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The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender and Class in African American Theater 1900-1940
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The Whitman Sisters were the highest paid act on the Negro Vaudeville Circuit, Theater Owner Booking Association (Toby), and one of the longest surviving touring companies (1899-1942). The group was considered the greatest incubator of dancing talent for Negro shows on or off Toby, and significantly contributed to American theater and dance history. In The Royalty of Negro Vaudeville , Nadine George-Graves provides an historical narrative of their achievements and uses black feminist theories, feminist theories of performance, and theories of class and popular culture to analyze the many layers of performance in which the Whitman Sisters participated, on and off the stage. She shows that these four black women manipulated their race, gender and class to resist hegemonic forces while achieving success. By maintaining a high-class image, they were able to challenge fictions of racial and gender identity.
- Sales Rank: #1604309 in Books
- Published on: 2000-07-07
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .63" w x 5.50" l, .75 pounds
- Binding: Hardcover
- 256 pages
Review
...first throughly researched and intelligent account of these forgotten women. Women's Review of Books
About the Author
Nadine George Graves is Assistant Professor of Theater Studies at Yale University.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Good Subject, Weak Conclusions
By Gus, Minnie & Lonnie are the Best!
Evidently this is a tough subject or subjects to track down. The author has the tendency to repeat the same assumptions which at times are based on rather weak facts. Rather than all the repetition, why not take a look at some of the other companies. It would have been interesting if the author had done some research on the Hyers Sisters who preceded the Whitman Sisters by about 15 years in Vaudeville and compared the two companies. Put in that perspective, were the Whitman Sisters that unique or were they more a product of their times?
Also the author neglected to mention that a major Blues and Jazz musician by the name of Lonnie Johnson just happened to be with the Whitman Sisters for nine years. Yes, I realize the book is about negotiation of race and feminist policies but at least a paragraph or two was warranted.
6 of 6 people found the following review helpful.
Excellent resource
By Amazon Customer
An excellent book, well written and meticulously researched. Not only does Nadine George-Graves provide fascinating and useful information about the Whitman Sisters, she also discusses, in great detail, the social and cultural circumstances surrounding their historical moment. The information on Toby, the black vaudeville circuit, is invaluable. Much of what George-Graves writes about hasn't been written about elsewhere, making her book all the more unique and important.
This is a short book - only 118 pages - but the amount of information it contains makes it indispensible for anyone interested in vaudeville, dance, or African-American theater.
7 of 7 people found the following review helpful.
Important Black Women's History Unearthed
By A Customer
Like Alice Walker, who resurrected the work of Zora Neale Hurston, Nadine George-Graves has uncovered the lost story of powerful African-American women: the Whitman Sisters. A powerful force in Vaudeville, these profoundly talented entertainers were also astute entrepeneurs, whose company formed a springboard for many luminaries of the stage. We are in Ms. George-Graves debt for bringing to light this important history.
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