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Alfonso Stephen O'Kelly'O known as Stephen, son of rumoured former bootleggers, ex-naval gunner, unemployed compuser, student of dairy cattle in Wisconsin and of music in Italy, has little to recommend him as a marriage prospect but his tender heart, his chivalry, and his comprehensive knowledge of the great city of New York. So when the exquisitely pneumatic and extraordinarily wealthy Sylvia Triumphington, adored adoptive heiress to the Triumphington family forture, sets her sights on him, Stephen is caught quite off guard.
Marrying into the Triumphington fortune, Stephen gets more than he bargained for. Sylvia's unexpected taste for rough sex, her obsession with finding her real mother, and her proclivity for spending Stephen's non-exsistent money are enough for him to handle but then there is the arrogant and unpredictable adoptive father and his elegant and insatiable wife, Drusilla, to whom Stephen conspicuously and inconveniently is attracted.
And then, of course, is the wrong information....
Featuring fourteen refined and witty illustrations by Elliot Banfield, the artist whose drawings enhanced the colorful antics of The Lady Who Liked Clean Restrooms,, Wrong Information is Being Given out at Princeton, is an elegy on passion, a glorious, irreverent, and picaresque journey.
- Sales Rank: #486707 in Books
- Published on: 1999-12-23
- Original language: English
- Number of items: 1
- Dimensions: 9.26" h x .92" w x 6.16" l,
- Binding: Paperback
- 336 pages
From Publishers Weekly
Judging by his previous novel, The Lady Who Liked Clean Restrooms, and this new one, Donleavy, most famous for The Ginger Man (it was banned in America in 1955), seems fixated on odd or disagreeable people whose bizarre behavior puts them on society's margins. Here, the antihero is Stephen O'Kelly'O, a Rudolph Valentino look-alike, son of Irish bootleggers, naval veteran and generally oversexed layabout. In post-WWII Manhattan, he meets the very rich Sylvia Triumphington and almost immediately elopes with her. "I should have realized right there and then that I was getting involved with a deeply spoiled bitch," Stephen muses. That might be so, but Sylvia is at least poignantly rendered (she is preoccupied by the fact that she was adopted), and it is a shame that she is not the protagonist. Instead, we see the world through Stephen's eyes?a chore, since the self-styled "composer with artistic sensibilities" is impossible to like or take seriously. Stephen's social commentaries are so jejune they are funny; he uses Marxism as an excuse to avoid finding a job and insouciantly asks Sylvia's adoptive father to sponsor his musical career. But soon Stephen is having it off with Sylvia's adoptive mother, who has some kinky tastes of her own. Like Stephen's character, this novel is a muddle that's lewd without purpose and mean-spirited without irony. In fact, the book's promise ends at its amusing (and misleading) title. Illustrations by Elliott Banfield.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Back from service in World War II, Stephen O'Kelly'O is trying to settle down to his life's work as a composer in New York. While looking for a patron, Stephen is easily distracted by Sylvia, the spoiled and somewhat sadistic daughter of the fabulously wealthy Triumphington family. Stephen and Sylvia marry in haste, but when Sylvia eventually walks out, her mother, Drucilla, seduces Stephen. After Sylvia's death, Drucilla offers to "keep" him as composer and lover. Stephen refuses the offer, steps onto the Staten Island Ferry, and meets the love of his life. Best known for The Gingerman, Donleavy (The Lady Who Liked Clean Rest Rooms, LJ 6/15/97) plays on New York's diversity to craft a story of lives controlled by chance. The chaos that results is somewhat depressing, despite the impression of a happy ending. The illustrations by Ellliot Banfield are entertaining. Recommended for large fiction collections.?Joanna M. Burkhardt, Univ. of Rhode Island Coll. of Continuing Education Lib., Watch Hill
Copyright 1998 Reed Business Information, Inc.
From Booklist
Donleavy, author of the controversial Ginger Man (1955) and more recently The Lady Who Liked Clean Restrooms (1997), tells a good story here--if the reader can tolerate his use of crude language, unremitting focus on the raunchier aspects of sexuality, and his characters' blatant misogyny, not to mention his penchant for unusual grammatical structure. Stephen (a native New York Irishman with the unlikely last name of O'Kelly'O) marries Sylvia shortly after they meet. Why not? He is an ex-navy man recently returned from fighting in World War II and a struggling composer and pianist. She is a young, beautiful dancer, the adopted daughter of an extremely wealthy couple. They're soon in trouble, though, when Sylvia's parents cut off her allowance. Stephen's infidelity and her own anguished search for her birth mother cause Sylvia to flee. Stephen gets himself into some tricky situations that are both volatile and depressing, including an affair with Sylvia's adoptive mother. He is further brought down by his observations of the dehumanizing aspects of city life and acts out in various ways the humiliation and rage that have-nots often feel around the conspicuously wealthy. All the money in the world, however, can't buy Sylvia the one thing that drives her: a connection with her biological mother. O'Kelly'O actually begins to show some character in the face of tragic losses, which makes for a hopeful ending. The distinctive style of Elliot Banfield's illustrations, along with Donleavy's uncanny ability to capture the linguistic cadence of the period, provides an undeniable late '40s feeling. Grace Fill
Most helpful customer reviews
2 of 2 people found the following review helpful.
Marvellous! Surpasses Rabelais by its robust verve.
By Ronald Haak
This rollicking novel will invite readers who've spent decades living responsibly to critique their lives and wonder if they've taken the wrong path and should've allowed their hormones full reign instead, as the hero does. An idealist of the purest form, he remains mired in poverty and remains baffled that the people around him treat him to limitless bonanzas. Emerging from the navy after WWII, he finds himself lavishly entertained in New York's finest restaurants, zipping around in the world's most expensive sports cars and amorously pursured by the ravishing, sophisticated, elegant, Manhattan hostess (named "Dru") who also just happens to be "the wealthiest woman in America". Dru summarizes his advantage over many rivals when she observes in a well-bred, trembling voice, ("Oh, my! You really are, aren't you, EXCEEDINGLY well endowed!") There is no doubt that he is. His wife has a fantasy that he's drowned and she is shown his cadaver on a mortuary slab. As the sheet is slowly pulled up from his feet, she only needs to view the lower half of his body. "Never mind pulling it up any more; that's him." People lavish things on him, while not alleviating his poverty, because they see things in him they want to exploit. The tensions that result between his idealisms and the satisfactions pressed upon him by other people's money and Dru's lusts, provide the comic richness of the book. (The contrasts between Dru's refined vocabulary ["oh, how utterly droll!"] and her kinky, macabre sexual needs shows the formula at full strength.) Under all the comic intensity, he slowly realizes the gap between hedonism and merit, and he purifies himself. But he purifies himself not of what he's done, but from what he's observed and because of what's been done to him. So by novel's end, straight-laced readers can comfort themselves he's finally arrived where they've always been! Whether they salivate over his detours or not recalls the dilemma of St. Augustine in his memoirs, "Lord, make me chaste, but not too soon." The dominant theme of the novel, however, is comedy, not sex, and as comedy it is robustly and hedonistically triumphant. This is the robust product of an astute and moral writer.
6 of 6 people found the following review helpful.
Tender, comic, lyrical pointillism
By Wordsworth
J.P. Donleavy's narrative voice is unique. Setting him apart from all other writers. With a lyrical pointillism that is fragmented. Painting pictures of incredible poetic beauty. Sad and tender. And then, again, hilarious. Evoking all of one's senses. This tale is very New York. Where Donleavy was born. Before moving to Ireland, TCD and the Irish countryside. His subject, this time, is a starving composer living among wealthy friends and in-laws. Tormented by every woman he meets. Unable to understand just one of them. Even briefly. Bewildered by popular American culture. Which rains fortunes on untalented artists. Hiding the gifted in total obscurity. And starving them into anonymity. They await redemption. And recognition of their artistic merit. As the astonishing talents of Donleavy go unrecognized by the literary mainstream. Read Donleavy -- one of the most gifted and worthy and unheralded writers of our day.
11 of 11 people found the following review helpful.
Much more rewarding than merely "boisterous" or "ribald"...
By A Customer
If you enjoy Donleavy, you should give this novel a try; it's marvelously well-written. If you like his prose style you might conclude, as I do, that he's writing better than ever. The prose is, at times, simultaneously fractured and yet perfectly constructed. A paradox, I know, but that's what Donleavy can pull off at his best. The reviews of the novel will likely (and reasonably enough) focus upon its ribald scenes, characteristic outbursts of blarney, etc., etc...Donleavy has certainly not lost the flair for the comic and absurd scene. Beyond that, however, is an emotional punch that really hangs with you after finishing the book. The scene from with the title is taken is, for instance, quite brief and very powerful.
Steve Vivian
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