Sunday, November 30, 2014

## Download PDF Future War: Non-Lethal Weapons in Twenty-First-Century Warfare, by John B. Alexander

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Future War: Non-Lethal Weapons in Twenty-First-Century Warfare, by John B. Alexander

The nature of warfare has changed! Like it or not, terrorism has established a firm foothold worldwide. Economics and environmental issues are inextricably entwined on a global basis and tied directly to national regional security. Although traditional threats remain, new, shadowy, and mercurial adversaries are emerging, and identifying and locating them is difficult. Future War, based on the hard-learned lessons of Bosnia, Haiti, Somalia, Panama, and many other trouble spots, provides part of the solution.

Non-lethal weapons are a pragmatic application of force, not a peace movement. Ranging from old rubber bullets and tear gas to exotic advanced systems that can paralyze a country, they are essential for the preservation of peace and stability. Future War explains exactly how non-lethal electromagnetic and pulsed-power weapons, the laser and tazer, chemical systems, computer viruses, ultrasound and infrasound, and even biological entities will be used to stop enemies. These are the weapons of the future.

  • Sales Rank: #2016208 in Books
  • Published on: 2000-11-11
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.32" h x .81" w x 5.98" l,
  • Binding: Paperback
  • 272 pages

Amazon.com Review
"Non-lethal weapons" may sound like an oxymoron, or something found only on Alice in Wonderland battlefields. In reality, however, they are important security tools for armies and law enforcement officials (think tasers and tear gas). Author John Alexander describes all the justifications for non-lethal weapons: they come in handy during peacekeeping operations, help combat terrorism, and head off revenge before it is sought. ("They thank you when they wake up and they're not dead," a Las Vegas cop tells Alexander.) The most fascinating parts of Future War, however, are the descriptions of cutting-edge weapons. The sticky foam gun, for example, immobilizes targets by spraying a powerful gluelike adhesive on them. Acoustic blasters issuing low-intensity pulses can cause "perceptual disorientation" among troops. One antivehicle technology called the Silver Shroud "is a ballistically deployed polymer film that literally wraps up a targeted vehicle." A set of accompanying photographs--illustrations are one of Future War's attractions--shows a car becoming enveloped in a sheet of aluminum foil. Perhaps the most bizarre non-lethal weapon in this fascinating book involves scattering pheromones (a chemical substance that evokes sexual responses in members of the same species) on an area to make it uninhabitable. Writes Alexander, "Imagine trying to sleep or work in an area that is attracting every ant, cockroach, or spider from miles around." No thanks: better to lose a battle than fight that kind of enemy. And that's exactly the point. --John J. Miller

From Publishers Weekly
In a thoughtful examination of the future of military doctrine, Alexander takes a hard look at what options might be available to the American military in a world in which the rules of warfare have changed. Non-lethal weapons, he argues, will become more important for both political and practical reasons. Americans have grown increasingly aware of and sensitive to all casualties on any side in even the most just wars. At the same time, the armed forces increasingly are expected to play a constabulary rather than a military role (as in Bosnia and Haiti). Alexander, a retired U.S. Army colonel who was involved in research on non-lethal weapons at Los Alamos National Laboratory, discusses the use of non-lethal weapons in a series of well-developed near-future operational scenarios in which conventional weapons would be counterproductive. One is a peace support operation. Another involves technological sanctions against a rogue state aimed at disabling its communications systems. A third projects the paralysis, by non-lethal means, of the military capacities of a hostile government. The fourth postulates hostage situations resolved by non-lethal alternatives. Alexander covers technologies ranging from low-kinetic weapons to chemical options, acoustic systems and "conventional" electronic warfare. Such weapons, Alexander demonstrates, are not necessarily humane. They inflict pain; they may permanently disable; they can severely disrupt entire societies. Their sole merit is that they are not designed to kill. Alexander's case for non-lethal weapons may be disputed, but it shouldn't be dismissed.
Copyright 1999 Reed Business Information, Inc.

From Library Journal
Alexander, U.S. Army col. (ret.) and scientist at the Los Alamos National Laboratory, offers the first text dealing with the emerging art and science of nonlethal weaponry, including electromagnetic (lasers), chemical (tear gas), physically restraining, informational, and biological systems. Alexander creates fictional scenarios involving terrorist, military, and hostage situations and postulates how nonlethal weapons could be used to resolve them. Various appendixes list different types of weapons and currently funded military programs. Recommended for public libraries, not because of any special meritAmuch of the information on this topic is classified, and descriptions in the text are short and simplisticAbut because Alexander is one of the acknowledged specialists in this field, and this is the first book on the topic written for lay readers.ARichard S. Nowicki, Emerson Vocational H.S., Buffalo, NY
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

14 of 15 people found the following review helpful.
The emerging planetary conflicts and the non-lethal response
By A Customer
John Alexander is an insider who knows combat and its many modern forms. He also has deliberately decided to advance the ethical response to these new forms of conflict and presents us a convincing array of non-lethal weapons that will reshape not only the defense industry but the law enforcement community.
This book takes the reader to each of the situations imagined in a convincing set of scenarios. Then each of the new non-lethal approaches to the neutralization of the conflict is introduced at its point of greatest impact. The writing is straightforward and at the sametime paints a real picture of the situations visualized.
Ample testimony is attached to this work by respected military thinkers and Alexander does not stretch his case beyond reason to make his point. The documentation is also done in a scholarly fashion.
Tom Clancy sets the stage by raising the edgy spectre of decision-making in the emerging scenarios of conflict. At the same time he accurately describes the new moral center required of soldiers and nations to provide an appropriate response to this now publicly watched phenomenon.
This is a book needed by professionals but not out of the reach of others who want to evaluate how our world will bring itself into the twenty-first century. A good read. Without this work you will be blind-sided by whats just around the corner.

6 of 6 people found the following review helpful.
Great Book, a must for education
By A Customer
John Alexander's book is written with concise, clear descriptions of future weapons. These include laser/taser. Chemical systems, computer viruses, non-lethal electromagnetic pulse-power weapons and others. Each citizen reader will find this book informational and vital reading. It helps an individual understand weapons that may be used in the 21st Century.
This reader finds the "issues section" pertaining to future wars especially informative. In the "Strategic Implications" section, a subsection entitled education is of particular note. In this section three national security issues are identified as arising from a substandard education system. One is the limited pool of young men and women from which to recruit as weapons systems are getting more sophisticated to operate. The second education factor of strategic importance is the education of the civilian population. Many citizens are not sufficiently educated to understand the current issues of national security as they are becoming more complex. The third education factor is in weapons development as many of these systems need brainpower to help design or improve them. This reader agrees with the author. The author is giving education a roadmap on areas the future citizen needs in their portfolio of education.
This review is to encourage teachers in classrooms teaching citizenship to add this book to their reading list. For responsible citizens this book is a must read.
Dr. B. Feist-Fite, Educator

5 of 5 people found the following review helpful.
If You're Looking for Facts, Be Wary
By Dana Hunter
Future War would have been a great work of fiction. It's intriguing subject matter and there are some really entertaining scenarios that would keep you turning pages long into the night.

However. If you're in the market for a well-researched, factual account, you should probably look elsewhere, especially if you are, like myself, a relative new-comer to the whole non-lethal weapons field.

Col. Alexander gets some extraordinary things wrong. He uses Ruby Ridge as an example of law enforcement gone wrong and to point up the need for non-lethal alternatives to lethal force. No arguments there. But he must have been thinking of a different Ruby Ridge, because in this one, Kevin Harris doesn't survive. I found that interesting, seeing as how Kevin Harris ended up giving a report to the FBI and getting tried in a court of law after the standoff ended. Reports of his death in this book are greatly exaggerated.

Col. Alexander would also like us to believe that Tazers don't burn. Even in the Nineties, law enforcement was aware that Tazers burn the skin. Several court cases have included evidence of the burn patterns unique to different models of stun guns. He also seems to take great pleasure in claiming that they are never lethal, which is an interesting claim to make about something meant to deliver tens of thousands of volts of electricity into the human body. "Never" is a word that an ostensibly learned man should not have employed to describe such a weapon, even given the state of knowledge in the 90s.

I won't spend this space dissecting the plethora of other errors I've found. I just want to present a caution to anyone incautious enough to buy this book: before getting excited about any one claim, make sure you get the facts from another source. You can't trust this book to be right.

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~~ Download Moths in the Machine: The Power and Perils of Programming, by Daniel Kohanski

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Moths in the Machine: The Power and Perils of Programming, by Daniel Kohanski

For better or worse, computers are not literally running our lives. They are extraordinarily helpful in all aspects of our daily routines, from banking to transportation, shopping to surgery. On the other hand, a "bug" in a computer program can now lead to dire consequences, making the rule of the computer programmer more valuable than ever before.
In one fo the most unique yet necessary books ever to appear, Daniel Kohanski, a seasoned programmer and systems consultant, provides a breezy and insightful overview of the fascinating craft of computer programming. With topics ranging from history to aesthetics, from subroutines to ethics, Moths in the Machine will leave even the most inexperienced reader with a deep understanding of the critical role programmers play in the modern world.

  • Sales Rank: #4190863 in Books
  • Published on: 2000-04-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.22" h x .70" w x 5.44" l,
  • Binding: Paperback
  • 256 pages

Review
"Good reading for anyone interested in how programs come into existence and particuarly good reading for those thinking of entering into the programming profession." --Kirkus Reviews

"By turns technical and accessible, practical, and philosophical..Readers wanting a factual introduction to the everyday tasks of programmers--or users wanting to better grasp the workings of their PCs--will not be disappointed." --Publishers Weekly

"Clear-headed thoughts on the ethical challenges posed by programming and the increasing ubiquity of computers...Kohanski certainly sets out the basics of programming for ordinary nontechnical readers with great clarity." --Jim McClelland, The Guardian

"So you wanna be a programmer? Before you buy a pair of Birkenstocks, check out Daniel Kohanski's new book" --Wired magazine

From the Author
The aim of Moths in the Machine is to give the general reader some understanding of what computer programming is all about, why it is so important - and why it is so difficult - and what are some of the practical and ethical problems that a programmer must face. I expect it will also be useful to beginning programmers, by giving them a solid foundation in a fast-changing craft.

The book was originally published in hardcover as The Philosophical Programmer. I have updated the preface and expanded the bibliography for this edition.

About the Author
Daniel Kohanski is a constulting systems engineer who works for the Bank of America. He lives in San Francisco.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Says much that needed to be said!
By P. Grimm
Thanks, Daniel, for adding your voice to the discussion about what we do with computers. I have the original hardcover version of this book, and am highly recommending it to my students and programming apprentices. Kohanski eloquently puts forth the argument for aesthetics in programming, a concept that is being lost as Microsoft et al. focus more and more on "user-friendly" methods of producing code at all levels (object-oriented, scripting, mark-up etc.) which rely on WYSIWYG interfaces. The nightmare code that emerges out the other end of these hands-off interfaces is making a huge impact on the reusability and therefore productivity of all those end-user produced applications. This is going to come back to bite us in the end, just like all other programming "shortcuts"! Maybe we can get more people to read books like this and understand what they are actually doing with their machines!

1 of 1 people found the following review helpful.
Interesting on two levels
By Amanda H. Bazner
As a programmer, I found this book's discussions on the aesthetics of programming to be unique and very helpful. The code samples given were not as interesting, but they were not aimed at experienced programmers. It is a perfect introduction for people who have experience in analyzing data (engineers, actuaries, etc.) but have never programmed. Don't read this book to learn new code tricks, or any specific language; but I've never read anything better about the art of programming, for either the professional or the beginner.

0 of 0 people found the following review helpful.
Excellent Read
By Nathan Botts
Kohanski did a great job of covering the general field and history of programming. While his descriptions of programming were basic, they were not overly pedantic.His discussion on binary was excellent.
I will admit that when he gets to the actual discussions on programming logic it became quite difficult for me to follow and much rereading was done. However, completely understanding those chunks was not necessary for going on with the rest of the book.I felt comfortable leaving parts behind.
The glossary provided a nice compendium for information as well and I would encourage readers to turn there if they were having difficulty understanding certain sections.
Overall, a great read.

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Saturday, November 29, 2014

> Fee Download The Year's Best Fantasy & Horror (Year's Best Fantasy and Horror, 13th Ed)From St. Martin's Press

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The Year's Best Fantasy & Horror (Year's Best Fantasy and Horror, 13th Ed)From St. Martin's Press

For more than a decade, readers have turned to The Year's Best Fantasy and Horror to find the most rewarding fantastic short stories. Ellen Datlow and Terri Windling continue their critically acclaimed and award-winning tradition with another stunning collection of stories. The fiction and poetry here is culled from an exhaustive survey of the field, nearly four dozen stories ranging from fairy tales to gothic horror, from magical realism to dark tales in the Grand Guignol style. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.


Contents

Summation 1999: FantasyTerri Windling
Summation 1999: HorrorEllen Datlow
Horror and Fantasy in the Media: 1999Edward Bryant
Comics: 1999, Seth Johnson
Obituaries: 1999, James Frenkel

Darkrose and Diamond, Ursula K. Le Guin
The Chop Girl, Ian R. MacLeod
The Girl Detective, Kelly Link
The Transformation, N. Scott Momaday
Carabosse, Delia Sherman
Harlequin Valentine, Neil Gaiman
Toad, Patricia A. McKillip
The Dinner Party, Robert Girardi
Heat, Steve Rasnic Tem
The Wedding at EsperanzaLinnet Taylor
Redescending, Ursula K. Le Guin
You Don't Have to be Mad . . .Kim Newman
The Paper-Thin Garden, Thomas Wharton
The Anatomy of a MermaidMary Sharratt
The Grammarian's Five DaughtersEleanor Arnason
The Tree Is My Hat, Gene Wolfe
Welcome, Michael Marshall Smith
The Pathos of Genre, Douglas E. Winter
Shatsi , Peter Crowther
Keepsakes and Treasures: A Love StoryNeil Gaiman
What You Make It, Michael Marshall Smith
The Parwat Ruby, Delia Sherman
Odysseus Old, Geoffrey Brock
The Smell of the Deer, Kent Meyers
Chorion and the PleiadesSarah Van Arsdale
Crosley, Elizabeth Engstrom
n0 Naming the Dead, Paul J. McAuley
The Stork-Men, Juan Goytisolo
The Disappearance of Elaine ColemanSteven Millhauser
White, Tim Lebbon
Dear Floods of Her Hair, James Sallis
Mrs. Santa Decides to Move to FloridaApril Selley
Tanuki, Jan Hodgman
At Reparata, Jeffrey Ford
Skin So Green and Fine, Wendy Wheeler
Old Merlin Dancing on the Sands of TimeJane Yolen
Sailing the Painted OceanDenise Lee
Grandmother, Laurence Snydal
Small Song, Gary A. Braunbeck
The Emperor's Old BonesGemma Files
The Duke of Wellington Misplaces His HorseSusanna Clarke
Halloween Street, Steve Rasnic Tem
The Kiss, Tia V. Travis
The Beast/The Hedge, Bill Lewis
Pixel Pixies, Charles de Lint
Falling Away, Elizabeth Birmingham

Honorable Mentions: 1999

  • Sales Rank: #2965091 in Books
  • Published on: 2000-08-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.91" w x 6.44" l,
  • Binding: Hardcover
  • 640 pages

From Publishers Weekly
You can't improve on the "best," but as the editors of this landmark anthology series show in its most recent volume, you can find fresh new angles from which to present it. For the first time ever, they have selected an essay, Douglas Winter's "The Pathos of Genre," and this incisive critique of the limits of genre branding subtly calls attention to how Datlow and Windling's fiction and poetry selections usually resist simple categorizing. Many of their best picks from 1999 willfully bend, blend and move beyond expected genre materials: Tim Lebbon's "White," a horror and SF cross-stitch, uses B-movie imagery to explore the behavior of people confronted with ecological apocalypse. Kim Newman, in "You Don't Have to Be Mad," grounds a caustic horror satire of modern business mores in set pieces appropriated from television espionage programs of the 1960s. Michael Marshall Smith, in "Welcome," and Charles de Lint, in "Pixel Pixies," conjure alternate fantasy worlds with the most unlikely of talismansDa computer. Neil Gaiman, one of six authors represented by more than one contribution, places both a horror and a fantasy tale: "Keepsakes and Treasures: A Love Story," a nasty bit on the death of romance, and "Harlequin Valentine," a darkly funny fantasy. There are more than a few modern fairy tale variants, but even these show a refreshing range of styles and approaches, notably Patricia McKillip's "Toad," a delightful deflation of the frog prince's tale. The usual generous survey essays by Datlow, Windling, Ed Bryant and Seth Johnson only enhance the volume's reputation as indispensable reading for the year. (Sept.)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Myths and legends, fairytales and folklore, nightmares and dreams imbue the mundane with touches of magic while illustrating essential aspects of human nature. This annual anthology, the 13th in the series, explores those enchanting influences and gracefully demonstrates how the terms fantasy and horror encompass a range of creative writing from the "high" literary to the underrated comic. (Neil Gaiman's Sandman comics are more thought-provoking than most best sellers.) As usual, the editors begin with summaries of the past year in fantasy and horror in publishing, movies, and other media. Stressing the understanding of "interstitial" literatureDworks that cannot be pigeonholed to a single genre and that consists of much of imaginative writingDthe editors then present a variety of short stories and poems portraying wonders that are funny, subtle, lyric, and dreadful. Many are written by such accomplished and well-known authors as Ursula K. Le Guin, Gaiman, Charles de Lint, and Steve Resnic Tem. This volume of all-around high-quality storytelling is highly recommended to imaginations of all shapes and sizes.DAnn Kim, "Library Journal"
Copyright 2000 Reed Business Information, Inc.

From Booklist
Datlow and Windling's annual is as stout as ever, which is good. The yearly summations--Datlow on horror, Windling on fantasy, Edward Bryant on the media, Seth Johnson on comics, and James Frenkel's obituaries--are all by writers who have their crotchets, as all experienced critics and acute analysts will, as well as enough room to provide invaluable amounts of information. As to the stories and poems, there are 49, with more listed in an appendix of "Honorable Mentions." They show enough variety and display many virtues and very few sins, venial at worst. Five definitely virtuous stories are Mary Sharratt's "The Anatomy of a Mermaid," Patricia A. McKillip's "Toad," Gene Wolfe's "The Tree Is My Hat," Ursula K. LeGuin's "Darkrose and Diamond," and Linnet Taylor's "The Wedding at Esperanza." But all other serious fantasy and horror readers will compile their own short lists of favorites, and all will respect the work of both editors and contributors. Roland Green
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

3 of 4 people found the following review helpful.
Fabulous Anthology
By Michael Scott
What a beautiful, fabulous anthology. Ellen Datlow and Terri Windling have turned out another of their elegant and amazing collections.
This anthology starts off fast with another of Ursula Le Guin's Earthsea stories, but it's the second one, Ian MacLeod's 'The Chop Girl' that starts the anthology off with a bang. MacLeod's story is creepy, eerie, spooky, and thoroughly delightful. The anthology never loses steam. Nearly every story is wonderful.
Excellent stories by Charles de Lint, Gemma Files, Jeffrey Ford (be sure to check out his books here on Amazon. They're fabulous!), Tim Lebbon, Steven Millhauser, Paul McAuley, Michael Marshall Smith, Kim Newman, and on and on.
What makes this anthology so special is the breadth of sources that Datlow and Windling draw from. They have a few stories from the usual suspects, F&SF, Realms of Fantasy, Asimov's and so on, but the amount of stories, really good stories, that they grab from tiny obscure publications that probably less than 3,000 people read is astounding. In my mind this makes this series of anthologies infinitely more valuable than their SF counterparts.
I highly recommend this volume.

6 of 11 people found the following review helpful.
1999 "lackluster" year for fantasy
By A Customer
A good collection, as always, of fantasy, horror, and "interstitial" works -- though the 1999 offerings seemed to me a little threadbare. The standouts this year: Steve Rasnic Tem's "Heat" and Elizabeth Birmingham's "Falling Away". Excellent stories, both. Low points: "Welcome", by Michael Marshall Smith -- well meaning, but awkwardly written; "The Pathos of the Genre", by Douglas E Winter -- a rather condescending essay about the state of horror writing and publishing, aimed at writers; and, "The Beast" and "The Hedge" by Bill Lewis [poetry is always Datlow and Windling's weakest point.. though this is probably a reflection of the state of poetry in general]. Terri Windling's Recommended Top 20 books in fantasy is an indespensable guide, as always.
Complete listing of included authors and works: "Darkrose and Diamond" - Ursula K LeGuin; "The Chop Girl" - Ian R MacLeod; "The Girl Detective" - Kelly Link; "The Transformation" - N Scott Momaday; "Carabosse" - Delia Sherman; "Harlequin Valentine" - Neil Gaiman; "Toad" - Patricia A McKillip; "Washed in the River" - Beckian Fritz Goldberg; "The Dinner Party" - Robert Girardi; "Heat" - Steve Rasnic Tem; "The Wedding at Esperanza" - Linnet Taylor; "Redescending" - Ursula K LeGuin; "You Don't Have to Be Mad..." - Kim Newman; "The Paper-thin Garden" - Thomas Wharton; "The Anatomy of a Mermaid" - Mary Sharratt; "The Grammarian's Five Daughters" - Eleanor Arnason; "The Tree is My Hat" - Gene Wolfe; "Welcome" - Michael Marshall Smith; "The Pathos of the Genre" - Douglas E Winter; "Shatsi" - Peter Crowther; "Keepsakes and Treasures: A Love Story" - Neil Gaiman; "What You Make It" - Michael Marshall Smith; "The Parwat Ruby" - Delia Sherman; "Odysseus Old" - Geoffrey Brock; "The Smell of Deer" - Kent Meyers; "Chorion and the Pleiades"; "Crosley" - Elizabeth Engstrom; "Naming the Dead" - Paul J McAuley; "The Stork-men" - Juan Goytisolo; "The Disappearance of Elaine Coleman" - Steven Millhauser; "White" - Tim Lebbon; "Dear Floods of her Hair" - James Sallis; "Mrs. Santa Decides to Move to Florida" - April Selley; "Tanuki" - Jan Hodgman; "At Reparata" - Jeffrey Ford; "Skin So Green and Fine" - Wendy Wheeler; "Old Merlin Dancing on the Sands of Time" - Jane Yolen; "Sailing the Painted Ocean" - Denise Lee; "Grandmother" - Laurence Snydal; "Small Song" - Gary A Braunbeck; "The Emperor's Old Bones" - Gemma Files; "The Duke of Wellington Misplaces His Horse" - Susanna Clarke; "Halloween Street" - Steve Rasnic Tem; "The Kiss" - Tia V Travis; "The Beast" - Bill Lewis; "The Hedge" - Bill Lewis; "Pixel Pixies" - Charles deLint; "Falling Away" - Elizabeth Birmingham.

14 of 15 people found the following review helpful.
pure magic
By A Customer
If you`ve read too much minimalist academic fiction, you`re in for a treat. These stories, both dark and light, and infused with magic and poetry, have been culled from sources as diverse as the New Yorker, the Iowa Review, and some very obscure zines. Established masters of their craft such as Ursula Leguin and N. Scott Momaday rub shoulders with intruiguing newcomers such as Linnet Taylor and Mary Sharratt. Kelly Link`s fabulous story "The Girl Detective" is not to be missed.

See all 9 customer reviews...

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Friday, November 28, 2014

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Catfish and Mandala: A Two-Wheeled Voyage Through the Landscape and Memory of Vietnam, by Andrew X. Pham

Winner of the Kiriyama Pacific Rim Book Prize
A New York Times Notable Book of the Year
Winner of the Whiting Writers' Award
A Seattle Post-Intelligencer Best Book of the Year

Catfish and Mandala is the story of an American odyssey―a solo bicycle voyage around the Pacific Rim to Vietnam―made by a young Vietnamese-American man in pursuit of both his adopted homeland and his forsaken fatherland.

Andrew X. Pham was born in Vietnam and raised in California. His father had been a POW of the Vietcong; his family came to America as "boat people." Following the suicide of his sister, Pham quit his job, sold all of his possessions, and embarked on a year-long bicycle journey that took him through the Mexican desert, around a thousand-mile loop from Narita to Kyoto in Japan; and, after five months and 2,357 miles, to Saigon, where he finds "nothing familiar in the bombed-out darkness." In Vietnam, he's taken for Japanese or Korean by his countrymen, except, of course, by his relatives, who doubt that as a Vietnamese he has the stamina to complete his journey ("Only Westerners can do it"); and in the United States he's considered anything but American. A vibrant, picaresque memoir written with narrative flair and an eye-opening sense of adventure, Catfish and Mandala is an unforgettable search for cultural identity.

  • Sales Rank: #93591 in Books
  • Color: Other
  • Published on: 2000-09-02
  • Released on: 2000-09-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.21" h x .98" w x 5.46" l, .72 pounds
  • Binding: Paperback
  • 352 pages
Features
  • Great book!

Amazon.com Review
A great memoirist can burnish even an ordinary childhood into something bright--see, for instance, Annie Dillard's An American Childhood. So what about a really good writer with access to a dramatic and little-documented story? This is the case with Catfish and Mandala, Vietnamese American Andrew X. Pham's captivating first book, which delves fearlessly into questions of home, family, and identity. The son of Vietnamese parents who suffered terribly during the Vietnam War and brought their family to America when he was 10, Pham, on the cusp of his 30s, defied his parents' conservative hopes for him and his engineering career by becoming a poorly paid freelance writer. After the suicide of his sister, he set off on an even riskier path to travel some of the world on his bicycle. In the grueling, enlightening year that followed, he pedaled through Mexico, the American West Coast, Japan, and finally his far-off first land, Vietnam.

The story, with some of a mandala's repeated symbolic motifs, works on several levels at once. It is an exploration into the meaning of home, a descriptive travelogue, and an intimate look at the Vietnamese immigrant experience. There are beautifully illuminated flashbacks to the experience of fleeing Vietnam and to an earlier, more innocent childhood. While Pham's stern father, a survivor of Vietcong death camps, regrets that Pham has not been a respectful Vietnamese son, he also reveals that he wishes he himself had been more "American" for his kids, that he had "taken [them] camping." Catfish and Mandala is a book of double-edged truths, and it would make a fascinating study even in less able hands. In those of the adventurous, unsentimental Pham, it is an irresistible story. --Maria Dolan

From Publishers Weekly
In narrating his search for his roots, Vietnamese-American and first-time author Pham alternates between two story lines. The first, which begins in war-torn Vietnam, chronicles the author's hair-raising escape to the U.S. as an adolescent in 1977 and his family's subsequent and somewhat troubled life in California. The second recounts his return to Vietnam almost two decades later as an Americanized but culturally confused young man. Uncertain if his trip is a "pilgrimage or a farce," Pham pedals his bike the length of his native country, all the while confronting the guilt he feels as a successful Viet-kieu (Vietnamese expatriate) and as a survivor of his older sister Chai, whose isolation in America and eventual suicide he did little to prevent. Flipping between the two story lines, Pham elucidates his main dilemma: he's an outsider in both America and VietnamAin the former for being Vietnamese, and the latter for being Viet-kieu. Aside from a weakness for hyphenated compounds like "people-thick" and "passion-rich," Pham's prose is fluid and fast, navigating deftly through time and space. Wonderful passages describe the magical qualities of catfish stew, the gruesome preparation of "gaping fish" (a fish is seared briefly in oil with its head sticking out, but is supposedly still alive when served), the furious flow of traffic in Ho Chi Minh City and his exasperating confrontations with gangsters, drunken soldiers and corrupt bureaucrats. In writing a sensitive, revealing book about cultural identity, Pham also succeeds in creating an exciting adventure story. (Oct.)
Copyright 1999 Reed Business Information, Inc.

From Library Journal
As a child, Pham fled Vietnam with his family and settled in California. Here he recounts his return--by bicycle, as he wheels up the West Coast, boards a plane, and finds himself at the airport in Saigon, cursing out the "nitwits in flip-flops" who wrecked his bike. Clearly, this is no sentimental journey; Pham's is a soul divided. He's a contentious guide, but the journey is heartrending and invaluable. (LJ 10/1/99)
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

70 of 73 people found the following review helpful.
The must read for the 25th Anniv of the Fall of Saigon
By Larry Mark MyJewishBooksDotCom
The 25th anniversary of the Fall of Saigon was approaching, as was a conference at NYC's Asia Society on Vietnamese American authors, so I purchased this book for a friend. But before I gave the book away, I started to read the preface. And I was as hooked as a net caught in a propeller. I gorged myself on this book's language. It was so poetic, I wanted to deconstruct the sentences to see how Pham built them. How this book did not win a National Book Award I can not fathom. (although it was honored with the Kiriyama Pacific Rim Book Prize). As was said in the reviews above and below, Pham's book is an adventure book as worthy as any Outside Magazine story, a memoir, and an extended essay on cultural identity, immigration, guilt, and family dynamics. The metaphor filled, flowing chapters alternate between his current bike trip, the immigrant experience, and his family's flight from Vietnam two decades ago. The book is honest, humorous (as in when he relates his Dilbert-like experiences working as an aerospace engineer in California, or when his brother's boyfriend offers him a supermarket of armaments for road biking protection), psychologically complex (the duty of the first son, the guilt over a suicide), frightening (when relating the experiences of his father in a post-War Vietnamese prison, their escape as boat-people, finding lodging at the home of what may be an escaped mental patient), gutsy (finding a bike path from Narita Airport), sensual, exhilarating, sad, profound, and subtle (can you save every beggar, can you marry every poor Vietnamese woman). Simply a must read.

39 of 41 people found the following review helpful.
I believe this book is destined to be an American Classic.
By Terry L. Young
It has been a long, long time since I have been so moved by the work of a new American author. "Catfish and Mandala, A Two-Wheeled Voyage Through the Landscape and Memory of Vietnam", by Andrew X Pham, is a book that invites one along on a trek through the minds, hearts, and souls of two nations. As a veteran of the Vietnam War I tagged along willing with Mr. Pham----at first. I soon found myself being pulled deeper into the past, a past that long ago laid waste to my youth and my spirit. Having read this book, I view the world in another light. I view the Vietnamese and American people with an understanding that has escaped me for so many years. To call "Catfish and Mandala" a travelogue is to call Steinbeck's "The Grapes of Wrath" and Kerouac's "On the Road" travel books. "Catfish and Mandala" is truly great literature. I only wish it had been written sooner.

0 of 0 people found the following review helpful.
Interesting perspective to a very adventurous journey
By Cobracommand
This was a great story I had not read a book for awhile and during my Vietnam War summer course we were assigned this reading. It was a quick read for me as I got into the book very fast. The story is interesting and gives a unique perspective to a very adventurous return to war torn country in search of origin. If you want to read about the Vietnam war and its lasting effects on the Vietnamese I would check this book out.

See all 206 customer reviews...

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Thursday, November 27, 2014

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Liam O'Flaherty: the Collected Stories, Volume 3From Palgrave Macmillan

These long-awaited volumes bring together, for the first time ever, the complete short stories of Ireland's master storyteller, Liam O'Flaherty--from great classics like "The Sniper" to previously unpublished originals. These 182 stories include all those included in previous anthologies; the Irish language stories; stories which have never before been collected inn book form; and original stories published here for the first time. This luxurious set will be a treasure for all those who know and love the work of one of Ireland's most skilled and passionate writers.

  • Sales Rank: #3652051 in Books
  • Published on: 2000-03-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.28" h x 1.31" w x 5.94" l, 1.70 pounds
  • Binding: Hardcover
  • 399 pages

Review
Praise for O'Flaherty's short stories: "The author's skill as a storyteller is at times breathtaking." --Publishers Weekly

About the Author
A. A. Kelly has a Doctorate in English Literature and has taught and lectured in Europe and the US.

Most helpful customer reviews

0 of 0 people found the following review helpful.
... 1896 without a doubt he is one of the greatest storywriters of the 20th century
By Dirk Vander Schueren
Acknowledging that Liam O'Flaherty was born in Gort na gCapall in 1896 without a doubt he is one of the greatest storywriters of the 20th century.

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Wednesday, November 26, 2014

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Ken Burns's America, by G. Edgerton

This is the first book-length study to critically examine the work of Ken Burns, the innovative producer-director as a television auteur, a pivotal programming influence within the industry, and a popular historian who portrays a uniquely personal and compelling version of the country's past for tens of millions of viewers nationwide. Ken Burns's America has a three-fold agenda: First it looks at the ideas and individuals that have influenced Burns in the creation of his easily-recognized style, as well as in the development and maturation of his ideological outlook. Second, the book gives readers a window on the Ken Burns production machine. Gary Edgerton shows us the inner working of Florentine Films. Finally, he looks at Burns as a popular historian who reevaluates the nation's historical legacy from a new generational perspective and, in the process, becomes one of the major cultural commentators of our era. The volume finally takes the full measure of the man and the industry he has helped to create.

  • Sales Rank: #2182791 in Books
  • Published on: 2001-11-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .69" w x 5.98" l, 1.14 pounds
  • Binding: Hardcover
  • 268 pages

Amazon.com Review
Though Gary R. Edgerton writes that he did not intend Ken Burns's America to be a biography, it is exactly that: a study not only of the life of the documentary auteur--his rise from student filmmaker to the "most recognizable and influential historian of his generation"--but of his cinematographic and historical influences and philosophy, and his abilities as a businessman.

Ken Burns's America is nothing if not comprehensive. Though Burns's most famous works (The Civil War, Baseball, Jazz) are discussed in detail, his many less well known works (The Shakers, Brooklyn Bridge, Thomas Hart Benton) receive their fair due, as do obscure early works like Working in Rural New England. Edgerton discusses Burns's stylistics, and his long-running--and often cantankerous--skirmishes with professional historians. Burns, in his own words, stresses plot over analysis, and says, somewhat obscurely, that there is "more unum than pluribus" in his work. Edgerton also devotes much time and space to Burns's organizational and fundraising prowess. Though clearly an admirer of Burns, the author utilizes the filmmaker's own "pluralistic" approach when it comes to criticism, including a compendium of reactions to the films (both pro and con) rather than a personal analysis. Though his prose is not exactly lithe, he has written a well-documented and detailed book that should aid and interest serious students of Burns's life, works, and methodology. --H. O'Billovitch

From Publishers Weekly
Documentary filmmaker Ken Burns receives the royal treatment in this lavish study of his life and work. Edgerton (Television Histories), a communications professor at Old Dominion University, examines each of Burns's productions, from his first major effort in 1982, Brooklyn Bridge, up to last year's Jazz. No detail is too small for Edgerton, whether it's how many votes Burns's Huey Long was short for an Academy Award nomination (two) or how much time was devoted to Jackie Robinson's death in Baseball (seven minutes, 50 seconds). Burns is worth all this effort, Edgerton believes, because he is "arguably the most recognizable and influential historian of his generation." In terms of sheer popular appeal, it's difficult to disagree: over 150 million Americans have seen Burns's films (nearly 40 million watched The Civil War alone). Moreover, as Edgerton points out, Burns's signature style (camera panning over still photographs, the recurring use of two or three speakers) has become the defining paradigm for TV documentaries. But as popular and influential as Burns's films have been, they've also been highly controversial. Academic historians, Edgerton recalls, accused The Civil War of being simplistic and downplaying the failures of Reconstruction; musicians were similarly dismayed that Jazz glossed over the years since 1960. Other critics have been put off by Burns himself, who is variously portrayed as sentimental, liberal and self-important (Burns called The Civil War America's Iliad, casting himself in the role of Homer). These criticisms don't bother Edgerton, who rightly points out that controversy is "unavoidable" with such large and complex subjects. (Nov. 5)Forecast: Popular as Burns's films are, this study will likely appeal to a smaller audience of media students and those interested in how history is presented in film or television.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Edgerton (communication and theater arts, Old Dominion Univ.; coeditor, Television Histories) builds a compelling case that "Burns is arguably the most recognizable and influential historian of his generation," even though he does not have the traditional historian's scholarly background and education. This is the first full-length study of the executive producer whose 1990 Civil War series reached the largest audience ever on public television, spurred a popular interest in history on TV, and created a best-selling tie-in book and videotape series. Burns formed an independent production company in 1975, produced his first historical documentary, Brooklyn Bridge, in 1982, and in the 1990s produced the popular series Baseball and Jazz. The author explores Burns's style and storytelling power, showing how the popular historian presents history in a new perspective packaged for contemporary audiences. He also examines the backlash from historians over Burns's use of emotions and poetic license. In the end, Edgerton ably proves that although Burns is not an academic scholar, he is a historian nevertheless part of a new breed that is important to recognize. Recommended for public and academic libraries. Bruce Henson, Georgia Tech, Atlanta
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

2 of 7 people found the following review helpful.
No Images
By Kevin Floyd
I love Burns! However I was expecting a book more like the Civil War or Allister Cooks America with lots of pictures. It is good just not what I was expecting...

0 of 5 people found the following review helpful.
Disappointed
By Connie L. Schwabe
Disappointed. No pictures! Thats what makes Ken Burns wonderful documentarys so great, the photos of real people. I have almost ALL his work, but thiis I'll sell

See all 2 customer reviews...

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> Download PDF Ethics for Modern Life, by Raziel Abelson

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Ethics for Modern Life, by Raziel Abelson

  • Sales Rank: #15623052 in Books
  • Published on: 1982-04
  • Original language: English
  • Binding: Paperback
  • 482 pages

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Tuesday, November 25, 2014

^ Ebook Free Everythings an Argument With Readings: With Readings, by Andrea Lunsford, John Ruskiewicz, John J. Ruszkiewicz, Keith Walters

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Everythings an Argument With Readings: With Readings, by Andrea Lunsford, John Ruskiewicz, John J. Ruszkiewicz, Keith Walters

A guide to using rhetorical techniques in argumentative or persuasive writing.

  • Sales Rank: #2391079 in Books
  • Published on: 2000-08
  • Original language: English
  • Number of items: 2
  • Dimensions: 8.00" h x 7.25" w x .75" l,
  • Binding: Paperback
  • 782 pages
Features
  • Rhetorical writing guide

Most helpful customer reviews

14 of 16 people found the following review helpful.
A blend of Schemes, Tropes and Toulmin
By A Customer
As a Freshman Composition Teacher, I found it hard to explain the idea of argument using mainstream texts such as Axlerod and Cooper's St. Martin's Guide. The second edition of Everything's an Argument provides an accessible way to illustrate classical rhetorical ideas to the modern student. Lunsford, Ruszkiewicz and Walters provide a readable breakdown or Aristotle's concepts of Ethos, Pathos, Logos and Audience. Toulmin is also used nicely. The second edition also provides readings which are contemporary in nature and on intersting topics. There are the traditional readings on Title IX, Language and Identity, Free Speech and Euthanasia for the more conservative course instructors. In addition, this book ellaborates on topics which I will be excited to introduce into my course next semester: Technology's involvement in Conception and Birth, Intellectual Property rights, Genetics and Privacy Loss. While the content of the book is exactly what I've been searching for, I find the physical book design also appealing. The cover design and visual elements will demand attention from my students. While the compact paperback design will not break anyone's back, it has me a little concerned about how well it will hold up over a semester. This text should be a definite consideration for anyone who has been wondering for years how to work audience, argument, critical thinking and style into their course. My favorite part is the chapter on tropes and schemes.

5 of 6 people found the following review helpful.
Great for Critical Thinking Course
By A Customer
I teach Critical Thinking at a junior college in central California. This is the only text for my class. I have chosen it over several others for the following reasons: ease of use, detailed explanations, MLA and APA format guidelines, and excellent readings that give both sides to current topics.

1 of 1 people found the following review helpful.
One Star
By Renni
It's an old version!

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Friday, November 21, 2014

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The Language of Threads: A Novel, by Gail Tsukiyama

Readers of Women of the Silk never forgot the moving, powerful story of Pei, brought to work in the silk house as a girl, grown into a quiet but determined young woman whose life is subject to cruel twists of fate, including the loss of her closest friend, Lin. Now we finally learn what happened to Pei, as she leaves the silk house for Hong Kong in the 1930s, arriving with a young orphan, Ji Shen, in her care. Her first job, in the home of a wealthy family, ends in disgrace, but soon Pei and Ji Shen find a new life in the home of Mrs. Finch, a British ex-patriate who welcomes them as the daughters she never had. Their idyllic life is interrupted, however, by war, and the Japanese occupation. Pei is once again forced to make her own way, struggling to survive and to keep her extended family alive as well. In this story of hardship and survival, Tsukiyama paints a portrait of women fighting the forces of war and time to make a life for themselves.

  • Sales Rank: #364246 in Books
  • Color: Green
  • Brand: St. Martin's Griffin
  • Published on: 2000-09-21
  • Released on: 2000-09-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .65" w x 5.00" l,
  • Binding: Paperback
  • 288 pages
Features
  • Great product!

From Publishers Weekly
The unique bond forged between Chinese women who were abandoned by their families and forced into the silk industry at a young age is beautifully explored in Tsukiyama's (Night of Many Dreams) precisely crafted novel. During the Japanese invasion of Canton in 1938, Pei, a shy 27-year-old whose quiet strength marks her as a survivor, flees the silk factory where she has lived and worked since she was eight years old. She takes with her Ji Shen, an adolescent orphaned when the Japanese took Nanking, whom Pei has pledged to raise. Arriving in Hong Kong, Pei relies on her ties with the silk sisterhood to find housing and a place to work, and also to learn the rules and customs which she must adopt in this new environment. In spare, evocative prose, Tsukiyama paints contrasting pictures of the bustling wealth of Hong Kong and its massive poverty. First assigned to a wealthy Chinese household where she is embroiled in servants' quarrels, Pei finally finds unexpected peace working for "a white devil," a widowed Englishwoman who comes to treat Pei like a daughter. Flashbacks to Pei's early life in the silk factory punctuate the narrative, which skillfully traces 35 yearsAthrough the Japanese invasion of Hong Kong and its aftermath up until 1973Ain Pei's nimbly stalwart existence. Women provide for each other in myriad ways in this world, and the relationships forged between them glow at the heart of Tsukiyama's story. Sisters are reunited, mothers and adopted daughters remain steadfastly loyal, childbirth breeds grief, but affirmation, too, and great friends even return from the dead to console their loved ones in this quiet but powerful effort from a writer who proves once again that she is an unusually gifted storyteller. Agent, Linda Allen. (Oct.)
Copyright 1999 Reed Business Information, Inc.

From Library Journal
The author of several novels (e.g., Night of Many Dreams), Tsukiyama here offers a sequel to her 1991 work, Women of the Silk, which introduced readers to a young Chinese girl working in a silk factory. It is 1938, and Pei, now 28 years old, has traveled to Hong Kong, where she finds herself working as a domestic servant and caring for a young girl named Ji Shen. Though the novel spans 35 years, it is mostly given to covering the Japanese occupation of Hong Kong and its aftermath through 1952. During those years, readers follow Pei and Ji Shen's struggle to survive fear and hardship, as British and Canadian civilians are interned under Japanese authority and a na?ve Ji Shen finds herself dealing in the black market. As in her other works, Tsukiyama's writing is richly descriptive and filled with historical detail, and her characters are fleshed out. Libraries with Tsukiyama's work will want to add this title, though as a sequel it works well on its own. Recommended for historical fiction and Asian American fiction collections.
-AShirley N. Quan, Orange Cty. P.L., Stanton, CA
Copyright 1999 Reed Business Information, Inc.

From Kirkus Reviews
A saga of a Chinese woman in the WWII eraand sequel to Women of the Silk (1991). Having barely escaped China after the Japanese invasion, 27-year-old Pei arrives in Hong Kong with a bag slung over her shoulder, 14-year-old orphan Ji Shen in tow, and a list of names. A silk sister since childhood (the sisterhood is ostensibly a workers union but is more akin to a religious order complete with a vow of chastity), Pei enlists the aid of other exiled sisters and soon finds work as a domestic. While Ji Shen lives at a boardinghouse and begrudgingly attends school, Pei acclimates to the uncloistered city, where she tries desperately to create a stable life for herself and the young girl she's taken under her wing. Unfortunately, Pei is fired (though the evil Fong really stole the pearls), but she soon finds work as a companion in the home of the irrepressible Mrs. Finch. Allowed to bring along Ji Shen, the three build a cozy nest and a solid bondthe relationship between the widowed British woman and Pei and Ji Shen is the most absorbing of the novelas Mrs. Finch becomes more surrogate mother than employer. Life changes again when the Japanese invade Hong Kong, sending Mrs. Finch off to wither in an internment camp, Pei to scrape by as a seamstress, and Ji Shen to learn the ways of the black market in bombed-out Hong Kong. One event leads to another: the war ends, Pei prospers and at last is reunited with a long-lost sister, though none of these events raises sufficient feeling in the reader to rouse a connection to the characters, ultimately failing to evoke much concern for the stoic Pei's struggles. A meandering story thats historically fascinating but emotionally uninvolving. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

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42 of 43 people found the following review helpful.
The Language of Life and Love
By Nancy R. Katz
This year I was introduced to the author Gail Tsukiyama when a book group I belong to chose to read The Samurai's Garden. Gulping this book down in a matter of hours and loving every page, I then read her newest book Dreaming Water and Tsukiyama's first book Women of the Silk. Both books were wonderful and now that I have finished the sequel to Women of the Silk, The Language of Threads, I wish I could be reading all of these books for the first time.
The Language of Threads picks continues the story of Pei wh we first met in the previous book Women of the Silk. The Language of Threads begins in 1938 Pei at 28 is bound for Hong Kong and the Japanese have begun occupying China. At the age of 8, Pei who was given by her parents to the Sisterhood to become a silk worker. But now the silk factories are all but gone and the other silk workers are scattered around China trying to steer clear of the Japanese. Accompanying Pei on this voyage is Ji Shen, a 14 year-old girl, who after watching her parents and sister killed by the Japanese made her way to the girl's house of the Sisterhood where the silk workers vowed to care for her. When the time comes for Pei to leave the area, she cannot forget the promises made to Ji Shen and makes plans to travel and care for her.
Once in Hong Kong, Pei is reunited with other sisters of the silk factory who now work as domestics in grand homes. Pei is immediately employed but learns the hard way that she won't be treated as fairly as before in Hong Kong. When she is accused of stealing from her employer, she is forced to leave her job. But fate steps in and Pei finds herself working for a kindly English woman, Mrs. Finch who also allows Ji Shen to live with them. As the months pass and the Japanese become more and more of a presence, these three women become very important to one another and act towards each other as if they are family members. But once again life turns and when Mrs., Finch is sent to an internment camp for British citizens, Pei must not only find a way to care for herself and Ji Shen but to survive the Japanese takeover of Hong Kong. And when tragedy strikes, once again Pei must make a life for herself and all those she holds dear.
The Language of Threads is a wonderful book although at times it is equally heart breaking. We first meet Pei at 28 and when the book finishes she is 62. Her story is well told and like the strands of silk she once handled comes together quite poignantly at the end. And we, as readers rejoice in her life filled with dark days overshadowed by triumph and ultimately joy. Like the characters from Tsukiyama's other books Pei is a well-crafted character who you will think of as a real person and won't soon forget.
I really loved both Women of the Silk and The Language of Threads and cannot recommend them enough. Besides offering solid characterizations of the people, I learned about the lives of those young women sent by their families to work in the silk factories and life in Hong Kong during the Japanese takeover of China before and during WWII. Most of all what I will always remember about these two books is the courageous woman who made a worthwhile life for herself and others against all odds.

15 of 15 people found the following review helpful.
Simple, but hearwarming.
By algo41
This is a sequel to Women of the Silk, and is consistent in writing style and interest. In this novel, Pei flees to Hong Kong ahead of the Japanese, and with the support of her sisterhood of ex silk workers establishes herself. Tsukiyama has a modest style, with simple prose, and clear cut characters. She plots well, and affirms such virtues as loyalty and kindness and strength of character without being cloying. Thus, she is able to expose the reader to terrible historical times, yet leave the reader with a very positive experience.

13 of 14 people found the following review helpful.
Enjoyable historical fiction
By A Customer
For the past two decades, Pei has worked in the Canton silk factories. However, when the Japanese invade her home in 1938, Pei flees for the relative safety of Hong Kong. She takes with her Ji Shen, whose parents died during the occupation of Nanking. Her connections with the silk industry land Pei a job in the home of a wealthy Chinese family. She loses her job as a domestic when she is accused of stealing pearls.
Surprisingly, Pei obtains work as a companion to a white devil, Mrs. Finch. The British expatriate treats Pei and Ji as her children rather than her servants. Again, Pei's happy home is disrupted by the Japanese who take Mrs. Finch to a prison camp. Pei turns to sewing to scrape together a living even as Ji turns to the black market. With the help of the sisterhood, Pei and Ji continue to survive hardship after hardship.
As a historical novel, THE LANGUAGE OF THE THREADS is an intriguing look at thirty-five years (1938-1973) of life in China and Hong Kong. However, the ordeals confronted by Pei never seem earth shattering as the stoic woman floats through whatever adversity life conjures up at her. This leaves readers fascinated by the heroine's philosophy yet never fully engaged. As with WOMEN OF THE SILK, Gail Tsukiyama shows her talent to make the mid-twentieth century Orient seem vividly alive as few tales have done.

Harriet Klausner

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