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Unspeakable ShaXXXspeares is a savvy look at the wide range of adaptations, spin-offs, and citations of Shakespeare's plays in 1990s popular culture. What does it say about our culture when Shakespearean references turn up in television episodes of The Brady Bunch and Gilligan's Island, films such as In and Out and My Own Private Idaho, and hardcore porn adaptations of Hamlet and Romeo and Juliet? Burt reads the reception of these often quite bad replays in relation to contemporary youth culture and the "queering" of Shakespeare.
- Sales Rank: #2955031 in Books
- Published on: 1999-12-03
- Released on: 1999-12-03
- Original language: English
- Number of items: 1
- Dimensions: 8.32" h x .97" w x 5.52" l, .85 pounds
- Binding: Paperback
- 318 pages
Review
“His study offers much acute, intensely self-aware analysis. . . .” —The Sunday Observer (London)
“... if you are interested in books on the envelope of Shakespearean cultural studies, then Unspeakable ShaXXXSpeares is a must read....” —The Shakespeare Newsletter
“...an important and trailblazing work, not so much for what it says about Shakespeare as for how it challenges and refines our critical practice.” —Medieval and Renaissance Drama in England
About the Author
Richard Burt is a professor of English at the University of Massachusetts,
Amherst. He is the coeditor of Shakespeare the Movie.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Unfinished Mourning
By tamiii
I too found this book charming, cogent, concise, and funny. I will therefore not repeat what others have so well said. In reading it, I was reminded of an experience I had while reading another wonderful book, Suite Francaise by Irene Nemirovsky. There, a Jewish writer wrongly takes for granted the enduring power of classical music in the midst of a heinous invasion.
My father, born a poor man, was blessed with a college education as a benefit from serving during World War II. On hearing classical music for the first time in a college dorm, he raced up several flight of stairs, pounded on the door of the room from which the music came, to ask a fellow student what was that magnificent sound? He made sure his children should not be similarly deprived by surrounding us with that treasured music. Yet, like Shakespeare, it is now puzzingly gone, save perhaps among those foreign born or gay.
Here, the author points the blame to a mass culture determinedly aimed at selling to children as that market which, at least at one time, offered the highest profit. I am not entirely convinced of this explanation as both Shakespeare and classical music still survive among a small but delighted audience of mostly amateur players. Yet, it does seem that the mainstream no longer values wisdom or its fountainhead, serenity. That both were venerated after the cataclysm of world war and are now forgotten in an age of immediate gratification does make me wonder if Burt isn't onto something when he calls the result unfinished mourning. In opposition to trendy cultural critics, setting the record straight by carefully examining what was once treasured, an integral task of mourning, may yet turn out to be the most political work.
2 of 2 people found the following review helpful.
Not only about Shakespeare porn!
By A Customer
I ran across this book while reading an essay in Lingua Franca about Shakespeare porn. Burt lists a whole series of Shakepseare porns on his personal website and he discusses many of them in a long chapter to his book. From his website, which I found very intriguing, I see that he will be publishing an another article on the same topic. While all this makes for extremely interesting criticism (and college courses to), the book also discusses a wide range of what Burt calls "replays" of Shakespeare in mostly 1990s mass culure. Burt is also the editor of a book I will buy called Shakespeare After Mass Media. Burt documents the many positive academic reviews and the extensive media coverage Unspeakable ShaXXXspeares has received on his website. After reading this excellent book, I can see why it has such a high profile and why Burt's work is getting so much positive attention.
2 of 3 people found the following review helpful.
Witty and moving analysis of Shakespeare's fate in media
By Elizabeth Power
One doesn't usually expect to find oneself laughing when reading a book of criticism written by an academic, much less a book on Shakespeare. But Burt's book is frequently just that, funny to the point of making me laugh out loud. Burt has a refreshingly off-beat sense of humor, and the materials he has discovered--such as an adult movie version of Hamlet--aer themselves often hilarious as well, though not always intentionally so. But far from being just a laugh riot, the book is also a serious, critically sophisticated analysis of Shakespeare's fate incontemporary mass media, where much of hte lnagugae is cut or confined to well-known quotations. Burt's final chapter on films about teaching Shakespeare is quite moving, and Burt has the courage to raise difficult questions without pretending he is able to answer them. He is right to think that the questions are more important than the answers. Burt is to be congratulated for writing his book in a clear and engaging prose style without sacrificing the complexity of his thought.
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