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Let Me Whisper in Your Ear, by Mary Jane Clark
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Reporter Laura Walsh's KEY News colleagues jokingly call her the "Angel of Death" because of her uncanny ability to have celebrities' obituaries ready to roll-even for people who are not expected to die. It seems someone's been "whispering" in Laura's ear, tipping her off to secrets about some of the rich and famous who don't have long to live.
When the remains of a 12-year old boy, missing for 30 years, are discovered buried where the legendary Palisades Amusement Park once stood, Laura sees her chance to move beyond the obits to "Hourglass," KEY News' answer to "60 Minutes." But when glamorous "Hourglass" host Gwyneth Gilpatric meets a devastating end, Laura's ready-to-air obit raises not only the suspicions of her co-workers, but of the police as well.
A tension-filled thriller from a rising star writer, Let Me Whisper in Your Ear is Mary Jane Clark's best book yet.
- Sales Rank: #2008123 in Books
- Published on: 2000-09-02
- Original language: English
- Number of items: 1
- Dimensions: 9.56" h x 1.20" w x 6.42" l,
- Binding: Hardcover
- 304 pages
Amazon.com Review
Laura Walsh, a KEY News reporter, shares a professional background similar to Mary Jane Clark's. Both Clark and the heroine of her new romantic thriller spent time writing obituaries of celebrities who aren't dead yet, a ghoulish job that seems to be a steppingstone to greater responsibility. In Laura's case, it is correspondent for Hourglass, a 60 Minutes type of show whose star, Gwyneth Gilpatric, has taken a very personal interest in her. When Laura pitches a story on the now-defunct Palisades Amusement Park, where the remains of a 12-year-old boy who disappeared from the park over 30 years ago have just been found, she has no idea how close to home her investigation will lead. And when Gwyneth (a Diane Sawyer look-alike) plunges to her death from her terrace during her annual New Year's Eve party, Laura is still in the dark about the star's connection with the park, the missing boy, and her own father, whose ties to that murky past unravel as more killings occur. In fact, Laura's not particularly quick on the uptake, although she's certainly young, attractive, and blow-dried enough to play the-woman-in-danger role in this somewhat tepid story. More interesting by far is her best friend Francheska, whose married lover, a plastic surgeon trying to keep his Parkinson's disease a secret from his patients (particularly Gwyneth), tips Laura off whenever someone rich and famous enough to have an obituary prewritten goes on life support. Francheska's role in the plot is slowly revealed in a not very surprising finale that wraps up everything quite tidily. Not Clark's best effort, this novel will nonetheless please fans of the genre who are more interested in the romance than the thrills. --Jane Adams
Review
"Mary Jane Clark is one of the most exciting novelists in America today."-- Dan Rather
"A suspense-charged, absorbing tale of treachery, troubled psyches, and flawed relationships that leaps beyond romantic suspense into the heart's darkest realms...Kept me guessing right up until the final jolting betrayal."-- Perri O'Shaughnessy, author of Move to Strike
"Mary Jane Clark has a gift for writing page-turners."-- Mary Higgins Clark
--Review
"Mary Jane Clark is one of the most exciting novelists in America today."-- Dan Rather"A suspense-charged, absorbing tale of treachery, troubled psyches, and flawed relationships that leaps beyond romantic suspense into the heart's darkest realms...Kept me guessing right up until the final jolting betrayal."-- Perri O'Shaughnessy, author of Move to Strike"Mary Jane Clark has a gift for writing page-turners." --Mary Higgins Clark
About the Author
Mary Jane Clark is a producer and writer at CBS News. She lives in Hillsdale, New Jersey.
Most helpful customer reviews
1 of 2 people found the following review helpful.
Clark's best
By A Customer
I've read all of Mary Jane Clark's books, and this one has to be the best. The insider's view of the network news business is fascinating and priceless. The characters feel so real. I was up all night, guessing the wrong killer, until the last few pages.
2 of 2 people found the following review helpful.
Let Me Whisper in your Ear
By Deborah L. Hunt
Always good reading with Mary Jane Clark. Twists and turns that keep me on the edge of my chair.
3 of 3 people found the following review helpful.
Clark settles in to fine third outing -- but still clutter
By Jerry Bull
We've been reading Mary Jane Clark's newsroom-set mysteries in order, and it appears the "formula" is now firmly set. Again, we have the interesting venue of "Key News", where Clark capitalizes on her real life job at CBS News to give us an inside look at the stresses and glamour of television news producing. In particular, Whisper gives us an inside look at "Key's" competition to "60 Minutes" called Hourglass, where the principals will do almost anything in the chase for ratings superiority. We also get the scoop on how TV stations turn out those beautifully crafted video obituaries only hours after the death of a famous person.
That latter technique comes into play when the star of Hourglass, Gwyneth Gilpatric, allegedly falls to her death from the roof of her penthouse at her annual New Year's Eve Party. Our ambitious leading lady, Laura Walsh, proceeds from airing an obit prepared in advance to gaining a job on staff at Hourglass, having interned there as a college student. Her first assignment, to produce a retrospective of New Jersey's famous Palisades (Amusement) Park, quickly stirs up intrigue in the form of a 30-year old suspicious death of a young boy there, and the roles of Gilpatric, Laura's father (who used to run the Cyclone at the park), and another boy that survived his friend's death. Another murder or two complete a very intricate plot and reveal a fairly surprising conclusion that wraps up just about everything by page 320. So most will find this a good story, entertaining, informing, and suspenseful enough to keep those pages turning quickly.
The part of the formula we don't like are 145 chapters in a book this small, which chop you from scene to scene in just seconds of reading; and Clark's seeming insistence to fill these stories with hundreds of details, characters, and setting changes -- what we call clutter. Axe half the chapter switches and half that unnecessary stuff, and we'd be headed closer to the top shelf of the library instead of the beach book bin. Just our opinion -- otherwise, we're happy!
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