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* Free Ebook The Black Flower: A Novel of the Civil War, by Howard Bahr

Free Ebook The Black Flower: A Novel of the Civil War, by Howard Bahr

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The Black Flower: A Novel of the Civil War, by Howard Bahr

The Black Flower: A Novel of the Civil War, by Howard Bahr



The Black Flower: A Novel of the Civil War, by Howard Bahr

Free Ebook The Black Flower: A Novel of the Civil War, by Howard Bahr

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The Black Flower: A Novel of the Civil War, by Howard Bahr

The Black Flower: A Novel of the Civil War

  • Sales Rank: #572289 in Books
  • Brand: Picador
  • Published on: 2000-05-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.27" h x .73" w x 5.49" l, .65 pounds
  • Binding: Paperback
  • 272 pages
Features
  • Great product!

Amazon.com Review
Howard Bahr compresses this moving Civil War novel into 48 hours--two short days filled with grim deaths and the prelude, at least, to a love story. First issued by a small Baltimore press in 1997,The Black Flower was nominated for four major awards, including one from the Academy of Arts and Letters, but failed to garner the attention paid to Cold Mountain. Civil War buffs will rejoice in Bahr's vivid retelling of the November 1864 Battle of Franklin, Tennessee. More to the point, The Black Flower transcends its historical fiction niche and deserves a wider audience. Confederate rifleman Bushrod Carter, the novel's protagonist, is wounded during the battle and taken to a nearby house. In this makeshift hospital, he and two childhood friends huddle together, "shivering with cold and exhaustion, ignoring the ghostly shapes still shuffling through the coiling smoke around them, calling the names of men who would never answer." Bahr has poured 20 years of research into his novel, but this haunting portrayal of suffering and death is the product not merely of historical diligence but also an impressive literary imagination. --Eugenia Trinkle

From Booklist
The senseless agony of armed conflict is expertly evoked in this elegiac Civil War novel. As Bushrod Carter, a seasoned Confederate rifleman, grimly anticipates his next battle, he experiences both the mind-numbing terror and the detached resignation characteristic of most common foot soldiers. Shortly after the infamous Battle of Franklin commences, Gen. John Bell Hood's Army of Tennessee is quickly overwhelmed by the firepower of the superior Union forces. Before succumbing to his own wounds, Carter bears witness to the grim aftermath of combat as he roams through the carnage haunted by the visages of his departed comrades and horrified by the gruesome reality of the slaughter. The mournful tone of the narrative serves to underscore the powerful drama of this harrowing tale. Margaret Flanagan

From Kirkus Reviews
Bahr makes an impressive debut with a haunting tale of a brief but bloody encounter on the road to Nashville, which helped put paid to the Confederate cause in the latter stages of America's Civil War. Although a university graduate, Bushrod Carter is a private soldier in the 21st Mississippi, a storied regiment in the battered Southern army commanded by General John Bell Hood. Scattered by Sherman's march to the sea, Bushrod and his fellow veterans (wearied by three years of unremitting combat) find themselves facing fresh Union forces outside Franklin, Tenn., in late November of 1864. Ordered to attack, they advance across an open field to meet their entrenched foe on a fine autumn afternoon. After a fierce battle (seen only through the eyes of women and children in the farmstead Rebel officers have requisitioned as a hospital), the real horrors begin. Bandsmen bearing wounded from the battlefield by the light of guttering torches find Bushrod (who's sustained a concussion and lost a finger) almost by chance beneath a pile of corpses, but his two best friends did not survive the engagement. Meantime, under cover of darkness, scavengers roam the killing ground stripping the dead of their valuables, and a former teacher crazed by the carnage prays that God will forgive the South. Apparently little the worse for wear, Bushrod eventually manages to locate and bury his dead mates. Assisting him in this sad business is Anna Hereford, a relative visiting the family that owns the farm. While nearly dehumanized by what he's been through, the young--and doomed--rifleman feels attracted to Anna, who warily returns his interest. He soon follows his fallen comrades, however, leaving Anna to grieve for what might have been. A bleakly effective and economical account of men and women caught up in a bestial conflict. (Book-of-the-Month Club/Quality Paperback Book Club alternate selection) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

129 of 132 people found the following review helpful.
Better than "Cold Mountain"
By K. Sterling
I don't know how this one slipped through the cracks. I am a student of the War and fairly widely read, yet I have never encountered a work of Civil War fiction that moved me the way "The Black Flower" has. Truly a masterpiece. The language is exquisite, the characters well drawn and believable. Unlike in "Cold Mountain," I have been unable to find any historical inaccuracies. Bushrod, Jack, Virgil C., and Anna became as real to me as my best friend. They made me laugh, cry, and love them all, and I was immensely sorry when this well-crafted book ended. Surely someone should turn this story into a feature film. After reading this, I will read anything by Mr. Bahr, no questions asked.

3 of 3 people found the following review helpful.
Disturbing
By avid reader
I bought this novel after reading "Cold Mountain" and seeing Amazon.com recommendations for "The Black Flower." I therefore went into "The Black Flower" predisposed to liking it, which I certainly did at first. The introduction of the characters as they prepare for the Battle of Franklin is masterful and suspenseful. Bushrod and his two buddies from Mississipi are likeable characters, and the reader feels for them as they psyche themselves for battle. There is a little bit of wandering narrative, but the anticipation of the fighting keeps the reader attentive. Then comes a black hole where the battle took place and the reader finds himself in the aftermath of the bloody fighting. This is where the story begins to lack cohesiveness. Bushrod meets Anna in the country house requisitioned for a Confederate hospital. He is concussed and she is crochety. The reader might wonder what draws these two together when there are hundreds of other wounded soldiers to whom Anna might offer so much as a drink of water (but never does). The story disperses into other characters' viewpoints, the simpleton Nebo's and the boy Winder's, to no obvious purpose except to leave the reader impatient to get back to the main story. There is a lengthy description of a wasp making its long and arduous journey toward a lamp, only to keep bumping against the glass (symbolic of the futility of war?). There are the metaphoric refrains of the black horseman and the black flower. There is also much authorial discussion of the passing of time. I would still rate this novel higher than "Cold Mountain." There is more plot. The characters engender more compassion because they are nobly, albeit unglamorously, involved in the war (Inman in "Cold Mountain" has deserted and is finding his way home). After reading "The Black Flower," I came away with a memory of beautiful passages and a feeling of despair for the waste of human life.

2 of 2 people found the following review helpful.
Stunning
By Thelma C. Johnson
First I read COLD MOUNTAIN, and thought it was interesting, but passionless. When I finished it, I had endless images of walking through wet leaves. Then I read THE BLACK FLOWER and it is wonderful. Bahr is a master of his craft--he knows how to handle flashbacks, stream of consciousness, and lyricism on a level with Faulkner and Welty. The images are haunting, and perhaps the theme is the loss and waste of war, not only for the young lives lost but for the women who were forever cheated of youth and love and family, who became old women walking among the graves on Sunday afternoons. This is not about glory but death--the endless tragedy of aborted futures. Another thing Bahr has done superbly is that he has given his characters wit and uniqueness without their being grotesque. I know that comparisons are odious, but the strange and distorted country people that Frazier's hero met on his journey did not ring true. Frazier's metaphor was a disjointed and at times aimless journey, but Bahr's story is a jewel set in a time span of little more than a day, a compact yet expanded experience. My own grandfather won a Medal of Honor at the Battle of Murphreesboro, so these stories are of personal importance to me. (How was it, sir, when you were Bushrod's age? How did you survive? Why did you go in the first place?) Howard Bahr not only knows what happened, but tells us what it felt like. It doesn't get much better than this.

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