Frankenstein: High School Reprint, by Mary Shelley

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Frankenstein: High School Reprint, by Mary Shelley

  • Sales Rank: #4108009 in Books
  • Published on: 2000-04-14
  • Original language: English
  • Dimensions: 8.50" h x 5.75" w x 1.00" l,
  • Binding: Hardcover
  • 470 pages

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> Fee Download The Skeptic's Oakeshott, by Steven Anthony Gerencser

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The Skeptic’s Oakeshott poses the thesis that Michael Oakeshott’s political philosophy is best understood from the vantage point of his skepticism and his intellectual affinity to Hobbes. Margaret Thatcher based much of her political philosophy on Oakeshott’s theories, but Gerencser shows how she widely misinterpreted his work. He argues persuasively against those who understand Oakeshott in terms of the influence of British idealism. Instead, Gerencser argues that Oakeshott adopts and softens Hobbes' idea of consent as the basis of political authority. By insisting that political authority has its source in acknowledgement and recognition, Oakeshott’s philosophy opens the doors to democratic politics. The book ends with persuasive criticisms of Oakeshott.

  • Sales Rank: #5905421 in Books
  • Published on: 2000-05-05
  • Original language: English
  • Number of items: 1
  • Dimensions: .88" h x 5.80" w x 8.57" l,
  • Binding: Hardcover
  • 224 pages

Review
"...thoughtful, well-written, and well researched book." --Journal of Politics

About the Author
Steven Anthony Gerencser is Assistant Professor of Political Science at Indiana University, South Bend.

Most helpful customer reviews

1 of 14 people found the following review helpful.
For academics only. Boring academics, that is.
By Alonzo
Strictly for academic Oakeshott scholars, and surely put together to impress only them. Clunkily written, pedantic, and of no use whatsoever for the general reader, or even the non-academic Oakeshott fan.
Sample, but utterly typical, passage:
"The suggestions that I have just made, that Oakeshott changes some fundamental elements of his philosphy and that among those changes is a different, more open understanding of the relationship of philosophy and practice, go against the grain of most Oakeshott scholarship."
I don't know about you, but he's sure got my head spinning, my heart pounding, and my mind wanting to read more, more.

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Sunday, September 27, 2015

^ Ebook Free Simple One-Pot Stews: Delicious, Satisfying Stews from Around the World, for the Stove Top or Slow Cooker, by Maria Robbins

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Simple One-Pot Stews: Delicious, Satisfying Stews from Around the World, for the Stove Top or Slow Cooker, by Maria Robbins

Whether beef, vegetable, chicken, or seafood, nothing pleases and satisfies like a delicious pot of stew. Simple ingredients, minimal preparation, and hearty, delicious results are just a few of the reasons that stews of endless variety have found their way into cuisines throughout the world--and why they're more popular than ever.

Veteran cookbook author Maria Robbins has brought together enticing, appealing, and easy-to-prepare stew recipes from cuisines as varied as French, Basque, Greek, Hungarian, Belgian, Irish, Cajun, Chinese, and others.

These appealing, easy recipes can be prepared on the stove or, in many cases, in a slow cooker, and they require no special techniques or obscure ingredients. Perfect for making ahead of time, they are great for entertaining, and they freeze well, allowing you to have hearty homemade meals ready in minutes. They are also easily adaptable, which means you can improvise to suit your taste and whatever's on hand.

Featuring many of the world's classic stews along with some creative and delectable newcomers, the book's 55 recipes include:

-Flemish Beef Stew with Beer
-Moroccan Chicken Stew with Apples
-Lamb Stew with Chiles and Cilantro
-Lentil, Potato, and Spinach Stew
-Monkfish and Scallop Stew with Corn and Tomatoes
-Seafood, Sausage, and Chicken Gumbo
-Hungarian Goulash
-Chicken Cacciatore
-And many more.

When life's hectic pace leaves you time-strapped and longing for a satisfying home-cooked meal, treat yourself to the delights of Simple One-Pot Stews.

  • Sales Rank: #3738455 in Books
  • Published on: 2004-02-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.14" h x .39" w x 7.48" l,
  • Binding: Paperback
  • 144 pages

From Booklist
Stews make an ideal wintertime meal. Simple versions of beef or chicken can express affection to a gathered family, while more complex stews based on veal or seafood work as grand centerpieces for the most sophisticated parties. In Simple One-Pot Stews, Robbins approaches stews from just about every conceivable angle, using fish, shellfish, chicken, and virtually every meat save game. Her four season-by-season vegetable stews show remarkable finesse and attention to fresh flavors. Beef stews reach as far as Japan for inspiration. Robbins' stews also adapt to the energy-saving slow cooker, but those violate the one-pot paradigm and require some stove-top work for essential browning of meats. Mark Knoblauch
Copyright © American Library Association. All rights reserved

About the Author
Maria Robbins is the author of eleven previous cookbooks, including The One-Dish Vegetarian, Biscotti and Other Low-Fat Cookies, and The Dumpling Cookbook. She lives in East Hampton, New York.

Most helpful customer reviews

1 of 1 people found the following review helpful.
3.5 - 4 stars
By Maegan
I wish I could give half stars, this is a decent book, the recipes overall seem excellent & rich.

First, a minor peeve of mine, "One-Pot"....how many stews are cooked in 2 or 3 pots? They're all cooked in one pot...unless you are roasting or sautéing...or cooking meat separately ...Which this book *does* include in several recipes. But ultimately, it's not stew until its all together in just one pot. Moving on...

This book says "simple", but there are some recipes that seem to have really specific ways to cut things. Three inch pieces in one dish...seems oddly specific and like a difficult way to eat something with a spoon.

Some of the ingredients aren't simple, maybe easy to find in a decent sized grocery store, but a few items I would consider "gourmet" and might need to be hunted down: monkfish, Chinese black beans, Hungarian hot paprika. One recipe wanted homemade bread crumbs. Simple enough if you have the foresight to save your stale bread or simply don't need bread that you can turn in to crumbs. Not simple if you pulled out the recipe this morning...I imagine I'd probably just use store bought bread crumbs for that recipe.

There is an amazing variety of recipes...veggie, seafood, chicken, veal, beef, lamb, & pork. I rarely see veal & lamb included in everyday style recipe books! Several different cultures are sampled as well. Very diverse.

Also, in the beginning of the book the author mentions these could be made in a crock pot...but since there are several steps to prepare meats, veggies...and then adding different ingredients at different steps...seems like it would be more hassle than it's worth. I tend to think of crock pot stews as something where you can put it in the pot & walk away. Not wait to add steps every few minutes. If you prepared the dish on the stove to start with and then transferred it to a crock pot, it would be more to keep it warm than anything else.

Overall, the recipes seem sound, the instructions clear...the description the title gives is just a tad misleading. :)

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~~ PDF Download Auden and Isherwood: The Berlin Years, by Norman Page

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Auden and Isherwood: The Berlin Years, by Norman Page

Like Paris in the '20s, Berlin in the early thirties was one of the most exciting cities in the world. As the Weimar Republic sputtered to a close and war loomed on the horizon, the city was a magnet for talented writers and artists. It was in this now-vanished time and place that W.H. Auden and Christopher Isherwood lived, wrote and slept together. Norman Page tells the story of how these years shaped these important writers and, in doing so, illuminates a bygone era.

  • Sales Rank: #904512 in Books
  • Published on: 2000-05-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .55" w x 5.50" l, .72 pounds
  • Binding: Paperback
  • 220 pages

Amazon.com Review
For late-20th-century culture, Berlin in the 1930s has become a place of mythic enchantment and decadence, a hypersexual Eden fraught with the danger of oncoming fascism. But this late-century fantasy of the Weimar Republic has always obscured the material reality of the actual time and place. Norman Page's Auden and Isherwood: The Berlin Years is a succinct, extraordinarily well researched, and perceptive look at a very complicated cultural and political point in history. While Page organizes his book as a joint biography of novelist Christopher Isherwood (whose Berlin Stories were the basis for Cabaret) and poet W.H. Auden--two politically progressive Englishmen who fled to Berlin to pursue the personal freedom they could not find at home--the book is actually a portrait of frantic Berlin culture from 1928 to 1933. While Auden and Isherwood were drawn to the city because of its open gay social life, Page makes it clear that the conditions allowing that freedom also created a vibrant, exhilarating artistic culture. From Josef von Sternberg's The Blue Angel to Magnus Hirschfeld's fight for sexual liberation, Page places Isherwood and Auden (and their work) in a clear and beautifully textured historical context. Using Isherwood's Christopher and His Kind and Auden's unpublished diaries, Page brings new insights to both these writers and an era that had a profound formative effect on their lives and work. --Michael Bronski

From Publishers Weekly
Although the revival of Cabaret makes Page's study timely, the opportunity is mishandled. His visit to the Berlin years of W.H. Auden and Christopher Isherwood reads like a series of rambling academic lectures. Source notes clot the narrative, pronoun references are often vague, and the detailed survey of 1928-1933 urban topography further erodes the narrative. Friends and, briefly, lovers, the two writers escaped to Weimar Berlin to sample its gay clubs and rent boys. Auden, who would visit during holidays, found much inspiration but little of literary value in the sexual turn-ons of the scene. Isherwood would casually mask his experience in the novellas collected as The Berlin Stories (1935-1939), which Page (A.E. Housman) calls "too discreet, too evasive, too readily disposed to encode and displace, to make use of what must have been wonderfully colourful material." That Isherwood's stories were autobiographical fiction rather than autobiography and were written for a more censorious generation, yet inspired the play I Am a Camera and the musical Cabaret, seems less significant to Page than their less-than-complete exposure of the depression-driven daydream that Berlin seemed to be before the rise of Hitler. From Isherwood's 1977 memoir, Christopher and His Kind, Page quotes the author's rueful confession, "Seldom have wild oats been sown more prudently." This book reflects that disappointment. Photos not seen by PW.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
Berlin in the late 1920sAbefore Hitler's power surgeAwas acknowledged to be a city of sexual freedom that was also open to all forms of art and artists. Wystan Auden and Christopher Isherwood were two of those artists who visited Berlin and stayed longer than intended. It wasn't simply that Berlin was accepting of sexual ambiguityAand in any case, Auden and Isherwood were not ambiguous in their homosexuality. More importantly, as Page (emeritus, modern English literature, Univ. of Nottingham) makes clear, the city's glittering decadence and aura of untrammeled experimentation fostered Auden's poetry and even more so Isherwood's prose. Page makes his case convincingly by devoting a section of his book to the boy-bars, streets, neighborhoods, houses of Berlin, and to the subculture of transvestism. Page also discusses other personalities operative in Berlin from approximately 1929 to 1933, most notably Magnus Hirschfeld who founded the Institute for Sexology. The final two sections deal with the social impact of the Weimar cinema and the specific writings of each man, with a greater emphasis on Isherwood's autobiographical works. Entertaining and insightful reading; highly recommended.ARobert Kelly, Fort Wayne Community Schs., IN
Copyright 1998 Reed Business Information, Inc.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Seeds sown in the soil of turmoil
By Grady Harp
Books of fiction and nonfiction, films, paintings, and museums abound in the ongoing ceaseless inspection of the atrocity and madness wrought by Hitler in Nazi Germany. It is an unfortunate fact that such turmoil gives rise to some of the best art in the years after the strife. Norman Page, in his brilliantly researched and written AUDEN AND ISHERWOOD: THE BERLIN YEARS, has selected two men of great significance in literature and poetry as his points of entry into studying the Berlin that seduced the world before it jolted nearly to an end. These portraits of Auden and Isherwood are really an examination of an historical time that altered the art world as inevitably as it altered our sense of the dangers of dictaorship.
Initally drawn to Berlin from the hallowed halls of English academe because of the rowdy free sex/hedonisitc atmosphere that had become Berlin, "Berlin meant Boys" and both our artists fled the England that sacrificed Oscar Wilde to find the open sexual freedom of the City of Sodom. Author Page gives us such a rich, fascinating ride through the places and faces of pre-war Berlin that we are finally allowed to see why Modernism started, why cinema became important, how artists such as Grosz and Dix and composers such as Weill and Stravinsky, scientists (Hirschfeld) and writers (Brecht) found such acrid colors for their creativity. Page is not confined to his title characters, though we learn more personal characteristics than any writer has dared to date: we are informed about Marlene Dietrich, Stephen Spender, Benjamin Britten, as well as a constellation of other characters encountered by them. This volume reads like a novel (not without some kinship to Isherwood's famed GOODBYE TO BERLIN), but its importance as a publication is its uncommonly thorough view of why Hitler rose, why the Berlin Wall was destined to be (and to fall), and why the center of the artistic universe was for a few short years the glossy, naughty Berlin.
This book is a must for those who want to understand the beginnings of sexual freedom, those fascinated by the inception of WW II, and for those who happen to love the poetry of W.H. Auden and the stories of Christopher Isherwood. Keep this book on your literary Reference Shelf.

2 of 3 people found the following review helpful.
Mistitled
By disco75
I essentially agree with the Publisher's Weekly review of this volume, but feel that perhaps the reading public would be better served if the book were called *Berlin: The Auden and Isherwood Years.* It is a portrait of the city found in Isherwood's writings, not a biographical work or portrait of the authors.

The bulk of the book involves a painstaking painting of Berlin, as obsessively detailed as a Civil War reenactor's map-poring. The chapter titles convey the author's approach: Berlin Faces (biographical sketches of sex researcher Magnus Hirschfeld, archeologist and bon vivant Francis Turville-Petre, anthropologist John Layard, critic Gerald Hamilton and others); Berlin Places (which compulsively recreates the architecture of Weimar era streets and buildings); Weimar Cinema (film in Berlin); Writing (where Page examines the works of the titular authors). It can be seen that there is little biographical coverage of Auden and Isherwood here.

These four chapters are prefaced by a strange, conflicted review of Auden's and Isherwood's sex lives in the city. This would be the most biographical material in the volume, except that Page can't decide what attitude to take as author. He wants to poo-poo the conservatives who disapprove of either discussions of the men's homosexuality or the sexual orientation itself. Yet Page writes with judgmental though entranced language recalling Maggie Smith's best stiff-upper-lip line readings (copulatory pinewoods, soldiers' trousers stretched tight over chubby buttocks, exploration of low-life, irresponsibility, prudence, lurid etc). He comes off as neither credible academic nor gay history buff but rather pained outsider.

It's interesting that the Acknowledgements don't contain a nod to an editor. Editing could have helped. In a 3-page epilogue Page introduces the premise that should have informed every preceding chapter (how the Berlin experiences reflected crucial aspects of both mens' personal and professional lives). Editing would have revised the personal conflicts revealed in Page's pursed-lip language. Editing could have broken up some of the 50-, 60- and 70- word sentences to avoid benumbed reader concentration. All in all, a work for researchers rather than lay readers.

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Sunday, September 20, 2015

? Free PDF In My Life: The Brian Epstein Story, by Debbie Geller

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In My Life: The Brian Epstein Story, by Debbie Geller

Without the determination, magnetism, vision, good manners, respectable clothes and financial security of Brian Epstein, no one would ever have heard of John, Paul, George, and Ringo. In Liverpool, in December 1961, Brian Epstein met the Beatles in his small office and signed a management deal. The rest may be history, but it's a history that Epstein created, along with a blueprint for all pop groups since.Out of the public eye, Epstein was flamboyant and charismatic. He drank, gambled compulsively and took drugs to excess. But people remember his wit, charm and capacity to inspire affection and loyalty. That's when he wasn't depressed, even suicidal. Epstein was Jewish in a society filled with anti-Semitism. He was homosexual at a time when it was a crime to be gay, and from his teenage days to the end of his life he suffered arrests, beatings and blackmail-all of which had to be kept secret.This book tells the story of Epstein's complicated life through the reminiscences of his friends and family. Based on dozens of interviews-with Paul McCartney, George Martin and Marianne Faithfull, among others-plus many of Epstein's personal diaries, this book uncovers the truth behind the enigmatic young man who unintentionally caused a cultural revolution-and in the process destroyed himself.

  • Sales Rank: #1710800 in Books
  • Published on: 2000-12
  • Original language: English
  • Number of items: 1
  • Dimensions: .80" h x 6.42" w x 9.56" l,
  • Binding: Hardcover
  • 208 pages

Amazon.com Review
With hundreds of Beatles books already available, there is inevitably a sinking feeling when yet another comes along to chronicle the rise of the world's most extraordinary entertainment phenomenon.

So, it's all the more to Debbie Geller's credit that she brings fresh perspective to a familiar tale with this collection of transcripts, culled from 1998's two-part BBC documentary. As well as obtaining access to Epstein's unpublished correspondence, Geller has rounded-up an impressive array of former chauffeurs, attorneys, employees, and ex-Beatles to tell their tales of the shy salesman who chanced upon a scruffy quartet in a Liverpool cellar, and went on to help them conquer the world. Particularly illuminating are the details of Epstein's business deals: "I think ... Brian did good deals," Paul McCartney says. "He looked to his dad for business advice, and his dad really knew how to run a furniture store in Liverpool. This was a little bigger than that!"

Back then, the full impact of the Beatles was impossible to foresee--but, when it finally did come, it was immense and immediate. A month before he died, at only 34, Epstein wrote of his beloved charges: "The boys have gone to Greece to buy an island. I think it's a dotty idea, but they're no longer children and must have their own sweet way." Had Epstein lived, one can only speculate how different things might have been for the Beatles, and the world. --Patrick Humphries, Amazon.co.uk

From Publishers Weekly
Brian Epstein's death by drug overdose in 1967 cut short a career marked by scandalous secrets and phenomenal success. As manager, Epstein cleaned up the Beatles, gave them cute haircuts and promoted them tirelessly, telling anyone who would listen that they would be "bigger than Elvis" until, surprisingly, they were. Born to an upper-middle-class Jewish household and pushed into joining the family business, Epstein transformed his father's furniture store first into the best music store in Liverpool, then into a music empire. All the while, he struggled with loneliness and unhealthy relationships, forced to hide his homosexuality from the public and always insecure about the motivations of others. This new look at his life (the first since Ray Coleman's 1989 bio, The Man Who Made the Beatles) was culled largely from interviews presented in the award-winning BBC documentary The Brian Epstein Story, directed by Anthony Wall and produced by Geller. The interviewees include people who worked with Epstein, family members and musicians, including Gerry Marsden (of Gerry and the Pacemakers) and Paul McCartney, as well as Beatles producer George Martin and '60s Britpop scenester Marianne Faithfull. Also excerpted here is Epstein's 1964 autobiography, Cellarful of Noise, along with extracts from his unpublished diaries and writings. The anecdotes, presented without commentary in documentary-style quotations, present a complicated, intimate view of his life and the lives he affected. Persistent rumors, such as those suggesting a sexual relationship with John Lennon, are alternately denied and confirmed, leaving some mysteries while shedding light on Epstein's life as a whole. B&w photos. (Dec.) Forecast: This title should get a small boost from the current wave of interest in all things Beatles, particularly from the bestselling Beatles Anthology. The BBC documentary on which this book is based has been featured at several gay and lesbian film festivals this year, which could also increase interest in the book.
Copyright 2000 Reed Business Information, Inc.

From Booklist
The life of Brian Epstein, the man behind the Beatles, gets examined anew in a biography that is a mix of narrative and interviews. Among those weighing in on Epstein, who discovered the group at a lunchtime concert in Liverpool's Cavern Club, are Paul McCartney, George Martin, Marianne Faithful, and Gerry Marsden of Gerry and the Pacemakers. Epstein's complexities are clearly on display. Despite being in conflict about his Jewishness and his homosexuality, Epstein was confident about his ability to manage the band. Geller offers both a fascinating look at the enigmatic Epstein and a valuable new angle from which to view the Beatles phenomenon. Ilene Cooper
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Thomas N. Shiptenko
Thank You

17 of 17 people found the following review helpful.
An untapped vein in Beatles literature
By Andy Orrock
I agree with the earlier reviewer's incredulous comments about the cover of this book. If the publisher wanted to make browsers think twice about a purchase, they've done it.
But despite the cheesy cover, I went ahead with my purchase & was not disappointed. One would think that just about every aspect of the Beatles has been absolutely covered and trampled to death. Then along comes Debbie Geller with this gem - the Brian Epstein angle has been an untapped vein up until this point. It's not so much a traditional book about her subject as it is an oral history. Geller's coup is to get Paul McCartney - among many other voices - to comment at length on Epstein's role with the group.
The book's main themes and premises, of which a strong case is made by all the book's participants:
1. There would be no Beatles without Epstein. During the very early sixties when they were no more than a crude band distinguished only by their Hamburg experience, Epstein's belief in 'his boys' was indefatigable. He created a new image for them, and sold that image - after much rejection - to London.
2. Epstein created rock and roll management and promotion as we know it today; it simply did not exist before he came along, & it is around today mainly in the guise that he created.
3. Epstein was a terribly complex and conflicted man. No one participating in this project makes the case that he was 'nice' or easy to get along with. In fact, he comes across as a holy terror at times. Jewish in a non-Jewish world, openly gay prior to any societal openness on that front, a manic-depressive (some posit) before a clinical diagnosis for such an afflication existed, addicted to various uppers and downers.
This was a terribly complex, troubled - but enormously gifted - man. To think that he fit all he did into 32 short years. Amazing.
Thank you Debbie Geller for honoring this blazing comet named Brian Espstein, who willed the Beatles into this world.

4 of 4 people found the following review helpful.
Surprisingly Enlightening
By Bradley F. Smith
Even after reading Bob Spitz' encyclopedic, "The Beatles," this collection of BBC interviews by those who knew Brian Epstein best comes across as fresh. There's not much narrative here. Almost everything comes from transcribed quotes off a TV documentary. But the sources are perfect: Paul McCartney, Derek and Alistair Taylor, Sid Bernstein, and assorted chauffers, gofers, lawyers and business people who worked with and knew Brian Epstein as well as that enigmatic gay man of the uptight 50s and early 60s could be known. Way ahead of his time, Epstein is seen as inventing the modern rock star, an astonishing feat for a record store clerk from Liverpool, albeit a well educated, rich one. Epstein screwed up the Beatles' merchandising deals, yes, but don't weep too much over that. They went on to make quite a few quid after all. The odd thing is Epstein never really liked this type of music. Sibelius was his 'desert island' music of choice. Maybe that helped him see his job more clearly. This is an illuminating bio well worth reading if you are even just a casual Beatles historian.

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Thursday, September 17, 2015

! Ebook The Day I Went Missing: A True Story, by Jennifer Miller

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The Day I Went Missing: A True Story, by Jennifer Miller

It’s happened to all of us at one time: falling victim to someone who says the words we want to hear. It usually ends with a wounded heart or lost love. But in one woman’s case, it took a deadly turn.

Jennifer Miller, an Emmy-nominated TV writer, was a highly functioning member of the Hollywood scene who had everything going for her: great contacts, great work, and the promise of an even greater future. But what Jennifer did not have was a happy life, or even the ability to understand what happy meant. A single woman who did not know what it was like to have a love relationship, she was haunted by a deepening despair. She toyed with therapy, but Jennifer, the daughter of a shrink, was convinced that she was beyond help. Then she met Dr. David Cohen, and discovered something worse than depression.

Believing she had finally found someone to trust completely, Jennifer allowed herself to get sucked into Dr. Cohen’s world. What followed is a chilling tale of fraudulent therapy that is enthralling and horrifying from its skillful beginning to its shocking conclusion.

  • Sales Rank: #884378 in Books
  • Published on: 2001-02-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.24" w x 6.36" l,
  • Binding: Hardcover
  • 256 pages

From Publishers Weekly
Imagine the sucker punch of discovering that one's trusted therapist is a con artist. This devastating act of betrayal befell Miller, an accomplished television writer (nominated for an Emmy for her work on Roseanne). In this engrossing memoir, she recounts how she was taken in by charismatic, unconventional David Cohen, whom she thought might finally ease the residual feelings of disconnection and depression from her emotionally deprived childhood. Through cunning, escalating requests that Miller pay for therapy up front, as well as a crazy gambling scam after she was well and truly hooked, Cohen shook close to $100,000 out of Miller in little over a year, then faded out of her life, claiming he had cancer. While there are times the reader questions how Miller could have been so duped (at one point Cohen gets her signature, saying it's his hobby to collect them), for the most part she convincingly and dramatically conveys the mental seduction that made such deception possible. Miller also acknowledges thatAcompared to other therapists she has known, including her own aloof psychiatrist father and the ineffectual if not inept psychologists she had before and after CohenAhe may have been her most effective counselor. He also, quite simply, provides her with some great material: fascinating, elaborate lies (claims that he had multiple children, that he was abused by a satanic cult); messianic and stalker-like behavior; and a mysteriousAand perhaps not certainAdeath. Agent, Jennifer Rudolph Walsh, the Writer's Shop. (Feb. ) Forecast: Combining the reflective self-examination of Susanna Kaysen's Girl, Interrupted and Mary Karr's The Liar's Club with the page-turning pace of suspense fiction, this memoir will grab anyone who's ever been on the therapist's couch. (Unsurprisingly, master of horror Wes Craven already has snapped up this story for screen adaptation.)
Copyright 2000 Reed Business Information, Inc.

From Booklist
The artful con job has a kind of creepy allure. Even TV writer Miller's horrifying true story of treachery, deceit, and betrayal on the part of the therapist she had learned to love and trust fascinates and excites us as its sad, sick drama unfolds. Therapist David Cohen routinely and intentionally violated Jennifer, who was, ironically, the daughter of a shrink famous for his work with adolescents, in every way except sexually. He added layer upon layer of lies as he gouged her for $100,000, all the while using her love-starved feelings of worthlessness to his own advantage. Apparently aiding and abetting him was his wife, Roxanna, who--here comes the kicker--may have seduced him into devil worship and then murdered him. After all, was it his body that was eventually found in his apartment, or was that part of the scam, too? Discrepancies abound, and, unlike on TV or in films, no neat solutions or revelations are forthcoming. In real life, despicable acts have dire consequences, but often no real answers. Whitney Scott
Copyright © American Library Association. All rights reserved

Review
(Combines)the reflective self-examination of Susanna Kaysen's Girl Interrupted and Mary Karr's The Liar's Club with the page-turning pace of suspense fiction. -- Publisher's Weekly, Dec 6, 2000

A darkly funny writer...Miller crafts an ominous tale of dangerous psychological manipulation. (An)honest and profoundly unsettling memoir. -- Entertainment Weekly, March 2, 2001

This tale... has all the terror of an impending train wreck. The author's style itself is simple and urgent. The narrative as a whole is irresistible. -- Kirkus, Dec 5, 2000

Witnessing the creepy way Dr. Cohen worms his way into the author's trust, then shatters it, will completely hook you. -- Mademoiselle, March 2001

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great pay off at the end!
By cozybooks
Four stars because it can be a bit redundant, especially the beginning but the payoff is WOW! The pathology of the writers emotional state is clear throughout and makes you empathetic to her plight. Abuse takes many forms. The BEST part is you may guess at what is going on but I assure you the end is creepy and WELL WORTH IT!

4 of 4 people found the following review helpful.
Amazing True Story
By A Customer
I just finished this book and must say that I couldn't put it down. Anyone who jumps to criticize Ms. Miller for falling for Dr. Cohen's con game didn't read the book very carefully. The author had clearly spent her life devoid of love and human connection. She was quite honest about her upbringing and I thought made it very clear that despite her parents' serious shortcomings, she forgave them and understood that they did the best they could. She merely offered this family history and the anecdotes to highlight the reasons this man was able to manipulate her. He offered unconditional, nurturing love, something she'd never experienced before. Many people justify horrible abuse, lying, cheating and stay in horrible relationships because they are weak and afraid of being alone. I don't applaud her weakness, I simply understand the reason for it. Her story was stranger than fiction, her book was fascinating.

3 of 3 people found the following review helpful.
A Harrowing Memoir
By Morris F. Friedell
I couldn't put _The Day I Went Missing_ down. It helped me more deeply understand my wife's harrowing experiences of misplaced trust that she wrote about in _Bitter Persimmons_. It helped me look at my own need and vulnerability. I think that the angry negativity expressed by some readers of Miller's book (which my wife has also been a target of) indicates how scared our society is of deep loneliness that can't be simply given the label of depression and put in a box.

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Monday, September 14, 2015

~~ PDF Download Abraham Lincoln, Slavery, and the Civil War: Selected Writings and Speeches (The Bedford Series in History and Culture), by Abraham Lincol

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Abraham Lincoln, Slavery, and the Civil War: Selected Writings and Speeches (The Bedford Series in History and Culture), by Abraham Lincol

Comprising an impressive array of more than 200 of Abraham Lincoln's writings and speeches, this volume offers a fascinating window onto one of history's most remarkable figures. Letting Lincoln's own eloquent voice tell the story, the author has organized the documentary material topically in ten chapters that follow Lincoln from his youth, to his entry into Republican politics, and through the main events of his presidency. Great public speeches like the Lincoln-Douglas Debates and the Gettysburg Address are here, together with many less familiar writing poignantly personal letters to voters and colleagues, notes on military strategy-to show the character and evolution of Lincoln's thought on the crucial issues of free labor, slavery, secession, Civil War, and emancipation. Johnson provides ample historical context through the skillful weaving of narrative and documents and the judicious use of footnotes, making this volume more accessible to undergraduates than any comparable collection. Also included are 14 illustrations, relevant Civil War maps, chronology, questions to consider, bibliography, and an index.

  • Sales Rank: #2514228 in Books
  • Published on: 2000-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 5.50" w x 1.00" l,
  • Binding: Hardcover
  • 358 pages

From Library Journal
Lincoln, Slavery, and the Civil War are three topics that continue to interest both scholarly and popular readers. Johnson (history, Johns Hopkins), the author of numerous historical studies and texts, including Reading the American Past: Selected Historical Documents, uses Lincoln's own utterances to shed light on the thought of this intriguing public figure and to tell the story of this highly significant conflict. This volume contains more than 170 samples of Lincoln's private and public writings arranged around relevant topics with informative headnotes, a chronology, and questions to challenge the reader and fuel debate. This is a good acquisition for academic and public libraries of all sizes, but for more comprehensive coverage libraries might choose the classic texts Life and Writings of Abraham Lincoln, edited by Philip Van Doren Stern (Modern Library, 1999) or the two-volume Abraham Lincoln: Speeches and Writings 1859-1865, edited by Don E. Fehrenbacher (Library of America, 1989).DTheresa McDevitt, Indiana Univ. of Pennsylvania Lib.
Copyright 2001 Reed Business Information, Inc.

From Booklist
From more than 120,000 documents available in the collected works of Abraham Lincoln, Johnson has culled approximately 200 dealing directly and indirectly with the two issues that defined Lincoln's presidency: slavery and the Civil War. Though the first three chapters provide a survey of Lincoln's early life and writings, the heart of the book is devoted to letters, notes, speeches, and interviews written and presented during his tenure as U.S. president. What emerges is an overview of how Lincoln's private thoughts and public opinions on free labor, slavery, secession, and the preservation of the Union evolved during this critical time period. A digestible compendium of invaluable primary sources distinguished by Lincoln's trademark wit, compassion, and eloquence. Margaret Flanagan
Copyright © American Library Association. All rights reserved

Review
'Anyone who would understand the American Civil War needs to understand Abraham Lincoln, and it is hard to imagine a better overview than offered here. This volume presents all of Lincoln's most famous writings and a generous sampling of others, along with lucid commentary and truly helpful documentation. Michael Johnson has given us a clear window into a key episode of American history' - Edward L. Ayers, University of Virginia 'This collection, designed to present the 'essential Lincoln', is an invaluable resource for students and general readers interested in exploring Lincoln's views on slavery and the Civil War. Lincoln the wordsmith is displayed superbly in these well-chosen and well-introduced documents.' - Drew Faust, University of Pennsylvania

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0 of 0 people found the following review helpful.
Terrific
By CLP
Perfect... Everyone should read it

4 of 5 people found the following review helpful.
The Genius of Lincoln in Print!
By Frank Beckendorf
Whether or not you're a fan of Lincoln's position in history, this title will break down some of his contributions to human ears since the days of his existence. Yes, there are indeed gigantic volumes of Lincoln's writings but this title tries to pick out the important contributions...and I think, for the most part, they are the correct ones.

1 of 1 people found the following review helpful.
Great
By Rose
This Item deserves a four star it was clean and nice. It was also better than what I expected! I would recommended to book readers

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Sunday, September 13, 2015

~ Free PDF Hardcase, by Dan Simmons

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Hardcase, by Dan Simmons

Sometimes revenge is best paid in cold steel.

HARDCASE

Joe Kurtz has been wronged one too many times. So when he takes out the drug-dealing thug who killed his girlfriend, the ex-PI gets to cool his heels for 11 years in Attica. It's there that he meets "Little Skag" Farino, the son of an aging Buffalo, New York, mob boss. In exchange for protecting the kid's manhood against any unwanted jailhouse affection, Kurtz gets an audience with Little Skag's father upon his release from prison.

Semi-retired Don Byron Farino is still clinging to what dwindling power he holds on the New York organized crime scene. He enlists Kurtz's help to track down the Family's missing accountant--a man with too much knowledge of Family business to have on the loose. But someone doesn't want the accountant found. As the story twists and turns and the body count rises, Kurtz no longer knows whom he can trust. Everyone seems to be after something, from the mob boss's sultry yet dangerous daughter, to a hit man named The Dane, an albino killer who is good with a knife, and a dwarf who is armed to the teeth and hell-bent on revenge.

Bestselling author Dan Simmons expertly builds the tension as he springs one surprise after another, all the while daring the reader to take a ride with Kurtz through the cold, windy streets of Buffalo where one wrong move could mean a belly-full of lead.

  • Sales Rank: #710071 in Books
  • Published on: 2001-07-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.82" h x 1.09" w x 6.26" l,
  • Binding: Hardcover
  • 288 pages

Amazon.com Review
Penzler Pick, July 2001: Dan Simmons is not an author who writes the same book twice. He doesn't even come close. Since switching from fantasy/horror to mystery, Simmons has written Crook Factory, set in Cuba and starring Ernest Hemingway, and Darwin's Blade, featuring a genius insurance claims investigator who only has to look at a demolished vehicle to be able to know exactly what led up to the crash.

With Hardcase, Simmons both pays homage to over-the-top pulp fiction and writes a remarkably good example of it. Joe Kurtz has no intention of giving up his chosen profession of private investigator, even though he's just spent 12 years in jail. He believes it's only a matter of finding the right case. But that case will never come to him, so he pays a call on Byron Tatick Farino, mob boss, and suggests that for $400 a day plus expenses, he'll try to find the Family's missing accountant and also figure out who's hijacking the Family's trucks. Farino is inclined to let him do this since he has nothing to lose, and Joe did save his son from a fate worse than death in Cell Block D.

So Joe is off and running, and after picking up his ex-assistant, Arlene, he opens an office in the basement of a porn store and begins looking into the Mob's business. He no sooner interviews the accountant's wife than she is found dead and horribly mutilated.

The list of those who want Joe to butt out is long, and they are evidently very serious about preventing Joe from finding out too much. There's the person who is hijacking the trucks, and wants to continue. There's also a couple of sociopaths (if not psychopaths) named Malcolm and Cutter who work for the Mob's lawyer. Unsurprisingly, they are not exactly loyal and know that there's a $10,000 reward for the guy who wasted Ali, one of the Death Mosque brothers in Cell Block D. Finally, there are the Levine brothers, Manny and Sammy. Joe hasn't heard of either of them, but word is that Manny blames Joe for Sammy's death.

These numerous and varied storylines remain remarkably lucid as Simmons treats us to a fast-paced thriller with excitement on every page. --Otto Penzler

From Publishers Weekly
In books such as Darwin's Blade, Carrion Comfort and Hyperion, Simmons has shown a chameleon talent for mastering the colors and shadings of the horror, suspense and science-fiction genres. He adds one more tone to his palette with this terse hardboiled crime thriller, set in an upstate New York town bathed in Conradian darkness. When ex-PI Joe Kurtz emerges from Attica after an 11-year-stretch, he is still being sought by the brother of a man he iced for murdering his partner, as well as by disciples of a Black Muslim group whose leader he killed in stir. Not the most obedient parolee, Joe clandestinely resumes detective work, tracing a vanished mob accountant for aging don Byron Farino much to the aggravation of the don's family and associates, who are secretly double-crossing one another and jockeying for power. Simmons sets up the paths of crossfire necessary for the story's few surprising twists, then simply lets the bodies start falling once the bullets start flying. His narrative is all sinew and bloody gristle, stripped of the deep reflection and lively character-development that usually give his books a plusher texture. His plot depends on coincidence, exploitation of the raging Niagara Falls backdrop and Joe's superhuman capacity for taking and dishing out physical abuse, but his rapid pacing keeps the reader from dwelling too much on its improbability. This tale is unlikely to advance modern crime-fiction's literary ambitions, but it will be hard to beat for a pulp-fiction beach-read.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Ex-P.I. Joe Kurtz has just finished a jail term for throwing a bad guy out of a window onto the top of a police car. After his release, he accepts an assignment from a semi-retired Don to search for a missing Mafia accountant. In the course of the quest, Kurtz faces mafiosi, a sadistic druglord, hired killers, gangbangers, a family of retarded Aryan Brotherhood rejects, and a crooked cop, who come with names like Doorag, Cutter, Malcolm Kibunte, and the Dane. Before it's over, the tainted hero has maimed two thugs and killed nine others and committed three acts of arson. There's no letdown from explosive start to hell-for-leather finish in this hard-as-nails detective story. Comparison with Richard Stark's amoral badguy Parker or Andrew Vachss's Burke are inevitable, but Kurtz is more Parker than Burke: there is no sentimentality or excess prose here, just unceasing action with a ragged edge. Simmons (Darwin's Blade, The Crook Factory) has crafted an exceptional tale of nonstop violence and double cross. Watch out, bad guys! Kurtz is here! Enthusiastically recommended. David Keymer, California State Univ., Stanislaus
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Unremittingly dark
By Alan Robson
Dan Simmons has made a name for himself as a writer of very cerebral science fiction and horror novels. Lately however, he seems to have taken to reinventing himself as a mainstream genre novelist (if there is such a thing) and to this end he has written a superb novel of World War II espionage (The Crook Factory), a mediocre urban legend novel (Darwin's Blade) and now with Hardcase, a hard boiled gangster novel.
Joe Kurtz murders the drug dealer who killed his girl friend. It's a revenge killing and Joe makes sure that he gets every ounce of revenge going. The murder is brutal, excruciatingly painful and bloody and, for Joe, enormously satisfying. He gets eleven years in Attica jail, but they pass in the turning of a page.
When Joe gets out, he uses the contacts he made inside to wangle a job with a Mafia big boss. The boss wants Joe to track down one of his comrades who has vanished with a lot of the Mafia funds. It seems straight forward, but there are wheels within wheels, loyalties within loyalties and Joe is soon up to his neck in ultra-violence. Everyone wants him dead.
The tension never lets up and the violence never ends. Blood drips off the page, agony screams from every chapter heading, mangled bodies litter the paragraphs. The carnage never stops.
It's a dark, dismal novel and I felt slightly dirty when I'd finished it.

2 of 3 people found the following review helpful.
Great debut for Simmons in yet another "genre"!
By Greg Lee
Simmons can write...no matter the label you want to put on his fiction, it still proves to be as good as it gets.
His debut in the "horror" genre won the Bram Stoker Award; his debut in the "fantasy" genre won the World Fantasy Award; his debut in "science fiction" won the Hugo Award, so should one be surprised if he wins the Edgar as well?
HARDCASE is an excellent hard-boiled crime novel with a top caliber "hero" in the ultra-violent Joe Kurtz. Put in a situation where most would cower, Kurtz does what must be done in order to survive and conquer.
Filled with great characters and as many twists as a pretzel, this is grim and gritty as it should be.

0 of 0 people found the following review helpful.
noir roman at its best
By Terry Oreilly
Hard Case is dedicated to the legendary Richard Stark although it owes more to Philip Marlowe and The Continental Op than it does to the remorseless Parker. At first I thought this was a subtle parody of the form but that is because Simmons is such a fine writer. He has written novels in almost every genre. In this case he takes the themes of noir novels and works them into a story which is genuinely exciting, with a dry humor that makes the violence acceptable.

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Friday, September 11, 2015

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The Emperor Titus, by Brian W. Jones

  • Sales Rank: #6297877 in Books
  • Published on: 1984-07
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 227 pages

Most helpful customer reviews

9 of 10 people found the following review helpful.
A Short Book on an Oft-forgotten Emperor
By Arch Stanton
This very hard to find book is the only biography I know of on the Emperor Titus. It is also quite good, and I feel that it is a shame that it wasn't more widely published. The edition for sale here (St. Martin's Press 1984) is an extremely cheap printing. The text looks like it was printed off of Notepad. I don't know anything about Mr. Jones but this feels like a cheap printing of a doctoral thesis. The number of pages is about right (157 of text) and the style seems very scholarly and easy to defend. It is also rare and expensive. If you can find a copy for under $50 get it fast. The text is divided up into fairly commonsense chapters like "Early Career" and "Reign of Titus." I like this a whole lot better than the way that Jones divides it up in his book on Domitian written eight years later. The chapters are in chronological order and are pretty coherent. There is a surprising amount of detail in some of the chapters for such a small book. Overall this is a fairly brief overview of the man's life. Given how short he reigned for it is only to be expected that there isn't more to write about. It's certainly better than the books on the other Flavians Vespasian and Domitian, although there is a book on Domitian by Pat Southern called Domitian: Tragic Tyrant that I haven't read yet but seems to have potential.

2 of 2 people found the following review helpful.
Dry, academic read
By Jason Gacek
The book is definitely not written for the general public. Even so, Jones could have made a better attempt to make it a more interesting read. Even if it won't measure up to Adrian Goldsworthy or Arthur Keaveney he could have got it closer to his own book on Domitian. The book flushes out his early relationship with the doomed Britannicus. Good speculation on his early path on the Cursus Honorum (misspelled no doubt). His time under Nero and Vespasian is well researched with good speculation about what went in behind the decisions he and others made. The myth of Titus being a 'big spender' is put to rest. Two elements were not explained well enough to me. The first is the reading I've seen in other books that shows it was not just Vespasian's parsimony that put the empire back in the black, but the ruthless gutting of almost all the wealth in Judea. The finances derived from the sacking of Jerusalem should have been dealt with. Second, knowing the importance of keeping the dynasty strong, Jones does not explore why Titus (and Domitian for that matter to some extent) did not make a good political marriage and crank out some more babies till he got a boy. He was 10 years with Vespasian... how come no kids??..except for a daughter. This book has only 86 pages on new content; the rest is extensive notes and references.

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